Research Article
BibTex RIS Cite
Year 2023, , 1 - 25, 30.06.2023
https://doi.org/10.33906/musicologist.966505

Abstract

References

  • Ajewole, John O. (2011). “Meki Nzewi as Representation of African Musical Knowledge”. Mekism and Knowledge Sharing of the Musical Arts of Africa: A Book of General Reading in Honour of Professor Meki Nzewi, Ed. Young-Sook Onyiuke, Isaac O. Idamoyibo and Dan Christian Chikpezie Agu: pp. 117–120.
  • Alachi, Omada V. and Tyokyaa Godwin. (2016). The alekwu festival among the Idoma of central Nigeria: Implication for curriculum planners in the Nigerian educational system. Retrieved from https://www.academia.edu/31814514/The_Alekwu_Festival_among_the_Idoma_of_Central_Nigeria_Implication_for_Curriculum_Planners_in_the_Nigerian_Educational_System
  • Allen, Aaron S. (2017). “Beethoven’s Nature”. Ecological Thought in German Literature and Culture, Ed. Gabrile Durbeck, Urte Stobbe, Hubert Zape and Evi Zemanekpp: pp. 371–386. New York: Routledge
  • Anyebe, Ted. (2012). “Women and Masquerade Tradition in Idoma Indigenous Theatre”. Ikenga International Journal of Institute of African Studies. 12(2): 215–232.
  • Cassirer, Ernst. (1923). Substance and Function. Chicago: The Open Court Publishing Company.
  • Cavalli-Sforza, L. L., Feldman, M. W., Chen, K. H., and Dornbusch, S. M. (1982). “Theory and Observation in Cultural Transmission”. Science. 218(4567): 19–27. Retrieved from https://www.researchgate.net/publication/16076285_Theory_and_Observation_in_Cultural_Transmission
  • Djomo, Choumbou Raoul Fani., Ukpe, Henrietta Udeme, Ngo, Valery Ngo. et al. (2021). “Perceived effects of climate change on profit efficiency among small scale chili pepper marketers in Benue State, Nigeria.” GeoJournal, 86: 1849–1862 (2021). https://doi.org/10.1007/s10708-020-10163-x
  • Esan, Olaosun. (2016). Nature semiosis in two Nigerian popular music. Ile-Ife: Obafemi Awolowo University Press.
  • Falk, Catherine and Ingram, Catherine. (2016). “From Intangible Cultural Heritage to Collectable Artefact: The Theory and Practice of Enacting Ethical Responsibilities in Ethnomusicological Research”. Retrieved from http://openresearch-repository.anu.edu.au/bitstream/1885/116957/1/Falk_Ingram.pdf
  • Folorunso, C. A. (1993). “Contacts and Interrelations Among the People of the Benue Valley”. Some Nigerian Peoples, Ed. A. W. Bassey, A. I. Okpoko and C. A. Folorunso: pp. 145 – 153. Ibadan: Rex Charles Publications.
  • Feisst, Sabine. (2014). Animal ecologies: Laurie Spiegel’s musical explorations of urban wildlife. Social Alternatives, 33(1): 16-22.
  • Fraisse, P. (1963). The Psychology of Time. New York: Harper & Row.
  • Gallagher, Shaun. (1998). The Inordinance of Time. Evanston, IL: Northwestern University Press.
  • Gilmurray, Jonathan. (2018). “Ecomusicology: Ecology and Environmentalism in contemporary music and sound art”. Ph.D Dissertation, University of the Arts, London, United Kingdom. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/13705/
  • Groffman, Joshua and Titus, Olusegun S. (2022). Hearing nature: Approaching environmental communication through music and sound. The Handbook of International Trends in Environmental Communication, Eds. Bruno Takashi, Julia metag, Jagadish Thaker and Suzannah Evans Cmfort: pp. 479–499. NY and London: Routledge Taylor and Francis Group.
  • Inuaeche, A. (2001). Theories of Origin: Three Kwa Languages in Perspective. Lisbon: Mayer Publishing.
  • Lalonde, Christopher E. and Chandler, Michael J. (n.d.) “Culture, Selves, and Time: Theories of Personal Persistence in Native and Non-native Youth”. Changing Conceptions of Psychological Life, Ed. C. Lightfoot, C. Lalonde and M. Chandler: pp. 207-229. Mahwah, NJ: Laurence Erlbaum & Associates. Retrieved from https://www.academia.edu/1379534/Culture_selves_and_time_Theories_of_personal_persistence_in_Native_and_non-Native_youth
  • Locke, David. (2005). “Ewe, Mande, Dagbamba, Shona, BaAka”. Worlds of Music: An Introduction to the Music of the World’s Peoples, Ed. J.T. Titon: pp. 93-121. Belmont, U.S.A.: Schirmer Thomas Learning.
  • Neyt, François N. (1985). The Arts of the Benue to the Roots of Tradition. Belgium: Lannoo, Tielt.
  • Nwalem, Monday Patrick. (2015). “Relationship between level of adverse effect of perceived dimensions of climate change manifestations and production efficiency among sesame farmers in Benue State, Nigeria.” M.Sc. Thesis submitted to the Department of Agricultural Economics. University of Agriculture, Makurdi-Benue State, Nigeria.
  • Ochefu, Yakubu. A. (1996). “Idoma and Igala State Systems”. Foundations of Nigerian Federalism: Pre-colonial Antecedents, Ed. J. I. Elaigwu and Erim O. Erim: 258–275. Abuja: National Council on Intergovernmental Relations.
  • Ogundele, Samuel Oluwole and Lumowo, James. (2009). “Cultural Landscape Adaptation and Management among the Berom of Central Nigeria”. Nyame Akuma. 72: 78–84.
  • Onaji, Esther (2013). Harnessing local festivals for tourism promotion in parts of Benue state. PhD Thesis submitted to the Department of Archaeology and Tourism, University of Nigeria, Nsukka, Nigeria.
  • Jennifer C. (2018). “Introduction: Redesigning and redefining ethnomusicology.” Ethnomusicology: A Contemporary Reader, Vol. II, Ed. Jennifer C. Post: pp 1-14. New York, Routledge.
  • Seeger, Anthony. (2017). “The Kisedje / Suya, Their World and the Nature of Their Musical Experience”. Current Directions in Ecomusicology: Music, Nature, Environment. Ed. Aaron S. Allen and Kevin Dawe: pp 89-98. Routledge Research in Music.
  • Taylor, Timothy. (2007). Beyond Exoticism: Western Music and the World. Durham, London: Duke University Press.
  • Thomas, Isabel Grace. (n.d.) “The human-nature relationship in the collaborative ecomusicological work of Richard Skelton and autumn Richardson.” Retrieved from https://www.academia.edu/35014366/Ecomusicology_and_Richard_Skelton_docx
  • Titon, Jeff Todd. (2005). “The Music Culture as a World of Music”. Worlds of Music: An Introduction to the Music of the World’s Peoples, Ed, J.T. Titon: pp. 1–33. Belmont, U.S.A.: Schirmer Thomas Learning.
  • Vidal, Augustus O. (2012). “Traditional Musical Instruments of the South-West Nigeria: Forms and Distribution”. Selected Topics on Nigerian Music, Ed. Femi Adedeji: pp. 43 – 54. Ile-Ife, Nigeria: IMEF African Music Publishers.

Celebrating the Past, Present, and Future: The Case of Odumu Music and Dance Among the Idoma People

Year 2023, , 1 - 25, 30.06.2023
https://doi.org/10.33906/musicologist.966505

Abstract

Odumu music among the Idoma people in Nigeria has served historical, sociological and entertainment functions. Performed predominantly by male members of the society, female community members are allowed to participate in the dance as a mark of collective cultural identity and responsibility. Communality is a core community ethos among the Idoma which promotes individual expression within a wider communal space. This paper, therefore, examines Odumu musical performance from the angle of its socio-cultural significance as well as its reflection of anthropocentric impact in shaping the environment. In a specific sense, the paper aims to highlight the musical narrative of how the people have encountered and impacted their environment, and how such experience have shaped their cultural expressions using the instrumentality of traditional music and dance. The research adopted observations and interviews as field methods among the Idoma people as well as Odumu performers to obtain data for the research. Analysis of data obtained reveals that Odumu musical performance provides a space for socio-cultural identity, transmission of culture and re-enacting historical facts that promote communal bonding. Hence, it reinforces the larger social sense of belonging. This paper will be of benefit to environmental and cultural scholars by providing knowledge on the intersection of music, culture and the environment among less visible indigenous groups like the Idoma people.

References

  • Ajewole, John O. (2011). “Meki Nzewi as Representation of African Musical Knowledge”. Mekism and Knowledge Sharing of the Musical Arts of Africa: A Book of General Reading in Honour of Professor Meki Nzewi, Ed. Young-Sook Onyiuke, Isaac O. Idamoyibo and Dan Christian Chikpezie Agu: pp. 117–120.
  • Alachi, Omada V. and Tyokyaa Godwin. (2016). The alekwu festival among the Idoma of central Nigeria: Implication for curriculum planners in the Nigerian educational system. Retrieved from https://www.academia.edu/31814514/The_Alekwu_Festival_among_the_Idoma_of_Central_Nigeria_Implication_for_Curriculum_Planners_in_the_Nigerian_Educational_System
  • Allen, Aaron S. (2017). “Beethoven’s Nature”. Ecological Thought in German Literature and Culture, Ed. Gabrile Durbeck, Urte Stobbe, Hubert Zape and Evi Zemanekpp: pp. 371–386. New York: Routledge
  • Anyebe, Ted. (2012). “Women and Masquerade Tradition in Idoma Indigenous Theatre”. Ikenga International Journal of Institute of African Studies. 12(2): 215–232.
  • Cassirer, Ernst. (1923). Substance and Function. Chicago: The Open Court Publishing Company.
  • Cavalli-Sforza, L. L., Feldman, M. W., Chen, K. H., and Dornbusch, S. M. (1982). “Theory and Observation in Cultural Transmission”. Science. 218(4567): 19–27. Retrieved from https://www.researchgate.net/publication/16076285_Theory_and_Observation_in_Cultural_Transmission
  • Djomo, Choumbou Raoul Fani., Ukpe, Henrietta Udeme, Ngo, Valery Ngo. et al. (2021). “Perceived effects of climate change on profit efficiency among small scale chili pepper marketers in Benue State, Nigeria.” GeoJournal, 86: 1849–1862 (2021). https://doi.org/10.1007/s10708-020-10163-x
  • Esan, Olaosun. (2016). Nature semiosis in two Nigerian popular music. Ile-Ife: Obafemi Awolowo University Press.
  • Falk, Catherine and Ingram, Catherine. (2016). “From Intangible Cultural Heritage to Collectable Artefact: The Theory and Practice of Enacting Ethical Responsibilities in Ethnomusicological Research”. Retrieved from http://openresearch-repository.anu.edu.au/bitstream/1885/116957/1/Falk_Ingram.pdf
  • Folorunso, C. A. (1993). “Contacts and Interrelations Among the People of the Benue Valley”. Some Nigerian Peoples, Ed. A. W. Bassey, A. I. Okpoko and C. A. Folorunso: pp. 145 – 153. Ibadan: Rex Charles Publications.
  • Feisst, Sabine. (2014). Animal ecologies: Laurie Spiegel’s musical explorations of urban wildlife. Social Alternatives, 33(1): 16-22.
  • Fraisse, P. (1963). The Psychology of Time. New York: Harper & Row.
  • Gallagher, Shaun. (1998). The Inordinance of Time. Evanston, IL: Northwestern University Press.
  • Gilmurray, Jonathan. (2018). “Ecomusicology: Ecology and Environmentalism in contemporary music and sound art”. Ph.D Dissertation, University of the Arts, London, United Kingdom. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/13705/
  • Groffman, Joshua and Titus, Olusegun S. (2022). Hearing nature: Approaching environmental communication through music and sound. The Handbook of International Trends in Environmental Communication, Eds. Bruno Takashi, Julia metag, Jagadish Thaker and Suzannah Evans Cmfort: pp. 479–499. NY and London: Routledge Taylor and Francis Group.
  • Inuaeche, A. (2001). Theories of Origin: Three Kwa Languages in Perspective. Lisbon: Mayer Publishing.
  • Lalonde, Christopher E. and Chandler, Michael J. (n.d.) “Culture, Selves, and Time: Theories of Personal Persistence in Native and Non-native Youth”. Changing Conceptions of Psychological Life, Ed. C. Lightfoot, C. Lalonde and M. Chandler: pp. 207-229. Mahwah, NJ: Laurence Erlbaum & Associates. Retrieved from https://www.academia.edu/1379534/Culture_selves_and_time_Theories_of_personal_persistence_in_Native_and_non-Native_youth
  • Locke, David. (2005). “Ewe, Mande, Dagbamba, Shona, BaAka”. Worlds of Music: An Introduction to the Music of the World’s Peoples, Ed. J.T. Titon: pp. 93-121. Belmont, U.S.A.: Schirmer Thomas Learning.
  • Neyt, François N. (1985). The Arts of the Benue to the Roots of Tradition. Belgium: Lannoo, Tielt.
  • Nwalem, Monday Patrick. (2015). “Relationship between level of adverse effect of perceived dimensions of climate change manifestations and production efficiency among sesame farmers in Benue State, Nigeria.” M.Sc. Thesis submitted to the Department of Agricultural Economics. University of Agriculture, Makurdi-Benue State, Nigeria.
  • Ochefu, Yakubu. A. (1996). “Idoma and Igala State Systems”. Foundations of Nigerian Federalism: Pre-colonial Antecedents, Ed. J. I. Elaigwu and Erim O. Erim: 258–275. Abuja: National Council on Intergovernmental Relations.
  • Ogundele, Samuel Oluwole and Lumowo, James. (2009). “Cultural Landscape Adaptation and Management among the Berom of Central Nigeria”. Nyame Akuma. 72: 78–84.
  • Onaji, Esther (2013). Harnessing local festivals for tourism promotion in parts of Benue state. PhD Thesis submitted to the Department of Archaeology and Tourism, University of Nigeria, Nsukka, Nigeria.
  • Jennifer C. (2018). “Introduction: Redesigning and redefining ethnomusicology.” Ethnomusicology: A Contemporary Reader, Vol. II, Ed. Jennifer C. Post: pp 1-14. New York, Routledge.
  • Seeger, Anthony. (2017). “The Kisedje / Suya, Their World and the Nature of Their Musical Experience”. Current Directions in Ecomusicology: Music, Nature, Environment. Ed. Aaron S. Allen and Kevin Dawe: pp 89-98. Routledge Research in Music.
  • Taylor, Timothy. (2007). Beyond Exoticism: Western Music and the World. Durham, London: Duke University Press.
  • Thomas, Isabel Grace. (n.d.) “The human-nature relationship in the collaborative ecomusicological work of Richard Skelton and autumn Richardson.” Retrieved from https://www.academia.edu/35014366/Ecomusicology_and_Richard_Skelton_docx
  • Titon, Jeff Todd. (2005). “The Music Culture as a World of Music”. Worlds of Music: An Introduction to the Music of the World’s Peoples, Ed, J.T. Titon: pp. 1–33. Belmont, U.S.A.: Schirmer Thomas Learning.
  • Vidal, Augustus O. (2012). “Traditional Musical Instruments of the South-West Nigeria: Forms and Distribution”. Selected Topics on Nigerian Music, Ed. Femi Adedeji: pp. 43 – 54. Ile-Ife, Nigeria: IMEF African Music Publishers.
There are 29 citations in total.

Details

Primary Language English
Subjects Music
Journal Section Articles
Authors

Godwin Ogli 0000-0001-5960-0711

Publication Date June 30, 2023
Published in Issue Year 2023

Cite

APA Ogli, G. (2023). Celebrating the Past, Present, and Future: The Case of Odumu Music and Dance Among the Idoma People. Musicologist, 7(1), 1-25. https://doi.org/10.33906/musicologist.966505