Araştırma Makalesi

‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire

Cilt: 2 Sayı: 1 30 Nisan 2024
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‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire

Öz

The history of early sound recording technologies in the Ottoman Empire has been studied mainly from the perspectives of music production, comparative musicology, and ethnomusicology. In fact, while hundreds of commercial and musical cylinders were being produced in Istanbul, Beirut, and elsewhere, European anthropologists, ethnologists, linguists, orientalists, etc. were traveling throughout the Balkans, Anatolia, and the Caucasus collecting audio data for scientific purposes. In order to contribute to the Ottoman history of science and technology from the perspectives of sound studies and auditory history, I focus on the first field recordings in the Ottoman Empire, namely during Paul Kretschmer's (1866-1956) study trip to Lesbos in 1901 and Felix von Luschan's (1854-1924) research in Zincirli (Sendschirli, Aintab) in 1902. Thus, this paper aims to fill a research gap within Ottoman Studies with regard to non-musical recordings and the impact of sound reproduction technologies on the history of the (colonial) sciences, especially anthropology, ethnology and linguistics.

Anahtar Kelimeler

Destekleyen Kurum

UK Research and Innovation (UKRI) (EP/X032833/1)

Proje Numarası

EP/X032833/1

Teşekkür

Bu araştırma, Cambridge Üniversitesi ve Centre Marc Bloch işbirliğiyle yürütülen "OTTOMAN AURALITIES and the Eastern Mediterranean: Sound, Media and Power, 1789-1922" (PI Dr. Peter McMurray) başlıklı ERC projesinin (UKRI'nin üzerinde yazılmıştır) bir parçası olarak gerçekleştirilmiştir.

Kaynakça

  1. Abbani, Diana (2018). “Beirut’s Musical Scene: A Narrative of Modernization and Identity Struggles under the French Mandate”, E. Boyar and K. Fleet (eds.), Middle Eastern and North African Societies in the Interwar Period, 54-77. Brill.
  2. Abbani, Diana (2022). "Chants enregistrés traversant les frontières: circulation, croisement et imaginaires au Levant durant les années 1920-1940", Malice, 14.
  3. Abraham, Otto and Erich M. Honbostel, v. 1904. “Phonographierte türkische melodien”, Zeitschrift für Ethnologie, 36 (2): 203-221.
  4. Adorno, Theodore (1934). "Die Form der Schallplatte," 23: Eine Wiener Musikschrift 17-19 (December 15), pp. 35-39. [signed “Hektor Rottweiler”].
  5. Azoulay, Léon (1901). "Le Musée phonographiquc de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'Anthropologie de Paris 2.1: 327-330.
  6. Azoulay, Léon (1902). "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'anthropologie de Paris, 3 (1): 652-666.
  7. Benjamin, Walter (1969). “The Work of Art in the Age of Mechanical Reproduction” [translated by Harry Zohn, from the 1935 essay], Hannah Arendt (ed.), Illuminations, New York: Schocken Books.
  8. Busse Berger, Anna Maria (2020). The Search for Medieval Music in African and Germany, 1891-1961: Scholars, Singers, Missionaries. University of Chicago.

Ayrıntılar

Birincil Dil

İngilizce

Konular

İletişim ve Medya Çalışmaları (Diğer), Kadın Araştırmaları, Sosyoloji (Diğer)

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

30 Nisan 2024

Gönderilme Tarihi

8 Mart 2024

Kabul Tarihi

4 Nisan 2024

Yayımlandığı Sayı

Yıl 2024 Cilt: 2 Sayı: 1

Kaynak Göster

APA
Maksudyan, N. (2024). ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. Social Review of Technology and Change, 2(1), 1-21. https://izlik.org/JA77RM64PG
AMA
1.Maksudyan N. ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. SRTC. 2024;2(1):1-21. https://izlik.org/JA77RM64PG
Chicago
Maksudyan, Nazan. 2024. “‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire”. Social Review of Technology and Change 2 (1): 1-21. https://izlik.org/JA77RM64PG.
EndNote
Maksudyan N (01 Nisan 2024) ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. Social Review of Technology and Change 2 1 1–21.
IEEE
[1]N. Maksudyan, “‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire”, SRTC, c. 2, sy 1, ss. 1–21, Nis. 2024, [çevrimiçi]. Erişim adresi: https://izlik.org/JA77RM64PG
ISNAD
Maksudyan, Nazan. “‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire”. Social Review of Technology and Change 2/1 (01 Nisan 2024): 1-21. https://izlik.org/JA77RM64PG.
JAMA
1.Maksudyan N. ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. SRTC. 2024;2:1–21.
MLA
Maksudyan, Nazan. “‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire”. Social Review of Technology and Change, c. 2, sy 1, Nisan 2024, ss. 1-21, https://izlik.org/JA77RM64PG.
Vancouver
1.Nazan Maksudyan. ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. SRTC [Internet]. 01 Nisan 2024;2(1):1-21. Erişim adresi: https://izlik.org/JA77RM64PG