Journal Boards

Editor-in-Chief

Prof. Dr. Walter FELDMAN It is not affiliated with an institution United States Web

Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. He is author of the books Music of the Ottoman Court: Makam, Composition, and the Early Ottoman Instrumental Repertoire (Berlin, 1996), and Klezmer: Music, History, & Memory (Oxford, 2016), and has contributed the entries "Ottoman Music," and "Klezmer Music" to the New Groves Dictionary of Music and Musicians. In 2004 he co-directed the successful application of the Mevlevi Dervishes of Turkey as a Masterpiece of the Oral and Intangible Heritage of Humanity for UNESCO. His current research interests include the relation of rhythmic cycle (usul) and melody in Ottoman music, and gesture in Ashkenazic Jewish and other dance cultures.

Education
Ph. D. in Central Asian Literature (Uzbek and Chaghatay) from Columbia University, 1980. Dissertation: The Uzbek Oral Epic: Documentation of Late Nineteenth and Early Twentieth Century Bards (1980).
B.A in Oriental Languages from City College of New York (1970).

Research Fellowships and Other Awards
Magowan Family Foundation (2017-18): “Interviews on the Klezmer Music of Moldova” (with Christina Crowder).
Westphalian Wilhelms University (WWU) Fellowship (February 2016): “Compositions of Tanburi Isak Fresco According to the Oldest Hamparsum Manuscripts.”
NYU AD Research Enhancement Fund (September 2014-August 2015): “Klezmer Music of Moldova.”
NYU AD Research Enhancement Fund (August 2011-December 2013): “History and Memory in the Traditional Moldovan Wedding Table Song (Cîntec de Masa), ca. 1840-1960.”
The Magowan Family Foundation, (2008, 2007, 2002-2004); Beit Shalom Aleichem, (2003); Memorial Foundation for Jewish Culture, (2001-2002): “Klezmer: Music, History and Memory.”
The Littauer Foundation, (2000): “The Klezmer Materials of Jeremiah Hescheles.
National Endowment for the Humanities, (1998-99): “The Indian Style in Ottoman Poetry.”
U.S. Department of Education, (1990-92): “Advanced Turkish Teaching Materials.” IREX, (1988, 1989, 1990, 1991): “The Uzbek Oral Epic.”
National Endowment for the Humanities, (1985-87): Annotated Translation of “The Book of the Science of Music According to the Alphabetic Notation” by Prince Demetrius Cantemir (1673-1723).
American Research Institute in Turkey, (1984): “The Philosophy of Music in Ottoman Turkey.”
Princeton University Committee on Research in the Humanities and Social Sciences, (1984): “Music and Zikr of the Sunni Tarikats of Istanbul.”
_______ (1983): “The Ottoman Lyric Form Murabba.’”
National Endowment for the Humanities and the American Research Institute in Turkey, (1983):”The Position of Traditional Art Music in Nineteenth Century Turkey.”
National Endowment for the Arts, (1978-1979): “Jewish Instrumental Folk Music.”

Employment
New York University Abu-Dhabi, Professor of Music (2009-2012), Visiting Professor of Music (2013--2016), Senior Research Fellow (2017-2019).
New York University, Department of Performance Studies, Part-Time Visiting Professor (fall 2008).
Jerusalem Academy of Music and Dance (Rubin Academy), Instructor, Jazz and Interdisciplinary Department, (spring 2008-spring 2010).
Bar Ilan University, Music Department (Tel-Aviv), Part-time Associate Professor, (2004-2009).
Center for the Classical Music and Dance of the Orient, Jerusalem, lecturer, (2001-2007).
Yiddish Institute of Tel-Aviv (Beit Shalom Aleichem), lecturer, (2002-2003).
Artistic Director for Jewish and Related Music Programming, 92nd Street Y,( 2004-2007).
Hebrew University, Jerusalem, Jewish Music Research Center, Fellow, (2002-present).
Visiting Professor, Bar Ilan University, Department of Musicology, (2001).
Visiting Professor, New York University, Music Department, (2000).
University of Pennsylvania, Department of Asian and Middle Eastern Studies, Coordinator for Turkish and Turkic Programs, (1986—1998).
Visiting Assistant Professor, Department of Music, Princeton University, (1985).
Princeton University, Near Eastern Languages and Cultures, Assistant Professor, (1981-1984).

Recent Research Projects
Board Member of the Corpus Musicae Ottomanicae (CMO) project, sponsored by the Deutsches Forschungs Gemeinschaft, under the direction of Prof. Ralf Martin Jager, Westphalian Wilhelms University of Münster (2015-2026).

Languages
Spoken: Hebrew, Yiddish, Russian, Turkish, Uzbek, Kazakh.
Research: Ottoman, Chaghatay, Persian, Turkmen, Azerbaijani, Uighur, German, French, Romanian.

Click for full CV

Composition in Western Classical Music, Theories of Music, Musicology and Ethnomusicology, Music (Other)
Prof. Dr. Scott SMİTH University of Kansas United States Web

Scott McBride Smith is a recognized leader in music education. As the Cordelia Brown Murphy Professor of Piano Pedagogy at the University of Kansas, he focuses on national issues of teacher training and piano pedagogy. As President and CEO of the International Institute for Young Musicians, he leads a summer program offering specialized training for gifted young performers from around the world. A co-author of the groundbreaking new series American Popular Piano, he has helped create a course of study for today's student - providing tools that inspire the necessary hard work while playing music they love. As former president of Royal American Conservatory Examinations, he worked to establish standards by championing national curriculum and assessment in the USA. And as a former division president of Music Teachers National Association and president of the California Association of Professional Music Teachers, he works on concerns that affect all professionals in the music teaching community. A long-time teacher of prize-winning students in Irvine, California, Dr. Smith's students have been California State Champions in the years 1988, 1990, 1996, 1998, 1999, 2001, 2004, 2006 and 2008. Former students have been First Prize winners in the Naftsger Competition, Tchaikovsky Competition and in competitions of the Music Teachers National Association. Amir Khosrowpour, Dr. Smith';s student for 11 years, was the 2001-2002 Steinway National Collegiate Champion while a student of Dr. Jack Winerock at the University of Kansas. His student Jeremy Siskind was the 2002 winner of the ASACAP Foundation Young Jazz Composer award. Dr. Smith is co-author of the college text The Well-Tempered Keyboard Teacher and associate editor of the magazine Clavier Companion. He is co-author of Christopher Norton's Guide to Microjazz. The growing interest in his philosophical and cognitive approach to music teaching has resulted in appearances across the US, Canada, Europe, Asia, Australia, and South America, including workshops and showcases at every MTNA Conference since 1999. But he has never lost the ability to see humor in the profession and laugh. Dr. Smith has served as Visiting Professor at the Bela Bartok Conservatory in Lima, Peru; at the Hong Kong Academy of Performing Arts; in China, at the Sichaun Conservatory of Music and at the Shenzhen Arts School; and in Taiwan, sponsored by the International Piano Teaching Foundation. Scott McBride Smith received his doctorate from the University of Southern California, where he was co-winner of the Outstanding Graduate in Piano award. A former member of the Music Teachers National Association National Board, he is also a member of the European Piano Teachers Association and a Level One Certified member the Early Childhood Music and Movement Association.

Education
D.M.A., Piano Performance, 1982 University of Southern California
Minor(s): Music History, Conducting, 20th-century American and English Literature


Some important researches
Smith, S. M., Hung, C., & Bu, J. (2019). United States Music Certification Exam Curriculum. Lawrence. (Refereed)
This was a major re-edit and translation of the English language version. There are three books (Repertoire, Technic, and Skills) in 10 levels.
Smith, S. M. (2019). American Popular Piano, Etudes, Bk. 4. (Refereed)
This is a major revision of the 2005 original, incorporating a research-based approach to teaching improvisation at early levels of piano study. It was published in China in Chinese translation.
Smith, S. M. (2018). American Popular Piano Etudes, Preparatory Level. In American Popular Piano. (Refereed)
This is a major revision of the 2005 original, incorporating a research-based approach to teaching improvisation at early levels of piano study.
Smith, S. M. (2018). Seymour Fink Master Technician. Clavier Companion. (Refereed)
Smith, S. M. (2018). Clavier Companion. (Refereed)
McBride Smith, S. (2018). In S. M. Smith, USMCE Piano Studies Book, The New Millennium Series, Diamond Edition, Grade 10. Lawrence. (Refereed)
This is the second of two advanced level studies books to be used in the U.S. Music Certification Examinations. I chose content, indicated leveling, and provided fingering on selected works.
McBride Smith, S. (2018). In S. M. Smith, USMCE Piano Studies Book, The New Millennium Series, Diamond Edition, Grade 9. (Refereed)
This is the first of two advanced level studies books to be used in the U.S. Music Certification Examinations. I chose content, indicated leveling, and provided fingering on selected works.
McBride Smith, S. (2018). In S. M. Smith, USMCE Piano Performance Book The New Millenium Series Diamond Edition, Grade 7. (Refereed)
I re-edited this educational anthology for publication in China, correcting note errors and re-doing fingering where necessary.
McBride Smith, S. (2018). In S. M. Smith, USMCE Piano Performance Book The New Millenium Series Diamond Edition, Grade 8. (Refereed)
I re-edited this educational anthology for publication in China, correcting note errors and re-doing fingering where necessary.


Click full CV
Music, Interpretation in Western Classical Music, Music Education

Assoc. Editors

Assoc. Prof. Dr. Alper ŞAKALAR KAHRAMANMARAŞ SÜTÇÜ İMAM ÜNİVERSİTESİ Türkiye
Music, Interpretation in Western Classical Music, Music Technology and Recording, Theories of Music, Composition in Turkish Folk Music, Interpretation in Turkish Folk Music

Advisory Board

Dr. Instructor Alicia MARAVELIA Hellenic Institute of Egyptology Greece Web

Alicia MARAVELIA:  Although a recognized Egyptologist (PhD in the University of Limoges, 2004) and Astronomer (PhD in the University of Athens, 1997), with an initial BSc in Physics (University of Thessaloniki, 1988), Founder and Director of the Hellenic Institute of Egyptology, Co-Ordinator of two Research Projects and prolific author of more than 145 paper, books and reviews, she is also very fond of Music and the History of Music. She has studied Byzantine Music in Thessaloniki and Athens and wrote a book of Propria (Akolouthia) to honour the memory of Saint Alice/Alexandra of Russia (the Passion-Bearer). She specializes in the enharmonion genos of the Oktoechos and is very interested in the relations and interactions of the Arabic and Ottoman Maqam with the various modes (echoi) of Byzantine Music.   

Religious Music, Archaeology, History of Religion

Section Editors/Editors

Dr. Özgecan KARADAĞLI Hacı Bayram Veli Üniversitesi Türkiye
Music, Interpretation in Western Classical Music, Theories of Music, Musicology and Ethnomusicology
Assoc. Prof. Dr. Günay MAMMADOVA Nahçıvan Devlet Üniversitesi Azerbaijan
Music Education, Theories of Music, Musicology and Ethnomusicology, Music (Other)
Assoc. Prof. Dr. Serkan ÇELİK İZMİR KATİP ÇELEBİ ÜNİVERSİTESİ, SANAT VE TASARIM FAKÜLTESİ Türkiye
Music Therapy, Theories of Music, Composition in Turkish Folk Music, Interpretation in Turkish Folk Music, Composition in Turkish Classical Music, Music (Other)
Assoc. Prof. Dr. Murat GÜREL Ondokuz Mayıs Üniversitesi, Devlet Konservatuvarı, Türk Müziği Bölümü Türkiye Web
Theories of Music, Interpretation in Turkish Classical Music
Assoc. Prof. Dr. Serkan DEMİREL ANKARA MÜZİK VE GÜZEL SANATLAR ÜNİVERSİTESİ, İCRA SANATLARI FAKÜLTESİ, ÇALGI EĞİTİMİ BÖLÜMÜ, ÇALGI EĞİTİMİ ANASANAT DALI Türkiye
Curriculum and Instration , Fine Arts Education, Sociology of Music, Music, Music Cognition, Music Education, Music Performance, Theories of Music, Musicology and Ethnomusicology, Music (Other)

Editorial Board

Asst. Prof. Dr. Adhurim RASİMİ University of Prishtina Kosovo
Education, Music Education, Musicology and Ethnomusicology, Music (Other)
Assoc. Prof. Dr. Tuğçem KAR İSTANBUL TEKNİK ÜNİVERSİTESİ Türkiye
Music
Assoc. Prof. Dr. Şevki Özer AKÇAY ATATÜRK ÜNİVERSİTESİ Türkiye
Sociology of Music, Cognitive Neuroscience, Music, Music Education, Music Performance, Musicology and Ethnomusicology
Prof. Dr. Ralf Martin JäGER Westfälische Wilhelms-Universität Germany Web
Music
Prof. Dr. Okan Murat ÖZTÜRK ANKARA MÜZİK VE GÜZEL SANATLAR ÜNİVERSİTESİ Türkiye Web
Sociology, Creative Arts and Writing, Music, Religious Music, Composition in Western Classical Music, Theories of Music, Musicology and Ethnomusicology, Composition in Turkish Folk Music, Interpretation in Turkish Folk Music
Prof. Dr. Melik Ertuğrul BAYRAKTARKATAL BAŞKENT ÜNİVERSİTESİ Türkiye Web
Theories of Music, Musicology and Ethnomusicology
Dr. Vladimir VALJAREVİC Mannes School of Music United States Web
Music, Music Education
Music
Prof. Peter KÖRNER ULUDAĞ ÜNİVERSİTESİ Türkiye
Music, Interpretation in Western Classical Music
Prof. Dr. Mehmet Safa YEPREM Marmara University Türkiye Web
Religious Music, Composition in Western Classical Music, Interpretation in Western Classical Music, Music Education, Theories of Music, Musicology and Ethnomusicology, Interpretation in Turkish Folk Music, Composition in Turkish Classical Music
Prof. Dr. Ahmet Hakkı TURABİ Division of Turkish Religious Music, Amasya University, Faculty of Theology, Amasya, Türkiye Türkiye
Religious Music, Musicology and Ethnomusicology, Turkish Music
Assoc. Prof. Dr. Sehrana KASİMİ Azerbaijan National Academy of Science, Institute of Architecture and Art Azerbaijan Web
Anthropology of Music, Music Education, Theories of Music, Musicology and Ethnomusicology

Language Editor

Specialist Stephen KUNTZ University of Alberta Türkiye
English As A Second Language, British and Irish Language, Literature and Culture, Creative and Professional Writing (Other)

Layout

İlhan BALTACI GAZİ ÜNİVERSİTESİ
Graphic Design, Music Education

RMJ Editorial Board Contact Informations

Editor-in-Chief
Walter Feldman – walterzevfeldman@gmail.com- Emiritus-No affiliation- US

Scott McBride Smith- smcbsmith@ku.edu - University of Kansas- US
Assoc. Editor
Alper Şakalar - alpersakalar@gmail.com- Kahramanmaraş Sütçü İmam Üniversitesi- Türkiye

Advisory Board

Dr Dr Alicia Maravelia, nut_ntrt@otenet.gr- Hellenic Institute of Egyptology- Greece
Section Editors/Editors
Murat Gurel – murat.gurel@omu.edu.tr- Ondokuz Mayıs University- Turkiye

Özgecan Karadağlı- ozgecan.karadagli@gmail.com - Hacıbayram Veli Üniversitesi- Turkiye

Günay Mammadova - gunay-memmedli@mail.ru - Nahçıvan State University - Azerbaijan
Serkan Demirel- sekole@gmail.com-Ankara Music ve Güzel Sanatlar Üniversitesi- Türkiye
Serkan Çelik- scelik55@gmail.com- İzmir Katip Çelebi Üniversitesi - Türkiye

International Editorial Board

Ertuğrul Bayraktarkatal – bayraktarkatal@gmail.com- Başkent University- Turkiye
Ralf Martin Jäger – ralf.jaeger@wwu.de- Westfälische Wilhelms-Universität- Germany
Vladimir Valjarevic – vladimir.valjarevic@gmail.com- Mannes School of Music- US
Okan Murat Ozturk – okanmurat@gmail.com- Ankara Music and Fine Arts University- Turkiye
Safa Yeprem – syeprem@gmail.com- Marmara University- Türkiye
Ahmet Hakkı Turabi – ahturabi@yahoo.com- Amasya University, Turkiye

Adhurim Rasimi, sadhurimrasimi@hotmail.com, University of Prishtina-Kosova
Şevki Özer Akçay – akcay_ozer@yahoo.com- Atatürk University- Turkiye

Peter Körner – peterkorner@uludag.edu.tr-Uludağ University -Turkiye
Sehrana Kasimi – sekasimi@mail.ru- Azerbaijan National Conservatory - Azerbaijan

Tuğçem Kar – tugcemkar@gmail.com- İstanbul Technical University - Turkiye

Pooyan Azadeh- pooyan.art.university@gmail.com -University of Art -Iran

Language Editors
Stephen Kuntz- stephenkuntz44@gmail.com- Turkiye

Layout-Design
İlhan Baltacı - ibaltaci90@gmail.com- Turkiye


Last Update Time: 9/29/24, 8:45:17 PM

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