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The Amazing, Performing Film: Some Propositions

Year 2018, , 160 - 171, 30.06.2018
https://doi.org/10.31122/sinefilozofi.426841

Abstract

Film performance, as
I am defining it here, does not appear to have the right characteristics to fit
any of these proposed alternatives to the mainstream norm. Rather, it very
quickly and easily sinks in with the bad status quo; there seems nowhere else
to put it.

References

  • Stephen Heath, Questions of Cinema (London: Macmillan, 1981), p. 115
  • David Bordwell, Janet Staiger & Kristin Thompson, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (Columbia University Press, 1985), pp. 372-373.
  • Dana B. Polan, “Formalism and its Discontents”, Jump Cut, no. 26 (December 1981), pp. 63-66. Reprinted online at [http://www.ejumpcut.org/archive/onlinessays/JC26folder/DistantObserver.html]. Accessed 31 December 2016.
  • Andrew Britton, Britton on Film: The Complete Film Criticism of Andrew Britton (Detroit: Wayne State University Press, 2009), p. 237.
  • Steve Neale, “Hollywood Corner: Raiders of the Lost Ark”, Framework, no. 19 (1982), p. 37.
  • Robin Wood, American Nightmare, p. 25.
  • Tony Williams, “Assault on Precinct 13: The Mechanics of Repression”, in Robin Wood & Richard Lippe (eds), American Nightmare – Essays on the Horror Film (Toronto: Festival of Festivals, 1979), p. 67.
  • Tony Williams, “Close Encounters of the Authoritarian Kind”, Wide Angle, Vol. 5 No. 4 (1983), pp. 22-29.
  • Raymond Durgnat, “Towards Practical Criticism”, AFI Education Newsletter, Vol. 4 No. 4 (March-April 1981), p. 10.
  • Philip Brophy, “Read My Lips: Notes on the Writing and Speaking of Film Dialogue”, Continuum, Vol. 5 No. 2 (1992), pp. 246-266.
  • . See Charles F. Reagan & David Stewart (eds), The Philosophy of Paul Ricoeur: An Anthology of His Work (Toronto: Beacon, 1978), pp. 213-219.
Year 2018, , 160 - 171, 30.06.2018
https://doi.org/10.31122/sinefilozofi.426841

Abstract

References

  • Stephen Heath, Questions of Cinema (London: Macmillan, 1981), p. 115
  • David Bordwell, Janet Staiger & Kristin Thompson, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (Columbia University Press, 1985), pp. 372-373.
  • Dana B. Polan, “Formalism and its Discontents”, Jump Cut, no. 26 (December 1981), pp. 63-66. Reprinted online at [http://www.ejumpcut.org/archive/onlinessays/JC26folder/DistantObserver.html]. Accessed 31 December 2016.
  • Andrew Britton, Britton on Film: The Complete Film Criticism of Andrew Britton (Detroit: Wayne State University Press, 2009), p. 237.
  • Steve Neale, “Hollywood Corner: Raiders of the Lost Ark”, Framework, no. 19 (1982), p. 37.
  • Robin Wood, American Nightmare, p. 25.
  • Tony Williams, “Assault on Precinct 13: The Mechanics of Repression”, in Robin Wood & Richard Lippe (eds), American Nightmare – Essays on the Horror Film (Toronto: Festival of Festivals, 1979), p. 67.
  • Tony Williams, “Close Encounters of the Authoritarian Kind”, Wide Angle, Vol. 5 No. 4 (1983), pp. 22-29.
  • Raymond Durgnat, “Towards Practical Criticism”, AFI Education Newsletter, Vol. 4 No. 4 (March-April 1981), p. 10.
  • Philip Brophy, “Read My Lips: Notes on the Writing and Speaking of Film Dialogue”, Continuum, Vol. 5 No. 2 (1992), pp. 246-266.
  • . See Charles F. Reagan & David Stewart (eds), The Philosophy of Paul Ricoeur: An Anthology of His Work (Toronto: Beacon, 1978), pp. 213-219.
There are 11 citations in total.

Details

Primary Language English
Subjects Communication and Media Studies, Philosophy
Journal Section Invited Article
Authors

Adrian Martin This is me

Publication Date June 30, 2018
Published in Issue Year 2018

Cite

APA Martin, A. (2018). The Amazing, Performing Film: Some Propositions. SineFilozofi, 3(5), 160-171. https://doi.org/10.31122/sinefilozofi.426841