HÜZÜNLÜ MÜZİKTEN HOŞLANMA: DUYGUDURUM DÜZENLEME STRATEJİLERİ VE KİŞİLİK ÖZELLİKLERİNİN YORDAYICI ETKİSİ

Year 2022, Volume: 23 Issue: 43, 1077 - 1104, 31.07.2022

Ayşe Arman Kalkandeler

https://doi.org/10.21550/sosbilder.1055919

Abstract

Araştırma kapsamında öncelikle Müzikle Duygudurum Düzenleme Ölçeği - Kısa Formu’nun Türkiye örneklemi için geçerlik ve güvenirlik çalışması 296 kişilik bir örneklem ile yapılmıştır. Doğrulayıcı faktör analizi sonucunda, ölçeğin orijinal yedi faktörlü yapısının veriyle uyumlu olduğu belirlenmiştir. Ayrıca alt boyutlara ait iç tutarlılık katsayılar da kabul edilebilir düzeydedir. Araştırmanın ikinci kısmında, Türkçe Büyük Beşli Kişilik Envanteri, Müzikle Duygudurum Düzenleme Ölçeği - Kısa Formu ve Hüzünlü Müziği Beğenme Ölçeği kullanılarak, kişilik özellikleri ve duygudurum düzenleme stratejilerinin hüzünlü müzikten hoşlanma üzerindeki yordayıcı etkisi belirlenmiştir. Buna göre, dışadönüklük ve duygusal denge kişilik özellikleri ile dikkati dağıtma, serbest bırakma, bilişsel değerlendirme ve teselli bulma stratejilerinin hüzünlü müzikten hoşlanmayı yordadığı belirlenmiştir. Buna göre dinleyiciler, hüzün duygusuyla sağlıklı bir şekilde başa çıkabilmek için, farklı duygudurum düzenleme stratejilerini hüzünlü müzikler aracılığıyla kullanıyor gibi görünmektedir.

Keywords

hüzünlü müzik paradoksu, hüzünlü müzikten hoşlanma, duygudurum düzenleme, hüzünle başa çıkma, kişilik özellikleri

Supporting Institution

Yok

Project Number

Yok

Thanks

Yok

Liking Sad Music: The Effects of Mood Regulation Strategies and Personality Traits

Abstract

Within the scope of this research, first of all, validity and reliability analyzes of the “Brief Music in Mood Regulation Scale” were made for the Turkish sample with 296 people. As a result of confirmatory factor analysis, it was determined that the original seven-factor structure of the scale was compatible with the data. In the second part of the study, the predictive effects of personality traits and mood regulation strategies on the enjoyment of sad music were determined by using the Turkish Big Five Personality Inventory, Music in Mood Regulation Scale- Brief Form and Liking Sad Music Scale. Accordingly, it was determined that extraversion and neuroticism and strategies of diversion, discharge, mental work and solace predicted liking for sad music. Accordingly, listeners seem to use different mood regulation strategies through sad music in order to cope with the emotion of sadness in a healthy way.

Keywords

paradox of sad music, liking sad music, mood regulation, coping with sadness, personality traits

Project Number

Yok

References

• Chamorro-Premuzic, T., Fagan, P., Furnham, A. (2010). Personality and uses of music as predictors of preferences for music consensually classified as happy, sad, complex, and social. Psychology of Aesthetics, Creativity, and the Arts, 4(4), 205-213.
• Evinç, Ş. G. (2004). Çocuktaki dikkat eksikliği hiperaktivite bozukluğu (DEHB) ve eşlik eden belirtiler ile ilişkili olarak anne kişilik özellikleri, duygulanım durumu ve psikopatolojisi. (Yayımlanmamış yüksek lisans tezi). Ankara: Orta Doğu Teknik Üniversitesi Sosyal Bilimler Enstitüsü.
• Garrido, S. & Schubert, E. (2011). Individual differences in the enjoyment of negative emotion in music: A literature review and experiment. Music Perception: An Interdisciplinary Journal, 28(3), 279-296.
• Garrido, S. & Schubert, E. (2013). Adaptive and maladaptive attraction to negative emotions in music. Musicae Scientiae, 17(2), 147-166.
• Goldstein, T. R. (2009). The pleasure of unadulterated sadness: Experiencing sorrow in fiction, nonfiction, and “in person”. Psychology of Aesthetics, Creativity, and the Arts, 3(4), 232-237.
• John, O. P. & Srivastava, S. (1999). The big five trait taxonomy: History, measurement, and theoretical perspectives. L. A. Pervin, O. P. John (Ed.), Handbook of Personality: Theory and Research içinde (102-138. ss.), The Guilford Press.
• Hanser, W. E., Mark, R. E., Vingerhoets, J. J. M. (2021). Everyday crying over music: A survey. Musicae Scientiae, January, 1-22.
• Hogue, J. D., Crimmins, A. M., Kohn, J. H. (2015). So sad and slow, so why can’t I turn off the radio: The effects of gender, depression, and absorption on liking music that induces sadness and music that induces happiness. Psychology of Music, 44(4), 816-829.
• Hunter, P. G., Schellenberg, G., Schimmack, U. (2010). Feelings and perceptions of happiness and sadness induced by music: Similarities, differences, and mixed emotions. Psychology of Aesthetics, Creativity, and the Arts, 4(1), 47-56.
• Huron, D. (2011). Why is sad music plasureable? A possible role for prolactin. Musicae Scientiae, 15(2), 146-58.
• Kawakami, A., Furukawa, K., Katahira, K., Okanoya, K. (2013). Sad music induces pleasant emotion. Frontiers in Psychology, 4(311), 1-15.
• Koelsch, S., Siebel, W., Fritz, T. (2010). Functional neuroimaging. P. Juslin, J. Sloboda (Ed.), Handbook of Music and Emotion içinde (313-344. ss.), Oxford University Press.
• Koelsch, S., Jacobs, A. M., Meninghaus, W., Liebal, K., Klann-Delius, G., von Scheve, C., Gebauer, G. (2015). The quartet theory of human emotions: An integrative and neurofunctional model. Physics of Life, 13, 1-27.
• Ladinig, O., Brooks, C., Hansen, N. C., Horn, K., Huron, D. (2019). Enjoying sad music: A test of the prolactin theory. Musicae Scientiae, (25), 1-20.
• Larsen, R. J. (2000). Toward a science of mood regulation. Psychological Inquiry, 11(3), 129-141.
• Levinson, J. (1990). Music, Art, and Metaphysics: Essays in Philosophical Aesthetics. Cornell University Press.
• Morreall, J. (1968). Aristotle and the paradox of tragedy, The Angle, 1, Article 2.
• Plotz, J. (2013). On the evolution of sadness and the pleasures of sad music or an outsider’s view on sad music. Retreat and Rest.
• Russell, J. A. (1980). A circumplex model of affect. Journal of Personality and Social Psychology, 39(6), 1161-1178.
• Saarikallio, S. (2008). Music in mood regulation: Initial scale development. Musicae Scientiae, 12(2), 291-309.
• Saarikallio, S. (2011). Music as emotional self-regulation throughout adulthood. Psychology of Music, 39(3), 307-27.
• Saarikallio, S. (2012). Development and validation of the brief music in mood regulation scale (B-MMR). Music Perception: An Interdisciplinary Journal, 30(1), 97-105.
• Taruffi, L. & Koelsch, S. (2014). The paradox of music-evoked sadness: An online survey. Plos One, 9(10).
• Ter Bogt, T., Vieno, A., Doornwaard, S. M., Pastore, M., Van Den Eijnden, R. (2017). You’re not alone: Music as a source of consolation among adolescents and young adults. Psychology of Music, 45(2), 155-171.
• Ter Bogt, T., Canale, N., Lenzi, M., Vieno, A., Van Den Eijnden, R. (2019). Sad music depresses sad adolescents: A listener’s profile. Psychology of Music, 49(2), 257-272.
• Tekman, H. G. & Tokgöz, E. C. (2018). Reasons for liking sad music in a population from Turkey: Relations with music empathy and rumination. Proceedings of IMPC15/ESCOM10, Centre for Systematic Musicology, University of Graz.
• Van Den Tol, A. J. M. & Edwards, J. (2011). Exploring a rationale for choosing to listen to sad music when feeling sad. Psychology of Music, 41(4), 440-65.
• Van Den Tol, A. J. M. & Edwards, J. (2015). Listening to sad music in adverse situations: How music selection strategies relate to self-regulatory goals, listening effects, and mood enhancement. Psychology of Music, 43(4), 473-494.
• Vuoskoski, J. K., Thompson, W. F., Mcllwain, D., Eerola, T. (2012). Who enjoys listening to sad music and why? Music Perception: An Interdisciplinary Journal, 29(3), 311-317.