‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire
Öz
Anahtar Kelimeler
Destekleyen Kurum
Proje Numarası
Teşekkür
Kaynakça
- Abbani, Diana (2018). “Beirut’s Musical Scene: A Narrative of Modernization and Identity Struggles under the French Mandate”, E. Boyar and K. Fleet (eds.), Middle Eastern and North African Societies in the Interwar Period, 54-77. Brill.
- Abbani, Diana (2022). "Chants enregistrés traversant les frontières: circulation, croisement et imaginaires au Levant durant les années 1920-1940", Malice, 14.
- Abraham, Otto and Erich M. Honbostel, v. 1904. “Phonographierte türkische melodien”, Zeitschrift für Ethnologie, 36 (2): 203-221.
- Adorno, Theodore (1934). "Die Form der Schallplatte," 23: Eine Wiener Musikschrift 17-19 (December 15), pp. 35-39. [signed “Hektor Rottweiler”].
- Azoulay, Léon (1901). "Le Musée phonographiquc de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'Anthropologie de Paris 2.1: 327-330.
- Azoulay, Léon (1902). "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'anthropologie de Paris, 3 (1): 652-666.
- Benjamin, Walter (1969). “The Work of Art in the Age of Mechanical Reproduction” [translated by Harry Zohn, from the 1935 essay], Hannah Arendt (ed.), Illuminations, New York: Schocken Books.
- Busse Berger, Anna Maria (2020). The Search for Medieval Music in African and Germany, 1891-1961: Scholars, Singers, Missionaries. University of Chicago.
Ayrıntılar
Birincil Dil
İngilizce
Konular
İletişim ve Medya Çalışmaları (Diğer), Kadın Araştırmaları, Sosyoloji (Diğer)
Bölüm
Araştırma Makalesi
Yazarlar
Nazan Maksudyan
*
0000-0002-0918-7807
Germany
Yayımlanma Tarihi
30 Nisan 2024
Gönderilme Tarihi
8 Mart 2024
Kabul Tarihi
4 Nisan 2024
Yayımlandığı Sayı
Yıl 2024 Cilt: 2 Sayı: 1