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Year 2017, Volume: 1 Issue: 1, 95 - 140, 30.12.2017
https://doi.org/10.33906/musicologist.373186

Abstract

References

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  • DISCOGRAPHY
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Modern Laments in Northwestern Greece, Their Importance in Social and Musical Life and the “Making” of Oral Tradition

Year 2017, Volume: 1 Issue: 1, 95 - 140, 30.12.2017
https://doi.org/10.33906/musicologist.373186

Abstract

Having as a starting point a typical phrase
-“all our songs once were laments”- repeated to the researcher during
fieldwork, this study aims to explore the multiple ways in which lament
practices become part of other musical practices in community life or change
their functionalities and how they contribute to music making. Though the
meaning of this typical phrase seems to be inexplicable, nonetheless as a
general feeling it is shared by most of the people in the field. Starting from
the Epirot instrumental ‘moiroloi’, extensive field research reveals that many
vocal practices considered by former researchers to be imitations of
instrumental musical practices, are in fact, definite lament vocal
practices-cries, embodied and reformed in different ways in other musical
contexts and serving in this way different social purposes. Furthermore,
multiple functionalities of lament practices in social life reveal their
transformations into songs and the ways they contribute to music making in oral
tradition while at the same time confirming the flexibility of the border
between lament and song established by previous researchers.

References

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  • Alexandru, Tiberiu. (1980). Romanian Folk Music, Bucharest: Musical Publishing House.
  • Alexiou, Margaret. (1974). The Ritual Lament in Greek Tradition. Cambridge: Cambridge University Press.
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  • Androulaki, Maria. (2003). “Συμβολισμός και παραδοσιακή μουσική. Η περίπτωση ενός γαμήλιου τραγουδιού από την περιοχή της Καλαμπάκας” (Symbolism and Traditional music. The Case of a Wedding Song from the Region of Kalambaka). [The 6th Symposium of Studies for the Trikala region, Trikala, 8-10 November 2002 ], Trikalina. 23: 353-373.
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  • Baud-Bovy, Samuel. (1984). Essay on the Greek Demotic Song. Nauplia: Peloponnese Folklore Institute.
  • Blake, Fred C. (1978). “Death and Abuse in Chinese Marriage Laments: The Curse of Chinese Brides” Asian Folklore Studies. 37:13-33.
  • Bourke, Angela. (1988). The Irish Traditional Lament and the Grieving Process, Women’s Studies International Forum. 11(4): 287-291.
  • Bowan, Kate. (2013). The Travels of “John Anderson, my jo” Humanities Research. Ed. Wild, Stephen, Corn, Aaron and Martin, Ruth Lee: pp. 57-70. Australia: The Australian National University.
  • Briggs, Charles. (1993). “Personal Sentiments and Polyphonic Voices in Warao Women’s Ritual Wailing: Music and Poetics in a Critical and Collective Discourse” American Anthropologist. 95(4): 929-957.
  • Caraveli, Anna. (1980). “Bridge between Worlds: The Greek Women’s Lament as Communicative Event” The Journal of American Folklore. 93(368):129-157.
  • Caraveli, Anna. (1982). “The Song Beyond the Song. Aesthetics and Social Interaction in Greek Folksong” The Journal of American Folkore. 95(376): 129-158.
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  • De la Bretèque, Amy Estelle. (2012). “Voices of Sorrow: Melodized Speech, Laments, and Heroic Narratives among the Yezidis of Armenia” Yearbook for Traditional Music. 44: 129-148.
  • Dellaporte, Hélène. (2008). “Des rituals funéraires à la fête patronale Les miroloyia, lamentations vocales et instrumentales de l’Épire, Grèce” (Funeral rituals at the patronal feast. The miroloyia, vocal and instrumental lamentations of Epirus, Greece) Frontières. 20(2): 55-59.
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  • DISCOGRAPHY
  • Liavas, Lambros & Nitsiakos, Vassilis. (1994). Ηπειρωτική Μουσική Παράδοση (Epirotic Musical Tradition). (CD). Jannina, Greece: Cultural Centre of the City of Jannina.
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Details

Primary Language English
Journal Section Articles
Authors

Athena Katsanevakı This is me 0000-0003-4938-4634

Publication Date December 30, 2017
Published in Issue Year 2017 Volume: 1 Issue: 1

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APA Katsanevakı, A. (2017). Modern Laments in Northwestern Greece, Their Importance in Social and Musical Life and the “Making” of Oral Tradition. Musicologist, 1(1), 95-140. https://doi.org/10.33906/musicologist.373186