Research Article

MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR

Number: 42 January 8, 2021
EN TR

MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR

Abstract

As a much-discussed part of the human mind, memory today is an interdisciplinary subject studied by a variety of academic fields such as psychology, sociology, psychiatry, cultural studies and literature. In British drama, it finds a reflection with the term “memory plays” whose representative playwright in the twentieth century is Harold Pinter. On the other hand, it can be observed that Anthony Neilson, emerging as a voice of the British In-Yer-Face drama of the 1990s, makes an emphatic use of memory in his plays like his predecessor. In this sense, this paper argues that Anthony Neilson’s play writing shows resemblances to Harold Pinter’s, which is acknowledged as the Pinteresque, that, more specifically, Pinter’s Old Times (1971) and Neilson’s Penetrator (1993) share much in their use of memory, and analyses the particularities each playwright employs in their utilisation of this concept within their plays.

Keywords

References

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  3. Bull, J. (2011), “Anthony Neilson”, The Methuen Guide to Contemporary British Playwrights, (Eds: Martin Middeke, Peter Paul Schnierer, et al), Methuen Drama, London.
  4. Burgin, V. (1996). In/Different Spaces: Place and Memory in Visual Culture, University of California Press, Berkeley, CA.
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  6. Deutsch, D. (1977), “Memory and Attention in Music”, Music and the Brain: Studies in the Neurology of Music, (Eds: Critchley Macdonald and R. A. Henson), William Heinemann Medical Books Limited, London.
  7. Favorini, A. (2010), “Memory in Theater: The Scene is Memory”, Memory Process: Neuroscientific and Humanistic Perspectives, (Eds: Suzanne Nalbantian, Paul M. Matthews, James L. McClelland), MIT Press, Cambridge, MA.
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Details

Primary Language

English

Subjects

Creative Arts and Writing

Journal Section

Research Article

Publication Date

January 8, 2021

Submission Date

March 2, 2020

Acceptance Date

June 22, 2020

Published in Issue

Year 2021 Number: 42

APA
Bal, M. (2021). MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 42, 155-167. https://doi.org/10.30794/pausbed.697184
AMA
1.Bal M. MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. PAUSBED. 2021;(42):155-167. doi:10.30794/pausbed.697184
Chicago
Bal, Mustafa. 2021. “MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, nos. 42: 155-67. https://doi.org/10.30794/pausbed.697184.
EndNote
Bal M (January 1, 2021) MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 42 155–167.
IEEE
[1]M. Bal, “MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR”, PAUSBED, no. 42, pp. 155–167, Jan. 2021, doi: 10.30794/pausbed.697184.
ISNAD
Bal, Mustafa. “MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 42 (January 1, 2021): 155-167. https://doi.org/10.30794/pausbed.697184.
JAMA
1.Bal M. MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. PAUSBED. 2021;:155–167.
MLA
Bal, Mustafa. “MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR”. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 42, Jan. 2021, pp. 155-67, doi:10.30794/pausbed.697184.
Vancouver
1.Mustafa Bal. MEMORY PLAYS: HAROLD PINTER’S OLD TIMES AND ANTHONY NEILSON’S PENETRATOR. PAUSBED. 2021 Jan. 1;(42):155-67. doi:10.30794/pausbed.697184

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