Research Article

‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire

Volume: 2 Number: 1 April 30, 2024
EN TR

‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire

Abstract

The history of early sound recording technologies in the Ottoman Empire has been studied mainly from the perspectives of music production, comparative musicology, and ethnomusicology. In fact, while hundreds of commercial and musical cylinders were being produced in Istanbul, Beirut, and elsewhere, European anthropologists, ethnologists, linguists, orientalists, etc. were traveling throughout the Balkans, Anatolia, and the Caucasus collecting audio data for scientific purposes. In order to contribute to the Ottoman history of science and technology from the perspectives of sound studies and auditory history, I focus on the first field recordings in the Ottoman Empire, namely during Paul Kretschmer's (1866-1956) study trip to Lesbos in 1901 and Felix von Luschan's (1854-1924) research in Zincirli (Sendschirli, Aintab) in 1902. Thus, this paper aims to fill a research gap within Ottoman Studies with regard to non-musical recordings and the impact of sound reproduction technologies on the history of the (colonial) sciences, especially anthropology, ethnology and linguistics.

Keywords

Supporting Institution

UK Research and Innovation (UKRI) (EP/X032833/1)

Project Number

EP/X032833/1

Thanks

This research is undertaken as part of the ERC project (overwritten UKRI), "OTTOMAN AURALITIES and the Eastern Mediterranean: Sound, Media and Power, 1789-1922" (PI Dr. Peter McMurray), a cooperation of the University of Cambridge and Centre Marc Bloch.

References

  1. Abbani, Diana (2018). “Beirut’s Musical Scene: A Narrative of Modernization and Identity Struggles under the French Mandate”, E. Boyar and K. Fleet (eds.), Middle Eastern and North African Societies in the Interwar Period, 54-77. Brill.
  2. Abbani, Diana (2022). "Chants enregistrés traversant les frontières: circulation, croisement et imaginaires au Levant durant les années 1920-1940", Malice, 14.
  3. Abraham, Otto and Erich M. Honbostel, v. 1904. “Phonographierte türkische melodien”, Zeitschrift für Ethnologie, 36 (2): 203-221.
  4. Adorno, Theodore (1934). "Die Form der Schallplatte," 23: Eine Wiener Musikschrift 17-19 (December 15), pp. 35-39. [signed “Hektor Rottweiler”].
  5. Azoulay, Léon (1901). "Le Musée phonographiquc de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'Anthropologie de Paris 2.1: 327-330.
  6. Azoulay, Léon (1902). "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'anthropologie de Paris, 3 (1): 652-666.
  7. Benjamin, Walter (1969). “The Work of Art in the Age of Mechanical Reproduction” [translated by Harry Zohn, from the 1935 essay], Hannah Arendt (ed.), Illuminations, New York: Schocken Books.
  8. Busse Berger, Anna Maria (2020). The Search for Medieval Music in African and Germany, 1891-1961: Scholars, Singers, Missionaries. University of Chicago.

Details

Primary Language

English

Subjects

Communication and Media Studies (Other), Women's Studies, Sociology (Other)

Journal Section

Research Article

Publication Date

April 30, 2024

Submission Date

March 8, 2024

Acceptance Date

April 4, 2024

Published in Issue

Year 2024 Volume: 2 Number: 1

APA
Maksudyan, N. (2024). ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. Social Review of Technology and Change, 2(1), 1-21. https://izlik.org/JA77RM64PG
AMA
1.Maksudyan N. ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. Social Review of Technology and Change. 2024;2(1):1-21. https://izlik.org/JA77RM64PG
Chicago
Maksudyan, Nazan. 2024. “‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire”. Social Review of Technology and Change 2 (1): 1-21. https://izlik.org/JA77RM64PG.
EndNote
Maksudyan N (April 1, 2024) ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. Social Review of Technology and Change 2 1 1–21.
IEEE
[1]N. Maksudyan, “‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire”, Social Review of Technology and Change, vol. 2, no. 1, pp. 1–21, Apr. 2024, [Online]. Available: https://izlik.org/JA77RM64PG
ISNAD
Maksudyan, Nazan. “‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire”. Social Review of Technology and Change 2/1 (April 1, 2024): 1-21. https://izlik.org/JA77RM64PG.
JAMA
1.Maksudyan N. ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. Social Review of Technology and Change. 2024;2:1–21.
MLA
Maksudyan, Nazan. “‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire”. Social Review of Technology and Change, vol. 2, no. 1, Apr. 2024, pp. 1-21, https://izlik.org/JA77RM64PG.
Vancouver
1.Nazan Maksudyan. ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. Social Review of Technology and Change [Internet]. 2024 Apr. 1;2(1):1-21. Available from: https://izlik.org/JA77RM64PG