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“HER SPEECH IS NOTHING”: THE COMMUNICATIVE FUNCTION OF SONGS IN OPHELIA’S MAD SCENE
Abstract
Music and drama are known to have a close relationship since the birth of Greek tragedy. This study suggests that Ophelia uses songs and singing as an alternative language in communicating her emotions. In IV.v, which is also referred to as Ophelia’s mad scene, she comments upon her personal experiences concerning her relationship with Hamlet and the death of her father Polonius through singing. This paper aims at displaying the reason why Ophelia requires a different mode of communication other than verbal language. After discussing the submissive and silent role that is attributed to Ophelia in Hamlet, the fragments of songs she sings in IV.v are analysed through a close reading of the text. While investigating what these songs indicate in this particular context, musical conventions of Shakespeare’s time are also discussed.
Keywords
References
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Details
Primary Language
English
Subjects
Literary Theory
Journal Section
Research Article
Authors
Publication Date
April 14, 2020
Submission Date
February 3, 2020
Acceptance Date
February 20, 2020
Published in Issue
Year 2020 Number: 39
APA
Bilge, F. Z. (2020). “HER SPEECH IS NOTHING”: THE COMMUNICATIVE FUNCTION OF SONGS IN OPHELIA’S MAD SCENE. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 39, 105-116. https://doi.org/10.30794/pausbed.684026
AMA
1.Bilge FZ. “HER SPEECH IS NOTHING”: THE COMMUNICATIVE FUNCTION OF SONGS IN OPHELIA’S MAD SCENE. PAUSBED. 2020;(39):105-116. doi:10.30794/pausbed.684026
Chicago
Bilge, Fatma Zeynep. 2020. “‘HER SPEECH IS NOTHING’: THE COMMUNICATIVE FUNCTION OF SONGS IN OPHELIA’S MAD SCENE”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, nos. 39: 105-16. https://doi.org/10.30794/pausbed.684026.
EndNote
Bilge FZ (April 1, 2020) “HER SPEECH IS NOTHING”: THE COMMUNICATIVE FUNCTION OF SONGS IN OPHELIA’S MAD SCENE. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 39 105–116.
IEEE
[1]F. Z. Bilge, “‘HER SPEECH IS NOTHING’: THE COMMUNICATIVE FUNCTION OF SONGS IN OPHELIA’S MAD SCENE”, PAUSBED, no. 39, pp. 105–116, Apr. 2020, doi: 10.30794/pausbed.684026.
ISNAD
Bilge, Fatma Zeynep. “‘HER SPEECH IS NOTHING’: THE COMMUNICATIVE FUNCTION OF SONGS IN OPHELIA’S MAD SCENE”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 39 (April 1, 2020): 105-116. https://doi.org/10.30794/pausbed.684026.
JAMA
1.Bilge FZ. “HER SPEECH IS NOTHING”: THE COMMUNICATIVE FUNCTION OF SONGS IN OPHELIA’S MAD SCENE. PAUSBED. 2020;:105–116.
MLA
Bilge, Fatma Zeynep. “‘HER SPEECH IS NOTHING’: THE COMMUNICATIVE FUNCTION OF SONGS IN OPHELIA’S MAD SCENE”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 39, Apr. 2020, pp. 105-16, doi:10.30794/pausbed.684026.
Vancouver
1.Fatma Zeynep Bilge. “HER SPEECH IS NOTHING”: THE COMMUNICATIVE FUNCTION OF SONGS IN OPHELIA’S MAD SCENE. PAUSBED. 2020 Apr. 1;(39):105-16. doi:10.30794/pausbed.684026