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Caryl Churchill'in Owners Oyununda Cinsiyet Rollerinin İhlal Edilmesi

Year 2018, , 59 - 68, 13.07.2018
https://doi.org/10.30794/pausbed.424927

Abstract

Bu çalışma, Caryl Churchill’in Owners adlı oyununu cinsiyet rollerindeki karmaşa ve kapitalist endişeler terimlerini sosyalist feminizm eleştiri ile tartışmaktır. Oyun, annelik, sosyal kontrol, sahiplik ve maddi kaygılar üzerine kuruludur. Marion’nun aşırı sahip olma ve güç isteği, hırs ve şiddeti getirerek onun feminen kimliğini alt üst etme yoluyla cinsiyet rollerini sorgular. Erkek karakterler, Marion’nun tersine itaatkardır. Batı kültürünün tersine Budist ve Taoizm felsefesi Alec karakterinin kendi eril rollerini aşması yoluyla ifade edilir. Marion karakterinin tasviri geleneksel ataerkil normlarını çökertir, gene de kadınlar açısından toplu bir ilerleme sağlamaz. Marion, bir kadın olarak sınırlarını aştığında ve diğer kadını baskıladığında bireysel bir başarı elde eder. Bu noktada oyunu sosyalist feminist bir gözle eleştirmek Churchill’in Marion gibi egoist tiplemelerin ortaya çıkarmasında kadınların sosyal durumlarına hiçbir gelişme sağlamayacak olduğunu vurgulamak anlamlı olur.

References

  • Aston, E. (1997). Caryl Churchill, Northcote House, London. - - - . (2003). Feminist Views on the English Stage: Women Playwrights, 1990-2000, Cambridge University Press, Cambridge. Brown, M. T. (1989). “’Constantly Coming Back’: Eastern Thought and the Plays of Caryl Churchill”, Caryl Churchill: A Case Book, (Ed. P. R. Randall), Garland Publishing, London, 25-47 Churchill, C. (1985). Plays:1, Bloomsbury Methuen, London. Dworkin, A. (1981). Our Blood: Prophecies and Discourses on Sexual Politics, Perigee Books, New York. Hall J. (1989) Interviewed with Caryl Chrurchill, in “Close Up” The Guardian, 12 Dec. 1972. File on Churchill, (Comp. L. Fitzsimmons), Methuin Drama Book, London. Solomon, A. (1981). “Witches, Ranters and the Middle Class: The Plays of Caryl Churchill”, Theatre 12. 2 (Spring): 49-55. Keyssar, H. (1983). “The Dreams of Caryl Churchill: The Politics of Possibility.” Massachusetts Review 24: 198-216. - - - (1984), Feminist Theatre, Palgrave, London. Komporaly, J (2006). Staging Motherhood: British Women Playwrights, 1956 to the Present. Plagrave Macmillan, New York. Mandle, J. D. (2016). “How Political is the Personal?: Identity Politics, Feminism and Social Change”, <https://userpages.umbc.edu/~korenman/wmst/identity_pol.html> March 5, 2016. Merrill, L.(1988). “Monsters and Heroines: Caryl Churchill’s Women”, Caryl Churchill: A Casebook, (Ed. P. R. Randall), Garland Publishing, New York, 71-89. Innes, C. (1996). Modern British Drama 1890-1990, Cambridge University Press, Cambridge. Roberts, P. (2008). About Churchill: The Playwright and the Work, Faber and Faber, London. Wandor M. (2000). “Women Playwrights and the Challenge of Feminism in the 1970s”, The Cambridge Companion to Modern British Women Playwrights, (Eds. E. Aston and J. Reinelt), Cambridge University Press, Cambridge 53-68. - - - (1987) Look Back in Gender: Sexuality and the Family in Post-war British Drama, Methuen, New York.
Year 2018, , 59 - 68, 13.07.2018
https://doi.org/10.30794/pausbed.424927

Abstract

References

  • Aston, E. (1997). Caryl Churchill, Northcote House, London. - - - . (2003). Feminist Views on the English Stage: Women Playwrights, 1990-2000, Cambridge University Press, Cambridge. Brown, M. T. (1989). “’Constantly Coming Back’: Eastern Thought and the Plays of Caryl Churchill”, Caryl Churchill: A Case Book, (Ed. P. R. Randall), Garland Publishing, London, 25-47 Churchill, C. (1985). Plays:1, Bloomsbury Methuen, London. Dworkin, A. (1981). Our Blood: Prophecies and Discourses on Sexual Politics, Perigee Books, New York. Hall J. (1989) Interviewed with Caryl Chrurchill, in “Close Up” The Guardian, 12 Dec. 1972. File on Churchill, (Comp. L. Fitzsimmons), Methuin Drama Book, London. Solomon, A. (1981). “Witches, Ranters and the Middle Class: The Plays of Caryl Churchill”, Theatre 12. 2 (Spring): 49-55. Keyssar, H. (1983). “The Dreams of Caryl Churchill: The Politics of Possibility.” Massachusetts Review 24: 198-216. - - - (1984), Feminist Theatre, Palgrave, London. Komporaly, J (2006). Staging Motherhood: British Women Playwrights, 1956 to the Present. Plagrave Macmillan, New York. Mandle, J. D. (2016). “How Political is the Personal?: Identity Politics, Feminism and Social Change”, <https://userpages.umbc.edu/~korenman/wmst/identity_pol.html> March 5, 2016. Merrill, L.(1988). “Monsters and Heroines: Caryl Churchill’s Women”, Caryl Churchill: A Casebook, (Ed. P. R. Randall), Garland Publishing, New York, 71-89. Innes, C. (1996). Modern British Drama 1890-1990, Cambridge University Press, Cambridge. Roberts, P. (2008). About Churchill: The Playwright and the Work, Faber and Faber, London. Wandor M. (2000). “Women Playwrights and the Challenge of Feminism in the 1970s”, The Cambridge Companion to Modern British Women Playwrights, (Eds. E. Aston and J. Reinelt), Cambridge University Press, Cambridge 53-68. - - - (1987) Look Back in Gender: Sexuality and the Family in Post-war British Drama, Methuen, New York.
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Details

Primary Language Turkish
Subjects Creative Arts and Writing
Journal Section Articles
Authors

Ayça Berna Ülker Erkan

Publication Date July 13, 2018
Acceptance Date February 27, 2018
Published in Issue Year 2018

Cite

APA Ülker Erkan, A. B. (2018). Caryl Churchill’in Owners Oyununda Cinsiyet Rollerinin İhlal Edilmesi. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi(32), 59-68. https://doi.org/10.30794/pausbed.424927
AMA Ülker Erkan AB. Caryl Churchill’in Owners Oyununda Cinsiyet Rollerinin İhlal Edilmesi. PAUSBED. July 2018;(32):59-68. doi:10.30794/pausbed.424927
Chicago Ülker Erkan, Ayça Berna. “Caryl Churchill’in Owners Oyununda Cinsiyet Rollerinin İhlal Edilmesi”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 32 (July 2018): 59-68. https://doi.org/10.30794/pausbed.424927.
EndNote Ülker Erkan AB (July 1, 2018) Caryl Churchill’in Owners Oyununda Cinsiyet Rollerinin İhlal Edilmesi. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 32 59–68.
IEEE A. B. Ülker Erkan, “Caryl Churchill’in Owners Oyununda Cinsiyet Rollerinin İhlal Edilmesi”, PAUSBED, no. 32, pp. 59–68, July 2018, doi: 10.30794/pausbed.424927.
ISNAD Ülker Erkan, Ayça Berna. “Caryl Churchill’in Owners Oyununda Cinsiyet Rollerinin İhlal Edilmesi”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 32 (July 2018), 59-68. https://doi.org/10.30794/pausbed.424927.
JAMA Ülker Erkan AB. Caryl Churchill’in Owners Oyununda Cinsiyet Rollerinin İhlal Edilmesi. PAUSBED. 2018;:59–68.
MLA Ülker Erkan, Ayça Berna. “Caryl Churchill’in Owners Oyununda Cinsiyet Rollerinin İhlal Edilmesi”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 32, 2018, pp. 59-68, doi:10.30794/pausbed.424927.
Vancouver Ülker Erkan AB. Caryl Churchill’in Owners Oyununda Cinsiyet Rollerinin İhlal Edilmesi. PAUSBED. 2018(32):59-68.