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Revenge Tragedy Revisited: Women and Law in Nina Raine’s Consent

Year 2024, Volume: 9 Issue: 2, 743 - 758, 29.08.2024
https://doi.org/10.29110/soylemdergi.1487991

Abstract

‘Revenge’ has been a common theme in western drama, the primary examples of which are found in well-known Ancient Greek plays and Renaissance revenge tragedies, in which one major thematic quality of revenge is its affinity with the themes of ‘justice’ and ‘law’. Mirroring the inefficacy of legal mechanisms in such well-known plays, Nina Raine’s Consent (2017) portrays three women who have to struggle against a gendered-biased legal system with their own methods in their search for justice. This article argues the play can be read as a contemporary revenge tragedy with a feminist outlook, in which the female characters suffocated within a patriarchal legal construction try to attain justice on their own, portraying women’s permanent confinement within legal discourse both in real life and dramatic representations.

References

  • Andes, Anna (2019). “Consent by Nina Raine (Review)”. Theatre Journal, 71(3), 390-392. https://doi.org/10.1353/tj.2019.0064
  • Aston, Elaine (2020). Restaging Feminisms. Cham: Palgrave Macmillan.
  • Bowers, Fredson (1940). Elizabethan Revenge Tragedy 1587-1642. Princeton: Princeton University Press.
  • Brittain, Amy (19 May 2024). “Me Too Movement”. Encyclopedia Britannica. https://www.britannica.com/topic/Me-Too-movement. Accessed 21 May 2024.
  • Busfield, Joan (1996). Men, Women and Madness: Understanding Gender and Mental Disorder. Basingstoke and London: Palgrave Macmillan.
  • Clare, Janet (2007). “Introduction: Revenge and Revenge Tragedy”. In Revenge Tragedies of the Renaissance (pp. 1-17). Devon: Northcore.
  • Çakırtaş, Önder (2020). Ten ve Kimlik: Çağdaş Siyahi İngiliz Tiyatrosu. İstanbul: Çizgi Kitabevi.
  • Daniels, Sarah (1991). Neaptide. In Plays: One (Ripen Our Darkness, The Devil’s Gateway, Masterpieces, Neaptide, Byrthrite) (pp. 231-327). London: Methuen Drama.
  • Dunne, Derek (2016). “Introduction”. In C. C. Brown and A. Hadfield (Eds.) Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice (pp. 1-15). Basingstoke: Palgrave Macmillan.
  • Galsworthy, John (1914). Justice: A Tragedy in Four Acts. New York: Charles Scribner’s Sons.
  • Garcia, Manon (2023). The Joy of Consent: A Philosophy of Good Sex. Cambridge and London: The Belknap Press of Harvard University Press.
  • Griswold, Wendy (1986). Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre, 1576- 1980. Chicago and London: The University of Chicago Press.
  • Ünlü Çimen, Esra (2023). Metatheatre as Political Satire in Renaissance and Twentieth-Century English Drama. (Unpublished Ph.D. dissertation). Ankara: Ankara University. Ulusal Tez Merkezi. https://tez.yok.gov.tr/UlusalTezMerkezi/tezSorguSonucYeni.jsp

İntikam Trajedisi Geri Dönüyor: Nina Raine’in Consent Oyununda Kadınlar ve Hukuk

Year 2024, Volume: 9 Issue: 2, 743 - 758, 29.08.2024
https://doi.org/10.29110/soylemdergi.1487991

Abstract

‘İntikam’, Batı tiyatrosunda ilk örnekleri Antik Yunan trajedilerinde ve Rönesans intikam trajelerinde görülen yaygın bir temadır. İntikam trajedisinin (revenge tragedy) göze çarpan bir özelliği ‘adalet’ ve ‘hukuk’ konuları ile ilişkili olmasıdır. Nina Raine’in Consent (2017) oyunu bu oyunlarda görülen hukuki aksaklıkları yansıtır ve adalete erişme yolunda cinsiyet temelli mekanizmalar tarafından engellenen üç kadının kendi yöntemleriyle adalet arayışını konu edinir. Bu makalede, oyunun ataerkil bir hukuk sistemi içerisinde hareket edemeyen kadın karakterlerin kendi başlarına adalete erişme çabasını ele alması bakımından, feminist bir perspektifi yansıtan çağdaş bir intikam trajedisi olarak okunabileceği ve gerçek hayatta ve dramatik temsillerde kadınların hukuki yapı içerisindeki süregelen sıkışmışlıklarını ortaya koyduğu fikri ele alınır.

References

  • Andes, Anna (2019). “Consent by Nina Raine (Review)”. Theatre Journal, 71(3), 390-392. https://doi.org/10.1353/tj.2019.0064
  • Aston, Elaine (2020). Restaging Feminisms. Cham: Palgrave Macmillan.
  • Bowers, Fredson (1940). Elizabethan Revenge Tragedy 1587-1642. Princeton: Princeton University Press.
  • Brittain, Amy (19 May 2024). “Me Too Movement”. Encyclopedia Britannica. https://www.britannica.com/topic/Me-Too-movement. Accessed 21 May 2024.
  • Busfield, Joan (1996). Men, Women and Madness: Understanding Gender and Mental Disorder. Basingstoke and London: Palgrave Macmillan.
  • Clare, Janet (2007). “Introduction: Revenge and Revenge Tragedy”. In Revenge Tragedies of the Renaissance (pp. 1-17). Devon: Northcore.
  • Çakırtaş, Önder (2020). Ten ve Kimlik: Çağdaş Siyahi İngiliz Tiyatrosu. İstanbul: Çizgi Kitabevi.
  • Daniels, Sarah (1991). Neaptide. In Plays: One (Ripen Our Darkness, The Devil’s Gateway, Masterpieces, Neaptide, Byrthrite) (pp. 231-327). London: Methuen Drama.
  • Dunne, Derek (2016). “Introduction”. In C. C. Brown and A. Hadfield (Eds.) Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice (pp. 1-15). Basingstoke: Palgrave Macmillan.
  • Galsworthy, John (1914). Justice: A Tragedy in Four Acts. New York: Charles Scribner’s Sons.
  • Garcia, Manon (2023). The Joy of Consent: A Philosophy of Good Sex. Cambridge and London: The Belknap Press of Harvard University Press.
  • Griswold, Wendy (1986). Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre, 1576- 1980. Chicago and London: The University of Chicago Press.
  • Ünlü Çimen, Esra (2023). Metatheatre as Political Satire in Renaissance and Twentieth-Century English Drama. (Unpublished Ph.D. dissertation). Ankara: Ankara University. Ulusal Tez Merkezi. https://tez.yok.gov.tr/UlusalTezMerkezi/tezSorguSonucYeni.jsp
There are 13 citations in total.

Details

Primary Language English
Subjects World Languages, Literature and Culture (Other)
Journal Section EDEBİYAT / ARAŞTIRMA MAKALELERİ
Authors

Esra Ünlü Çimen 0000-0001-6481-8854

Publication Date August 29, 2024
Submission Date May 22, 2024
Acceptance Date July 25, 2024
Published in Issue Year 2024 Volume: 9 Issue: 2

Cite

APA Ünlü Çimen, E. (2024). Revenge Tragedy Revisited: Women and Law in Nina Raine’s Consent. Söylem Filoloji Dergisi, 9(2), 743-758. https://doi.org/10.29110/soylemdergi.1487991