THE IMAGE OF “OTHER” IN PAUL KANE’S WANDERINGS OF AN ARTIST AMONG THE INDIANS OF NORTH AMERICA
Abstract
Keywords
References
- Calloway, C. G. (2008). White People, Indians, and Highlanders: Tribal Peoples and Colonial Encounters in Scotland and America. Oxford University Press.
- Coulthard, G. S. (2014). Red Skin, White Masks: Rejecting the Colonial Politics of Recognition. University of Minnesota Press.
- Francis, D. (1992). The Imaginary Indian : The Image of the Indian in Canadian Culture. Arsenal Pulp Press.
- Goldie, T. (1989). Fear and Temptation: The Image of the Indigene in Canadian, Australian, and New Zealand Literatures. McGill-Queen's University Press.
- Kane, P. (1859). Wanderings of an Artist among the Indians of North America: From Canada to Vancouver's Island and Oregon through the Hudson's Bay Company's Territory and Back Again. Spottiswoode and Co.
- Lennox, J. (2017). Homelands and Empires: Indigenous Spaces, Imperial Fictions, and Competition for Territory in Northeastern North America, 1690-1763. University of Toronto Press.
- Monaghan, J. (2013). Settler Governmentality and Racializing Surveillance in Canada's North-West. The Canadian Journal of Sociology / Cahiers canadiens de sociologie, 38(4), 487-508. www.jstor.org/stable/canajsocicahican.38.4.487
- Saranillio, D. I. (2015). Settler Colonialism. In S. N. Teves, A. Smith, & M. H. Raheja (Eds.), Native Studies Key Words. The University of Arizona Press.
Details
Primary Language
English
Subjects
Creative Arts and Writing
Journal Section
Research Article
Authors
Işıl Öteyaka
*
0000-0002-5792-5261
Türkiye
Publication Date
July 26, 2021
Submission Date
July 29, 2020
Acceptance Date
December 1, 2020
Published in Issue
Year 2021 Number: 45