ARUNDHATI ROY’S THE GOD OF SMALL THINGS: REFORMULATION OF LANGUAGE AND STYLE IN A POSTCOLONIAL SETTING
Abstract
Arundhati
Roy’s The God of Small Things is a
story of partition, immigration, love and trauma. While exploring the problems
of identity of her characters in a postcolonial setting in India, Roy also
reformulates her characters’ use of English in an idiosyncratic way. This
study, therefore, analyses The God of
Small Things from the perspective of postcolonial theory in terms of
linguistic and cultural hybridity. It also attempts to explore the novel as a
postcolonial text that foregrounds the impacts of imperial past in partitioning
the country not only into two different nations but also dividing people’s lives
into two halves and leaving them to lifelong misery.
Keywords
References
- Abraham, T. (1998). “An Interview with Arundhati Roy”, ARIEL: A Review of International English Literature, 29/1, January, pp: 82-89.
- Bahri, D. (1995). “Once More with Feeling: What is Postcolonialism?”, ARIEL: A Review of International English Literature, 26/1, January, pp: 51-82.
- Bose, B. (1998). “In Desire and in Death: Eroticism as Politics in Arundhati Roy’s ‘The God of Small Things’”, ARIEL: A Review of International English Literature, 29/2, April, pp: 59-72.
- Childs, P. & Williams, P. R. J. (1997). An Introduction to Post-Colonial Theory, Prentice Hall/Harvester Wheatsheaf, London.
- Hutcheon, L. (1994). “The post always rings twice: the postmodern and the postcolonial”, Textual Practice, 8/2, Summer, pp: 205-38.
- Roy, A. (1997). The God of Small Things, Flamingo, London.
Details
Primary Language
English
Subjects
Creative Arts and Writing
Journal Section
Research Article
Authors
Publication Date
April 13, 2018
Submission Date
February 14, 2017
Acceptance Date
October 31, 2017
Published in Issue
Year 2018 Number: 31