‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire
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References
- Abbani, Diana (2018). “Beirut’s Musical Scene: A Narrative of Modernization and Identity Struggles under the French Mandate”, E. Boyar and K. Fleet (eds.), Middle Eastern and North African Societies in the Interwar Period, 54-77. Brill.
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- Abraham, Otto and Erich M. Honbostel, v. 1904. “Phonographierte türkische melodien”, Zeitschrift für Ethnologie, 36 (2): 203-221.
- Adorno, Theodore (1934). "Die Form der Schallplatte," 23: Eine Wiener Musikschrift 17-19 (December 15), pp. 35-39. [signed “Hektor Rottweiler”].
- Azoulay, Léon (1901). "Le Musée phonographiquc de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'Anthropologie de Paris 2.1: 327-330.
- Azoulay, Léon (1902). "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'anthropologie de Paris, 3 (1): 652-666.
- Benjamin, Walter (1969). “The Work of Art in the Age of Mechanical Reproduction” [translated by Harry Zohn, from the 1935 essay], Hannah Arendt (ed.), Illuminations, New York: Schocken Books.
- Busse Berger, Anna Maria (2020). The Search for Medieval Music in African and Germany, 1891-1961: Scholars, Singers, Missionaries. University of Chicago.
Details
Primary Language
English
Subjects
Communication and Media Studies (Other), Women's Studies, Sociology (Other)
Journal Section
Research Article
Authors
Nazan Maksudyan
*
0000-0002-0918-7807
Germany
Publication Date
April 30, 2024
Submission Date
March 8, 2024
Acceptance Date
April 4, 2024
Published in Issue
Year 2024 Volume: 2 Number: 1