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Svan Funeral Dirges (Zär): Musical Acoustical Analysis of a New Collection of Field Recordings

Year 2020, Volume: 4 Issue: 2, 138 - 167, 30.12.2020
https://doi.org/10.33906/musicologist.782094

Abstract

This paper is a companion paper to Mzhavanadze & Scherbaum (2020). Jointly, the two papers describe the results of an interdisciplinary study of three-voiced Svan funeral dirges, known as zär in Svan and zari in Georgian. In the present paper, to which we refer as paper 1, we analyze the musical acoustical properties of a new set of field recordings collected during an ethnomusicological field expedition to Georgia in 2016. The aim of the study is to investigate the tonal organization of eleven different performances of six different variants of zär, performed by singers from different villages. For some of the performances, we observe a strong gradual pitch rise of up to 100 cents per minute. The intra-variant differences in the performances of different groups of singers were observed to be remarkably different, including the use of significantly different harmonic tuning systems. In contrast, two subsequent performances of the Mest’ia variant of zär by a group of singers recorded in Zargǟsh were essentially identical. This demonstrates the widespread absence of improvisational elements in these two performances. One of the most interesting results of our analysis is the observation that the musical structure of zär, expressed, for example, in its ambitus, the complexity of its melodic progression, and its harmonic chord inventory, change systematically along the course of the Enguri valley.

Supporting Institution

This work was supported by the German Research Foundation within the framework of the project “Computational Analysis of Traditional Georgian Vocal Music (GVM)” (DFG MU 2686/13-1, SCHE 280/20-1)

Project Number

DFG MU 2686/13-1, SCHE 280/20-1

Thanks

First and foremost, our gratitude goes to all the people during the 2016 field expedition who allowed us to be part of and record their rituals. We are thankful to Meinard Müller and his team for the stimulating collaboration as well as for hosting the web-based repository of the GVM data.

References

  • Akhobadze, Vladimer. (1957). Kartuli Khalkhuri Simgherebis k’rebuli [Collection of Georgian Folk Songs]. Tbilisi: T’eknik’a da shroma.
  • Ambrazevičius, Rytis; Budrys, Robertas and Viśnievska, Irena. (2015). Scales in Lithuanian Traditional Music: Acoustics, Cognition, and Contexts. Kaunas: Kaunas University of Technology.
  • Arakishvili, Dimitri. (1950). Svanuri Khalkhuri Simgherebi [Svan Folk Songs]. Tbilisi: Khelovneba.
  • Aslanishvili, Shalva. (2010). “Forms of Multipart Singing in Georgian Folk Songs.” Echoes from Georgia: Seventeen Arguments on Georgian Polyphony, Ed. Tsurtsumia, Rusudan and Joseph Jordania: pp. 57–81. Nova Science Publishers, Inc.
  • Aslanishvili, Shalva. (1954). Narkvevebi Kartuli Khalkhuri Simgherebis Shesakheb [Essays on Georgian Folk Songs]. Vol. I (in Georgian). Tbilisi: Khelovneba.
  • Azikuri, Nanuli. (2002). Khmit Nat’irlebi [Lamentation with Voice]. Tbilisi: Kavkasiuri sakhli.
  • Bolle Zemp, Sylvie. (2001). “Khmovnebi Da Akordebi. Simghera Zemo Svanetshi” [Vowels and Chords. Singing in Zemo Svaneti]. Sasuliero Da Saero Musikis Mravalkhmianobis Problemebi [Problems of Polyphony in Sacred and Secular Music], Ed. Tsurtsumia, Rusudan: pp. 292–303. Tbilisi: Tbilisi State Conservatoire.
  • Bolle Zemp, Sylvie. (1997). “Mehrstimmige Wehrufe? Ein Begräbnisgesang Aus Swanetien.” [Multi-Voiced Laments? A Funeral Chant From Svaneti]. Georgica: 134–148.
  • Dadwani, Platon. (1973). “Svanetis Chveulebani” [Customs of Svaneti]. Etnograpiuli Ts’erilebi Svanetze [Ethnographic Records on Svaneti]. Tbilisi: Sabch’ota Sakartvelo: 7–46.
  • Deutsch, Diana. (1972). “Effect of Repetition of Standard and Comparison Tones on Recognition Memory for Pitch”. Journal of Experimental Psychology. 93: 156–62.
  • Deutsch, Diana. (1975). “The Organization of Short-Term Memory for a Single Acoustic Attribute.” Short-Term Memory, Eds. Deutsch, Diana and J. A. Deutsch: 107–51. New York, NY: Academic Press.
  • Dirr, Adolf. (1914). “Neunzehn Swanische Lieder (Statt Eines Referates.)”. Anthropos, 9 (3/4): 597–621.
  • Ellis, Alexander J. (1885). “On the Musical Scales of Various Nations.” Journal of the Society of Arts. 33: 485.
  • Firth, Raymond; Mclean, Mervyn. (2006). Tikopia Songs. Poetic and Musica Art of a Polypnesian People of the Solomon Islands. Cambridge: Cambridge University Press.
  • Frühwirth-Schnatter, Sylvia. (2006). Finite Mixture and Markov Switching Models. Springer Science+Business Media, LLC.
  • Gabisonia, Tamaz. (2012). “Krist’ianuli K’vali Svanur Himnur Simgherebshi” [Christian Traces in Svan Hymn Songs] Archaic Elements in the Ethnic Culture of Highland Georgia. http://eprints.iliauni.edu.ge/id/eprint/9207.
  • Gogotishvili, Vladimer. (1994). “Svanuri Sagundo Mravalkhmianobis Pakt’uruli Taviseburebebis Sak’itkhisatvis” [On the Issue of Structural Peculiarities of Svan Choral Polyphony]. Issues of Musicology. Scientific Works, Ed. Tsurtsumia, Rusudan: pp. 3–39. Tbilisi: Tbilisi State Conservatiore.
  • Goltsev, Viktor. (1933). Savane: Zapisi o Verkhney Svanetii [Savane: Гольцев, Виктор. Саване: Записи о Верхней Сванетии]. Moscow: Moskovskoe Tovarishschestvo Pisateley.
  • Graham, Laura. (1984). “Semanticity and Melody: Parameters of Contrast in Shavante Vocal Expression”. Latin American Music Review / Revista de Música Latinoamericana. 5 (2): 161–85. https://www.jstor.org/stable/780071.
  • Jordania, Joseph. (2006). Who Asked the First Question? The Origins of Human Choral Singings, Intelligence, Language and Speech. Tbilisi: Tbilisi State University Press.
  • Kalandadze-Makharadze, Nino. (2005). “Glovis Zari Kartvel Mamakatsta Traditsiul Mravalkhmianobashi” [The Funeral Zari in Traditional Male Polyphony]. [The Second International Symposium on Traditional Polyphony]. Eds. Tsurtsumia, Rusudan; Jordania, Joseph: pp. 66–78. International Research Center for Traditional Polyphony of Tbilisi State Conservatoire (in Georgian and English).
  • Kondi, Bledar. (2012). Death and Ritual Crying: An Anthropological Approach to Albanian Funeral Customs. Berlin: Logos
  • Lloyd, Albert L. (1980). “Lament”. The New Grove Dictionary of Music and Musicians. Vol.10. London: Macmillan.
  • Love, Jakob W, and Adrienne Kaeppler. (2017). “Australia and the Pacific Islands.” The Garland Encyclopedia of World Music, Vol. 9. https://books.google.de/books?id=HB03DwAAQBAJ&printsec=frontcover&dq=The+Garland+Encyclopedia+of+World+Music:+Australia+and+the+Pacific+Islands&hl=en&sa=X&ved=2ahUKEwj3wOHs5YbrAhVZIMUKHT3ZAEcQ6AEwAXoECAUQAg#v=onepage&q=The.
  • Mauch, Matthias; Cannam, Chris; Bittner, Rachel; Fazekas, George; Salamon, Justin; Dai, Jiajie; Bello, Juan and Dixon, Simon. (2015). “Computer-Aided Melody Note Transcription Using the Tony Software: Accuracy and Efficiency.” The First International Conference on Technologies for Music Notation and Representation, 8. https://code.soundsoftware.ac.uk/projects/tony/.
  • Mzhavanadze, Nana. (2018). Svanuri Sak’ult’o Rit’ualis Musik’ologiur-Antrop’ologiuri Asp’ekt’ebi [Musicological and Anthropological Aspects of Svan Sacred Ritual]. Ilia State University. https://drive.google.com/file/d/1-Q1-1a7SWLHKJrW2_XaAWVC4dvl6zPLH/view.
  • Mzhavanadze, Nana, and Frank Scherbaum. (2020). “Svan Funeral Dirges (Zär): Musicological Analysis.” Musicologist. 4(2): 168-197
  • Nikolsky, Aleksey. (2015). “Evolution of Tonal Organization in Music Mirrors Symbolic Representation of Perceptual Reality. Part-1: Prehistoric.” Frontiers in Psychology 6 (OCT): 1–36. https://doi.org/10.3389/fpsyg.2015.01405.
  • Paliashvili, Zakaria. (1909). Kartuli Khalkhuri Simgherebis K’rebuli. Imeruli, Guruli, Rachuli, Svanuri Da Kartl-K’akhuri [Collection of Georgian Folk Songs: Imeretian, Gurian, Rach’an, Svan and Kartl-K’akhetian]. Tbilisi: Tpilisis Kartuli Pilarmoniuli Sazogadoeba N5.
  • Phillips-Wolley, Clive. (1883). Savage Svanetia. Vol. II. London: R. Bentley.
  • Rosebashvili, Kakhi. (1982). “Kartuli Khalkhuri Simgheris Svanuri Dialekti: Zogierti Sats’eso Da Rit’ualuri Simgheris Gankhilva” [Svan Dialect of Georgian Folk Song: Discussion of Some Ritual and Ritual Songs] (Annual Paper). Tbilisi: Tbilisi State Conservatoire.
  • Scherbaum, Frank. (2016). “On the Benefit of Larynx-Microphone Field Recordings for the Documentation and Analysis of Polyphonic Vocal Music.” [The 6th International Workshop Folk Music Analysis]. (pp. 80–87). Dublin/Ireland.
  • Scherbaum, Frank; Loos, Wolfgang; Kane, Frank and Vollmer; Daniel. (2015). “Body Vibrations as Source of Information for the Analysis of Polyphonic Vocal Music”. [The 5th International Workshop on Folk Music Analysis]. (pp. 89–93). University Pierre and Marie Curie, Paris, France.
  • Scherbaum, Frank; Mzhavanadze, Nana. (2018). “A New Archive of Multichannel-Multimedia Field Recordings of Traditional Georgian Singing, Praying, and Lamenting with Special Emphasis on Svaneti.” LaZAR-Database. Https://Lazardb.Gbv.de/.
  • Scherbaum, Frank; Mzhavanadze, Nana; Rosenzweig, Sebastian and Müller, Meinard. (2019). “Multi-Media Recordings of Traditional Georgian Vocal Music for Computational Analysis.” The 9th International Workshop on Folk Music Analysis, Birmingham.
  • Scherbaum, Frank; Mzhavanadze, Nana; Arom, Simha; Rosenzweig, Sebastian and Müller, Meinard. (2020). Tonal Organization of the Erkomaishvili Dataset: Pitches, Scales, Melodies and Harmonies, Computational Analysis of Traditional Georgian Vocal Music. Potsdam: Universtatverlag Potsdam.
  • Tsuladze, Apolon. (1971). Etnograpiuli Guria [Ethnographical Guria]. Tbilisi: Sabchota Sakartvelo.
Year 2020, Volume: 4 Issue: 2, 138 - 167, 30.12.2020
https://doi.org/10.33906/musicologist.782094

Abstract

Project Number

DFG MU 2686/13-1, SCHE 280/20-1

References

  • Akhobadze, Vladimer. (1957). Kartuli Khalkhuri Simgherebis k’rebuli [Collection of Georgian Folk Songs]. Tbilisi: T’eknik’a da shroma.
  • Ambrazevičius, Rytis; Budrys, Robertas and Viśnievska, Irena. (2015). Scales in Lithuanian Traditional Music: Acoustics, Cognition, and Contexts. Kaunas: Kaunas University of Technology.
  • Arakishvili, Dimitri. (1950). Svanuri Khalkhuri Simgherebi [Svan Folk Songs]. Tbilisi: Khelovneba.
  • Aslanishvili, Shalva. (2010). “Forms of Multipart Singing in Georgian Folk Songs.” Echoes from Georgia: Seventeen Arguments on Georgian Polyphony, Ed. Tsurtsumia, Rusudan and Joseph Jordania: pp. 57–81. Nova Science Publishers, Inc.
  • Aslanishvili, Shalva. (1954). Narkvevebi Kartuli Khalkhuri Simgherebis Shesakheb [Essays on Georgian Folk Songs]. Vol. I (in Georgian). Tbilisi: Khelovneba.
  • Azikuri, Nanuli. (2002). Khmit Nat’irlebi [Lamentation with Voice]. Tbilisi: Kavkasiuri sakhli.
  • Bolle Zemp, Sylvie. (2001). “Khmovnebi Da Akordebi. Simghera Zemo Svanetshi” [Vowels and Chords. Singing in Zemo Svaneti]. Sasuliero Da Saero Musikis Mravalkhmianobis Problemebi [Problems of Polyphony in Sacred and Secular Music], Ed. Tsurtsumia, Rusudan: pp. 292–303. Tbilisi: Tbilisi State Conservatoire.
  • Bolle Zemp, Sylvie. (1997). “Mehrstimmige Wehrufe? Ein Begräbnisgesang Aus Swanetien.” [Multi-Voiced Laments? A Funeral Chant From Svaneti]. Georgica: 134–148.
  • Dadwani, Platon. (1973). “Svanetis Chveulebani” [Customs of Svaneti]. Etnograpiuli Ts’erilebi Svanetze [Ethnographic Records on Svaneti]. Tbilisi: Sabch’ota Sakartvelo: 7–46.
  • Deutsch, Diana. (1972). “Effect of Repetition of Standard and Comparison Tones on Recognition Memory for Pitch”. Journal of Experimental Psychology. 93: 156–62.
  • Deutsch, Diana. (1975). “The Organization of Short-Term Memory for a Single Acoustic Attribute.” Short-Term Memory, Eds. Deutsch, Diana and J. A. Deutsch: 107–51. New York, NY: Academic Press.
  • Dirr, Adolf. (1914). “Neunzehn Swanische Lieder (Statt Eines Referates.)”. Anthropos, 9 (3/4): 597–621.
  • Ellis, Alexander J. (1885). “On the Musical Scales of Various Nations.” Journal of the Society of Arts. 33: 485.
  • Firth, Raymond; Mclean, Mervyn. (2006). Tikopia Songs. Poetic and Musica Art of a Polypnesian People of the Solomon Islands. Cambridge: Cambridge University Press.
  • Frühwirth-Schnatter, Sylvia. (2006). Finite Mixture and Markov Switching Models. Springer Science+Business Media, LLC.
  • Gabisonia, Tamaz. (2012). “Krist’ianuli K’vali Svanur Himnur Simgherebshi” [Christian Traces in Svan Hymn Songs] Archaic Elements in the Ethnic Culture of Highland Georgia. http://eprints.iliauni.edu.ge/id/eprint/9207.
  • Gogotishvili, Vladimer. (1994). “Svanuri Sagundo Mravalkhmianobis Pakt’uruli Taviseburebebis Sak’itkhisatvis” [On the Issue of Structural Peculiarities of Svan Choral Polyphony]. Issues of Musicology. Scientific Works, Ed. Tsurtsumia, Rusudan: pp. 3–39. Tbilisi: Tbilisi State Conservatiore.
  • Goltsev, Viktor. (1933). Savane: Zapisi o Verkhney Svanetii [Savane: Гольцев, Виктор. Саване: Записи о Верхней Сванетии]. Moscow: Moskovskoe Tovarishschestvo Pisateley.
  • Graham, Laura. (1984). “Semanticity and Melody: Parameters of Contrast in Shavante Vocal Expression”. Latin American Music Review / Revista de Música Latinoamericana. 5 (2): 161–85. https://www.jstor.org/stable/780071.
  • Jordania, Joseph. (2006). Who Asked the First Question? The Origins of Human Choral Singings, Intelligence, Language and Speech. Tbilisi: Tbilisi State University Press.
  • Kalandadze-Makharadze, Nino. (2005). “Glovis Zari Kartvel Mamakatsta Traditsiul Mravalkhmianobashi” [The Funeral Zari in Traditional Male Polyphony]. [The Second International Symposium on Traditional Polyphony]. Eds. Tsurtsumia, Rusudan; Jordania, Joseph: pp. 66–78. International Research Center for Traditional Polyphony of Tbilisi State Conservatoire (in Georgian and English).
  • Kondi, Bledar. (2012). Death and Ritual Crying: An Anthropological Approach to Albanian Funeral Customs. Berlin: Logos
  • Lloyd, Albert L. (1980). “Lament”. The New Grove Dictionary of Music and Musicians. Vol.10. London: Macmillan.
  • Love, Jakob W, and Adrienne Kaeppler. (2017). “Australia and the Pacific Islands.” The Garland Encyclopedia of World Music, Vol. 9. https://books.google.de/books?id=HB03DwAAQBAJ&printsec=frontcover&dq=The+Garland+Encyclopedia+of+World+Music:+Australia+and+the+Pacific+Islands&hl=en&sa=X&ved=2ahUKEwj3wOHs5YbrAhVZIMUKHT3ZAEcQ6AEwAXoECAUQAg#v=onepage&q=The.
  • Mauch, Matthias; Cannam, Chris; Bittner, Rachel; Fazekas, George; Salamon, Justin; Dai, Jiajie; Bello, Juan and Dixon, Simon. (2015). “Computer-Aided Melody Note Transcription Using the Tony Software: Accuracy and Efficiency.” The First International Conference on Technologies for Music Notation and Representation, 8. https://code.soundsoftware.ac.uk/projects/tony/.
  • Mzhavanadze, Nana. (2018). Svanuri Sak’ult’o Rit’ualis Musik’ologiur-Antrop’ologiuri Asp’ekt’ebi [Musicological and Anthropological Aspects of Svan Sacred Ritual]. Ilia State University. https://drive.google.com/file/d/1-Q1-1a7SWLHKJrW2_XaAWVC4dvl6zPLH/view.
  • Mzhavanadze, Nana, and Frank Scherbaum. (2020). “Svan Funeral Dirges (Zär): Musicological Analysis.” Musicologist. 4(2): 168-197
  • Nikolsky, Aleksey. (2015). “Evolution of Tonal Organization in Music Mirrors Symbolic Representation of Perceptual Reality. Part-1: Prehistoric.” Frontiers in Psychology 6 (OCT): 1–36. https://doi.org/10.3389/fpsyg.2015.01405.
  • Paliashvili, Zakaria. (1909). Kartuli Khalkhuri Simgherebis K’rebuli. Imeruli, Guruli, Rachuli, Svanuri Da Kartl-K’akhuri [Collection of Georgian Folk Songs: Imeretian, Gurian, Rach’an, Svan and Kartl-K’akhetian]. Tbilisi: Tpilisis Kartuli Pilarmoniuli Sazogadoeba N5.
  • Phillips-Wolley, Clive. (1883). Savage Svanetia. Vol. II. London: R. Bentley.
  • Rosebashvili, Kakhi. (1982). “Kartuli Khalkhuri Simgheris Svanuri Dialekti: Zogierti Sats’eso Da Rit’ualuri Simgheris Gankhilva” [Svan Dialect of Georgian Folk Song: Discussion of Some Ritual and Ritual Songs] (Annual Paper). Tbilisi: Tbilisi State Conservatoire.
  • Scherbaum, Frank. (2016). “On the Benefit of Larynx-Microphone Field Recordings for the Documentation and Analysis of Polyphonic Vocal Music.” [The 6th International Workshop Folk Music Analysis]. (pp. 80–87). Dublin/Ireland.
  • Scherbaum, Frank; Loos, Wolfgang; Kane, Frank and Vollmer; Daniel. (2015). “Body Vibrations as Source of Information for the Analysis of Polyphonic Vocal Music”. [The 5th International Workshop on Folk Music Analysis]. (pp. 89–93). University Pierre and Marie Curie, Paris, France.
  • Scherbaum, Frank; Mzhavanadze, Nana. (2018). “A New Archive of Multichannel-Multimedia Field Recordings of Traditional Georgian Singing, Praying, and Lamenting with Special Emphasis on Svaneti.” LaZAR-Database. Https://Lazardb.Gbv.de/.
  • Scherbaum, Frank; Mzhavanadze, Nana; Rosenzweig, Sebastian and Müller, Meinard. (2019). “Multi-Media Recordings of Traditional Georgian Vocal Music for Computational Analysis.” The 9th International Workshop on Folk Music Analysis, Birmingham.
  • Scherbaum, Frank; Mzhavanadze, Nana; Arom, Simha; Rosenzweig, Sebastian and Müller, Meinard. (2020). Tonal Organization of the Erkomaishvili Dataset: Pitches, Scales, Melodies and Harmonies, Computational Analysis of Traditional Georgian Vocal Music. Potsdam: Universtatverlag Potsdam.
  • Tsuladze, Apolon. (1971). Etnograpiuli Guria [Ethnographical Guria]. Tbilisi: Sabchota Sakartvelo.
There are 37 citations in total.

Details

Primary Language English
Subjects Music
Journal Section Articles
Authors

Frank Scherbaum 0000-0002-5050-7331

Nana Mzhavanadze 0000-0001-5726-1656

Project Number DFG MU 2686/13-1, SCHE 280/20-1
Publication Date December 30, 2020
Published in Issue Year 2020 Volume: 4 Issue: 2

Cite

APA Scherbaum, F., & Mzhavanadze, N. (2020). Svan Funeral Dirges (Zär): Musical Acoustical Analysis of a New Collection of Field Recordings. Musicologist, 4(2), 138-167. https://doi.org/10.33906/musicologist.782094