RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY
Abstract
Furniture, the indicator of the identity, belief and prestige, being always in interaction with person’s life, is in addition to its function, a meaning carrier and communication object. Furniture, which were previously manufactured due to practical, aesthetic and status based needs, but started to be used deliberately in order to transmit messages by the beginning of the last century; has reached a broad meaning content and diversity by the influence of the technological developments at present, too. Contemporary artists and designers deem this form as a tool which transmits thoughts, philosophy, ideologies, statements, ideas, feelings and can at the same time be used as an application area where experimental manufactures, composite materials, scientific researches, contemporary design and production methods can be tried out.
Keywords
References
- Uzunarslan, H.Ş., 2010. ‘Aesthetic Content in Experimental Design’, The Eighteenth International Congress of Aesthetics: Diversities in Aesthetics”, Beijing, China
- Lovell, S., 2009. Limited Edition, Prototypes, One-Offs and Design Art Furniture, Birkhauser Verlag AG, Basel.
- Özçam, I., 2013, Biçim Dili İle İletişim Ekseninde Mobilyanın Sembolleşmesi Ve Günümüz Mobilyasının Sembolleşmesinde Rol Oynayan
- Sosyolojik Ve Teknolojik Etkenler (Symbolization of Furniture on The Axis of Form Language and Communication & Sociological and Technological Effects on Symbolization of Today’s Furniture) Unpublished Doctorate Thesis, Interior Design Department, Mimar Sinan Fine Arts University.
- Downey, C., 1992, Neo Furniture, Thames & Hudson Ltd., UK
Details
Primary Language
English
Subjects
-
Journal Section
Research Article
Authors
Isil Ozcam
This is me
Publication Date
June 30, 2017
Submission Date
February 24, 2017
Acceptance Date
-
Published in Issue
Year 2017 Volume: 4 Number: 1