Ukrayna piyano müziğinin Avrupa entegrasyonu: Zorluklar ve fırsatlar

Abstract

Bu makale, Ukrayna piyano repertuvarının Avrupa konser ve kurumsal uygulamalarına entegrasyonu için temel mekanizmaları, zorlukları ve fırsatları belirlemeyi amaçlamaktadır. Araştırma metodolojisi; piyanistler, konser kurumlarının küratörleri ve müzikologlarla (n = 15) yapılan yarı yapılandırılmış uzman mülakatlarını, konser programlarının ve afişlerinin içerik analiziyle birleştiren nitel bir tasarıma dayanmaktadır. Araştırma sonuçları, Ukrayna piyano müziğinin entegrasyonunda, ağırlıklı olarak tek seferlik, tematik veya bağlamsal olarak işaretlenmiş etkinlikler aracılığıyla uygulanan sembolik modelin baskınlığını ortaya koymaktadır. Performansın sürekliliği, programlamanın tekrarlanabilirliği, eğitim ve yarışma süreçlerine dahil edilme ile ilişkili olan yapısal entegrasyon ise şu ana kadar parçalı bir nitelik taşımaktadır. Sonuç bölümünde, etkinlik temelli temsiliyetten uzun vadeli repertuvar stratejilerine geçişin yönleri vurgulanmaktadır.

Keywords

• Ukrayna piyano müziği
• Avrupa entegrasyonu
• konser pratiği
• piyano icracılığı
• repertuvar politikası

European integration of Ukrainian piano music: Challenges and opportunities

Abstract

The article aimed to identify key mechanisms, challenges and opportunities for the integration of Ukrainian piano repertoire into European concert and institutional practices. The research methodology was based on a qualitative design that combines semi-structured expert interviews with pianists, curators of concert institutions and musicologists (n = 15) with content analysis of concert programs and posters. The results of the study demonstrate the dominance of the symbolic model of integration of Ukrainian piano music, which is implemented mainly through one-time, thematically or contextually marked events. Structural integration, which is associated with the regularity of performance, the repetitiveness of programming and inclusion in educational and competitive practices, has so far been fragmented. The conclusions emphasize the delineation of the directions of transition from event representation to long-term repertoire strategies.

Keywords

• Ukrainian piano music
• European integration
• concert practice
• piano performance
• repertoire policy

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