Research Article

In Contemporary Turkish Operas a Different Taste “Ali Baba and the Forty Thieves Opera”

Volume: 13 Number: 23 July 31, 2012
EN TR

In Contemporary Turkish Operas a Different Taste “Ali Baba and the Forty Thieves Opera”

Abstract

Although brilliant and flashy, Opera is a branch of art which people approach prejudicially. Some may think that watching an opera play is the most boring thing to do. Easiest way to get rid of these thoughts is through increasing the number of productions which includes our traditional culture in terms of music, dance, scene and theme. Not only this will help to development of Turkish opera but also will increase the number of opera audience eliminating the prejudices. Among the Turkish Operas, having these properties the opera Alibaba ve Kırk Haramiler constitutes the main text of the essay. In this essay, The Opera Alibaba ve Kırkharamiler is analyzed mostly musically. Other traditional items it contains are investigated and findings are discussed and concluded.

Keywords

References

  1. Say, Ahmet (1994). Müzik Tarihi. Ankara: Müzik Ansiklopedisi Yayınları

Details

Primary Language

Turkish

Subjects

-

Journal Section

Research Article

Authors

Ayhan Helvacı
ULUDAG UNIV
Türkiye

Publication Date

July 31, 2012

Submission Date

January 31, 2017

Acceptance Date

April 22, 2014

Published in Issue

Year 2012 Volume: 13 Number: 23

APA
Helvacı, A. (2012). ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT “ALİBABA VE KIRK HARAMİLER OPERASI”. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, 13(23), 243-253. https://izlik.org/JA69RG96MD
AMA
1.Helvacı A. ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT “ALİBABA VE KIRK HARAMİLER OPERASI.” Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi. 2012;13(23):243-253. https://izlik.org/JA69RG96MD
Chicago
Helvacı, Ayhan. 2012. “ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT ‘ALİBABA VE KIRK HARAMİLER OPERASI’”. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 13 (23): 243-53. https://izlik.org/JA69RG96MD.
EndNote
Helvacı A (December 1, 2012) ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT “ALİBABA VE KIRK HARAMİLER OPERASI”. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 13 23 243–253.
IEEE
[1]A. Helvacı, “ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT ‘ALİBABA VE KIRK HARAMİLER OPERASI’”, Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, vol. 13, no. 23, pp. 243–253, Dec. 2012, [Online]. Available: https://izlik.org/JA69RG96MD
ISNAD
Helvacı, Ayhan. “ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT ‘ALİBABA VE KIRK HARAMİLER OPERASI’”. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 13/23 (December 1, 2012): 243-253. https://izlik.org/JA69RG96MD.
JAMA
1.Helvacı A. ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT “ALİBABA VE KIRK HARAMİLER OPERASI”. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi. 2012;13:243–253.
MLA
Helvacı, Ayhan. “ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT ‘ALİBABA VE KIRK HARAMİLER OPERASI’”. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, vol. 13, no. 23, Dec. 2012, pp. 243-5, https://izlik.org/JA69RG96MD.
Vancouver
1.Ayhan Helvacı. ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT “ALİBABA VE KIRK HARAMİLER OPERASI”. Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi [Internet]. 2012 Dec. 1;13(23):243-5. Available from: https://izlik.org/JA69RG96MD