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Year 2017, , 300 - 305, 30.06.2017
https://doi.org/10.17261/Pressacademia.2017.547

Abstract

References

  • Uzunarslan, H.Ş., 2010. ‘Aesthetic Content in Experimental Design’, The Eighteenth International Congress of Aesthetics: Diversities in Aesthetics”, Beijing, China
  • Lovell, S., 2009. Limited Edition, Prototypes, One-Offs and Design Art Furniture, Birkhauser Verlag AG, Basel.
  • Özçam, I., 2013, Biçim Dili İle İletişim Ekseninde Mobilyanın Sembolleşmesi Ve Günümüz Mobilyasının Sembolleşmesinde Rol Oynayan
  • Sosyolojik Ve Teknolojik Etkenler (Symbolization of Furniture on The Axis of Form Language and Communication & Sociological and Technological Effects on Symbolization of Today’s Furniture) Unpublished Doctorate Thesis, Interior Design Department, Mimar Sinan Fine Arts University.
  • Downey, C., 1992, Neo Furniture, Thames & Hudson Ltd., UK

RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY

Year 2017, , 300 - 305, 30.06.2017
https://doi.org/10.17261/Pressacademia.2017.547

Abstract

Furniture,
the indicator of the identity, belief and prestige, being always in interaction
with person’s life, is in addition to its function, a meaning carrier and
communication object. Furniture, which were previously manufactured due to
practical, aesthetic and status based needs, but started to be used
deliberately in order to transmit messages by the beginning of the last
century; has reached a broad meaning content and diversity by the influence of
the technological developments at present, too. Contemporary artists and
designers deem this form as a tool which transmits thoughts, philosophy,
ideologies, statements, ideas, feelings and can at the same time be used as an
application area where experimental manufactures, composite materials,
scientific researches, contemporary design and production methods can be tried
out.  

References

  • Uzunarslan, H.Ş., 2010. ‘Aesthetic Content in Experimental Design’, The Eighteenth International Congress of Aesthetics: Diversities in Aesthetics”, Beijing, China
  • Lovell, S., 2009. Limited Edition, Prototypes, One-Offs and Design Art Furniture, Birkhauser Verlag AG, Basel.
  • Özçam, I., 2013, Biçim Dili İle İletişim Ekseninde Mobilyanın Sembolleşmesi Ve Günümüz Mobilyasının Sembolleşmesinde Rol Oynayan
  • Sosyolojik Ve Teknolojik Etkenler (Symbolization of Furniture on The Axis of Form Language and Communication & Sociological and Technological Effects on Symbolization of Today’s Furniture) Unpublished Doctorate Thesis, Interior Design Department, Mimar Sinan Fine Arts University.
  • Downey, C., 1992, Neo Furniture, Thames & Hudson Ltd., UK
There are 5 citations in total.

Details

Journal Section Articles
Authors

Isil Ozcam This is me

Publication Date June 30, 2017
Published in Issue Year 2017

Cite

APA Ozcam, I. (2017). RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY. PressAcademia Procedia, 4(1), 300-305. https://doi.org/10.17261/Pressacademia.2017.547
AMA Ozcam I. RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY. PAP. June 2017;4(1):300-305. doi:10.17261/Pressacademia.2017.547
Chicago Ozcam, Isil. “RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY”. PressAcademia Procedia 4, no. 1 (June 2017): 300-305. https://doi.org/10.17261/Pressacademia.2017.547.
EndNote Ozcam I (June 1, 2017) RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY. PressAcademia Procedia 4 1 300–305.
IEEE I. Ozcam, “RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY”, PAP, vol. 4, no. 1, pp. 300–305, 2017, doi: 10.17261/Pressacademia.2017.547.
ISNAD Ozcam, Isil. “RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY”. PressAcademia Procedia 4/1 (June 2017), 300-305. https://doi.org/10.17261/Pressacademia.2017.547.
JAMA Ozcam I. RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY. PAP. 2017;4:300–305.
MLA Ozcam, Isil. “RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY”. PressAcademia Procedia, vol. 4, no. 1, 2017, pp. 300-5, doi:10.17261/Pressacademia.2017.547.
Vancouver Ozcam I. RELATION BETWEEN CONTEMPORARY FURNITURE AND TECHNOLOGY. PAP. 2017;4(1):300-5.

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