Research Article

AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS

Number: 33 October 25, 2018
EN TR

AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS

Abstract

Alasdair Gray’s novel Poor Things is a rich text as it offers a variety of readings: it can be read as a fantasy novel, a science-fiction text, a fictionalize history/historicized fiction, and an autobiography, just to name a few. However, these readings provide but a limited insight, and the richness of the text can be best understood when it is examined within the frame of postmodern realism. Postmodern realism uses certain conventions such as characterization and attention to detail, yet it is painfully aware of the limitations of such conventions. In other words, postmodern realism uses the realist conventions only to point at their problematic nature, acknowledging the inevitability of the embeddedness of these conventions within the novel genre.In this respect, this paper argues that Gray’s Poor Things uses both realist and postmodern modes of writing, and that its employ of authorial intrusions as well as its rewriting of Mary Shelley’s Frankenstein makes it one of the best examples of postmodern realism.

Keywords

References

  1. Axelrod, M. (1995). “A Conversation with Alasdair Gray”, The Review of Contemporary Fiction, 15/2, pp: 103-105. Bentley, N. (2008). Contemporary British Fiction, Edinburgh University Press, Edinburgh. Bernstein, S. (1999). Alasdair Gray, Associated University Press, London. Böhnke, D. (2004). Shades of Gray: Science Fiction, History and the Problem of Postmodernism in the Work of Alasdair Gray, Galda & Wilch, Berlin. Degroseiller, R. (2010). Jean-Martin Charcot. Retrieved January 30, 2018, from http://www.freudfile.org/charcot.html. Elias, Amy J. (1993). “Meta-mimesis? The Problem of British Postmodern Realism”, British Postmodern Fiction, (Eds. Theo D’haen and Hans Bertens), Rodopi, Amsterdam. Gray, A. (1992). Poor Things: Episodes from the Early Life of Archibald McCandless M.D. Scottish Public Health Officer, Bloomsbury, London. Gray, A. (2002), “Personal Curriculum Vitae”, Alasdair Gray: Critical Appreciations and a Bibliography, (Ed: Phil Moores), The British Library, Boston Spa and London. Hobsbaum, P. (2010). Unreliable Narrators: Poor Things and its Paradigms. Retrieved January 30, 2018, from https://www.gla.ac.uk/schools/critical/aboutus/resources/stella/projects/glasgowreview/issue3-hobsbaum/. Hutcheon, L. (1988). A Poetics of Postmodernism: History, Theory, and Fiction, Routledge, New York. Kaczvinsky, D. (2001). “Making Up for Lost Time: Scotland, Stories, and the Self in Alasdair Gray’s Poor Things”, Contemporary Fiction, 42/4, pp: 775-799. Malpas, S. (2005). The Postmodern, Routledge, New York and London. March, C. (2002). “Bella and the Beast (and a Few Dragons, too): Alasdair Gray and the Social Resistance of the Grotesque”, Critique, 43/4, pp: 323-346. McHale, B. (1987). Postmodernist Fiction, Methuen, New York. O’Connor, P. (2008). “The Dash for Africa”, Irish Political Review, Retrieved January 30, 2018, from http://www.indymedia.ie/article/89339?language=en&comment_limit=0&condense_comments=false&save_prefs=true. Phillip, I. (1997). Blurring the Edges: Fantasy, Reality, and the Fantastical Realism of Alasdair Gray. 1-36. Retrieved September 29, 2010, from http://web.mac.com/iandphillip/gray/assets/bte.pdf. Procter, J. (2008). Alasdair Gray. Retrieved January 30, 2017, from https://literature.britishcouncil.org/writer/alasdair-gray. Rennison, N. (2005). Contemporary British Novelists, Routledge, London and New York. Rhind, J. N. (2008). Alasdair Gray and the postmodern. Unpublished doctoral dissertation, University of Edinburgh. Todd, Richard (1987), “The Intrusive Author in British Postmodernist Fiction: The Cases of Alasdair Gray and Martin Amis", Exploring Postmodernism, (Ed: Matei Calinescu and Douwe Fokkema), John Benjamins, Amsterdam. Varsava, J. A. (1990). Contingent Meanings: Postmodern Fiction, Mimesis, and the Reader, The Florida State University Press, Tallahassee.

Details

Primary Language

English

Subjects

Linguistics

Journal Section

Research Article

Publication Date

October 25, 2018

Submission Date

January 30, 2018

Acceptance Date

April 4, 2018

Published in Issue

Year 2018 Number: 33

APA
Alkan Genca, P. (2018). AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 33, 329-339. https://doi.org/10.30794/pausbed.425962
AMA
1.Alkan Genca P. AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS. PAUSBED. 2018;(33):329-339. doi:10.30794/pausbed.425962
Chicago
Alkan Genca, Papatya. 2018. “AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, nos. 33: 329-39. https://doi.org/10.30794/pausbed.425962.
EndNote
Alkan Genca P (October 1, 2018) AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 33 329–339.
IEEE
[1]P. Alkan Genca, “AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS”, PAUSBED, no. 33, pp. 329–339, Oct. 2018, doi: 10.30794/pausbed.425962.
ISNAD
Alkan Genca, Papatya. “AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 33 (October 1, 2018): 329-339. https://doi.org/10.30794/pausbed.425962.
JAMA
1.Alkan Genca P. AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS. PAUSBED. 2018;:329–339.
MLA
Alkan Genca, Papatya. “AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 33, Oct. 2018, pp. 329-3, doi:10.30794/pausbed.425962.
Vancouver
1.Papatya Alkan Genca. AUTHOR(ITY), REWRITING, AND POSTMODERN REALISM IN ALASDAIR GRAY’S POOR THINGS. PAUSBED. 2018 Oct. 1;(33):329-3. doi:10.30794/pausbed.425962
by-nc-nd.eu.svg  The articles in this journal are licensed under a Creative Commons Attribution 4.0 International License.