Regardless of Eric Hobsbawm’s negativistic understanding, ‘tradition’ is a powerful and dynamic (and in no way traditionalist) concept in academic folkloristics. The widespread scepticism against ‘traditional music’, both as a recognizable field of research and a matter of theoretical thought, is based on an insufficient and sometimes stereotypic understanding of a term and concept with a fascinating history. I argue that there is good reason to maintain a term which is intrinsically linked to core issues of ethnomusicology, among them community-based music, cultural innovation, oral/aural transmission, sonic orders, and stylistic pluralism.
Primary Language | English |
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Subjects | Music |
Journal Section | Articles |
Authors | |
Publication Date | June 30, 2021 |
Published in Issue | Year 2021 Volume: 5 Issue: 1 |