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Charlotte Jones’un Havada Yüzmek Adlı Oyununda Derin Sularda Yüzmek: Bir Akıl Hastanesinde Kadın Deliliğini ve Kadın Dayanışmasını Keşfetmek

Year 2024, Issue: 62, 161 - 180, 30.12.2024
https://doi.org/10.35237/suitder.1537895

Abstract

Yüzyıllar boyunca delilik, kadın direncine, kadın gücüne ve kadın özgürlüğüne vurulan tarihsel bir etiket olmuştur. Delilik, patriyarka tarafından sadece kadınlara özgü bir olgu ya da hastalık olarak topluma empoze edilmiştir. Bu durumun nihai amacı ise patriarkal dünya düzenine kadınları boyun eğdirmektir. Cinsel tercihleri ve yaşam biçimleri ile patriarkal ideolojiye meydan okuyan kadınlar, deli olarak damgalanıp susturulmak üzere akıl hastanelerine mahkûm edilmişlerdir. Patriyarka, kadınları özgürce hareket etmekten ve kişisel gelişimlerini sağlamaktan alıkoymak için akıl hastanelerinden bir araç olarak faydalanmıştır. Feminist hareketin canlılık kazandığı yirminci yılda pek çok feminist oyun yazarı, kadınlara karşı kullanılan eril bir baskı aracı olarak hem akıl hastalığını hem de akıl hastanelerini özellikle araştırmış ve onlar üzerine yazmıştır. Bu yazarların temel motivasyonları ise kadınları deli olarak etiketleyen ve onları akıl hastanelerine hapseden sosyal ve tarihsel dinamikleri sorgulamaktır. Britanya tiyatrosunun yükselen isimlerinden olan ödüllü oyun yazarı Charlotte Jones (1968-), 1997 yılında yazdığı ilk oyunu Havada Yüzmek’te St. Dymphna’s Hospital adlı bir akıl hastanesine hapsedilmiş iki kadına odaklanır. Jones, birer patriyarkal hegemonya kurbanı olarak hapsedilmeye maruz kalan kadınları ve akıl hastanesindeki bu kadınların içler acısı durumlarını merkezine alır ve patriarkal zulme karşı kadın dayanışmasının gücünü ortaya koyar. Bu makale, Jones’un Havada Yüzmek oyunundaki ‘deli kadın’ imgesine odaklanarak akıl hastanelerinde kadınların uğradığı sistematikleşmiş eril baskıyı ve söz konusu bu baskıya karşı türeyen kadın dayanışmasının gücünü açığa çıkarmayı amaçlar.

References

  • “A Victorian mental asylum”. (2018). Science Museum, https://www.sciencemuseum.org.uk/objects-and-stories/medicine/victorian-mental-asylum
  • “Airswimming, Swan Theatre”. (2024). The Fine Time Recorder, https://www.theftr.co.uk/airswimming-swan-theatre-yeovil/
  • Akyürek, Ç. (2016). “İstanbul Jest Tiyatro’dan yeni oyun: Havada Yüzmek”. Ranini, http://www.ranini.tv/ozel/11277/1/istanbul-jest-tiyatrodan-yeni-oyun-havada-yuzmek
  • Allen, H. (1986). “Psychiatry and the feminine”. In P. Miller & N. Rose (Eds.), The power of psychiatry, Cambridge: Polity.
  • Aziz, A. & Goel, K. (2021). “The impact of patriarchy on mental health and physical well-being in India with Kashmir as a case study”. International Journal of Policy Sciences and Law, 2(1), 2911-2940.
  • Barrett L. & Bliss-Moreau E. (2009). “She’s emotional. He's having a bad day: Attributional explanations for emotion stereotypes”. Emotion, 9(5), 649–658.
  • Beake, J. (2021). “A story of female friendship in debut play at Westacre”. Lynn News, https://www.lynnnews.co.uk/whats-on/a-story-of-female-friendship-in-debut-play-9223863/
  • Biber Vangölü, Y. (2021). “Terror, Spatiality, and the Future in Maria Irene Fornes’s Terra Incognita”. Latin American Theatre Review, 54(2), 51–70.
  • Chesler, P. (2005). Women and madness. Palgrave Macmillan.
  • Cixous, H. (1976). “The laugh of the Medusa”. Signs, K. Cohen & P. Cohen (Trans.), 1(4), 875-893.
  • Cixous, H. (1989). “Sorties: Out and out: attacks/ways out/forays”. In C. Belsey & J. Moore (Eds.), The feminist reader: Essays in gender and the politics of literary criticism, New York: Blackwell.
  • Dill, B. T. (1983). “Race, class and gender: Prospects for an all-inclusive sisterhood”. Feminist Studies, 9, 131-50.
  • Dimberline, D. (2024). “Overcoming confinement”. Style Weekly, https://www.styleweekly.com/overcoming-confinement/
  • Dresvina, J. (2013). “Hagiography and idealism: St Dympna of geel, an uncanny saint”. In C. Innes-Parker & N. K. Yoshikawa (Eds.), Anchoritism in the Middle Ages: texts and contexts, University of Wales Press, 83-100.
  • Eichler, M. (1980). The double standard: A feminist critique of feminist social science. London: Croom Helm.
  • Felman, S. (1975). “Women and madness: The critical phallacy”. Diacritics, 5(4), 2–10.
  • Finnegan Bungeroth, M. (2013). “Airswimming: Forsaken women find love in margins”. The Wild Geese, https://thewildgeeseblog.blogspot.com/2013/02/airswimming-forsaken-women-find-love-in.html
  • Gardner, L. (2001). “To bee or not to bee, that is the question”. Guardian, https://www.theguardian.com/culture/2001/jul/18/artsfeatures.arts
  • Gates. A. (2013). “Solace in a sea of insanity Airswimming”. New York Times, https://www.nytimes.com/2013/01/28/theater/reviews/airswimming-at-the-irish-repertory-theater.html
  • Geissler, W. (2023). "The future’s not ours to see”. Austro-British Society, https://www.oebrg.at/the-futures-not-ours-to-see/
  • Goffman, E. (1961). Asylums: Essays on the social situation of mental patients and other inmates. New York: Anchor Books.
  • Holt, V. & Stockley, A. (2023). “Airswimming interview”. Beyond The Curtain, https://www.beyondthecurtain.co.uk/2023/10/vic-holt-and-alby-stockley-airswimming.html
  • hooks, b. (1986). “Sisterhood: political solidarity between women”. Feminist Review, 23.
  • Hudson-Weems, C. (2004). Africana womanist literary theory. Trenton & Asmara: Africa World Press.
  • Hunter, N. (2019). “The scarlet diagnosis trauma, psychosis, and pathologizing the feminine”. In M. Brown & M. Charles (Eds.), Women and the psychosocial construction of madness. London: Lexington Books.
  • Jarrett, S, & Walmsley, J. (2019). “Intellectual disability policy and practice in twentieth-century United Kingdom”. In J. Walmsley, and S. Jarrett (Eds.), Intellectual Disability in the Twentieth Century: Transnational Perspectives on People, Policy, and Practice, Bristol: Policy Press Scholarship.
  • Jones, C. (2017). “Airswimming: Notes from the playwright”. Dragon Theatre, https://dragonproductionstheatre.blogspot.com/2017/08/airswimming-notes-from-playwright.html
  • Jones, C. (2020). “Airswimming”. The Queen Mother Theatre, https://qmt.org.uk/audition/audition-notice-2020-airswimming-by-charlotte-jones/
  • Jones, C. (2004). Airswimming. London: Faber and Faber.
  • Kane, K. (2017). “Just keep swimming”. Palo Alto Online, https://www.paloaltoonline.com/ae/2017/08/10/just-keep-swimming/
  • Irigaray, L. (1991). “Sexual difference”. In M. Whitford (Ed.), The Irigaray Reader, Oxford: Blackwell Publishers, 165–178.
  • Levett, K. (2019). “Intimate Airswimming is heartfelt and endearing”. Backstage, https://www.backstage.com/magazine/article/intimate-airswimming-heartfelt-endearing-46893/
  • Morgan, R. (1970). Sisterhood is powerful: An anthology of writings from the women’s liberation movement. New York: Random House.
  • Morgan, R. (1984). Sisterhood is global: The international women’s movement anthology. New York: Feminist Press at the City University of New York.
  • Morgan, R. (2007). Sisterhood is forever: The women’s anthology for a new millennium. New York: Washington Square Press.
  • Murdoch, E. L. A. (2016). Madness, psychiatry and anti-psychiatry in English and French women’s writing and film. University of Birmingham. (Doctoral dissertation), Birmingham.
  • Qasim, N., Shehnaz, M., Zainab, A & Masrour, H. (2015). “Women’s liberation: The effects of patriarchal oppression on women’s mind”. International Journal of Asian Social Science, 5(7), pp. 382-393.
  • Orel, G. (2013). “A story about everyone”. Irish Examiner, https://www.irishexaminerusa.com/mt/2013/01/15/a_story_about_everyone.html
  • O’Sullivan, O. (2013). “Ill-Matched cellmates find ways to cope”. The Irish Echo, https://www.irishecho.com/2013/1/ill-matched-cellmates-find-ways-to-cope
  • Qi, T. (2010). “Transforming sisterhood to an all-relational solidarity”. Race, Gender & Class, 17(3/4), 327–335.
  • Rammutla, S. (2005). “Nurturing the sisterly garden: the foundation for sisterhood”. Agenda: Empowering Women for Gender Equity, 64, 148-153.
  • Raymond, J. (1980). The transsexual empire. London: The Women’s Press.
  • Richter, J. (2017). “Wrongly institutionalized women form friendship in Airswimming”. AISLE SAY San Francisco, http://www.aislesaysanfrancisco.com/2017/08/wrongly institutionalized-women-form.html
  • Rosegg, C. (2013). “Airswimming”. Theatre Mania, https://www.theatermania.com/new-york-city-theater/news/01-2013/airswimming_64137.html/
  • Salkeld, D. (1993). Madness and drama in the age of Shakespeare. Manchester: Manchester UP.
  • Saltzman, S. (2013). “Airswimming”. A Curtain Up, https://curtainup.com/airswimming.html
  • Sarısoy, R. (2021). Deciphering the representations of women and female madness in Henrik Ibsen’s A Doll’s House and George Bernard Shaw’s Mrs. Warren’s Profession. Kapadokya University. (Master’s Thesis), Nevşehir.
  • Scholz, S. J. (2011). Feminism. Oxford: One World Publications.
  • Showalter, E. (1987). The female malady: women, madness and english culture, 1830-1980. London: Virago.
  • Tyson, L. (2006). Critical theory today a user-friendly guide. New York: Routledge.
  • Uğurel Özdemir, E. (2023). “Demythologization of the mythic representation of “woman”: critical reimagining of the archaic stories”. Federgi, 15(2), pp. 198-223.
  • Ussher, J. M. (1991). Women's madness: misogyny or mental illness?. New York & London: Harvester Wheatsheaf.
  • Ussher, J. M. (2013). Diagnosing difficult women and pathologising femininity: Gender bias in psychiatric nosology. Feminism & Psychology, 23(1), 63–69.
  • Winter, K. J. (1992). Subjects of slavery, Agents of change: Women and power in gothic. Novels and slave narratives, 1790-1865. Athens: The University of Georgia Press.
  • Yates, B. (2024). “In Airswimming, psychiatric incarceration feels like it’ll last forever, and then it does by Brett”. Vermont Psychiatric Survivors, https://vermontpsychiatricsurvivors.org/in-airswimming-psychiatric-incarceration-feels-like-itll-last-forever-and-then-it-does/

Swimming in the Deep Waters in Charlotte Jones’s Airswimming: Exploring Female Madness and Female Solidarity in a Psychiatric Hospital

Year 2024, Issue: 62, 161 - 180, 30.12.2024
https://doi.org/10.35237/suitder.1537895

Abstract

Throughout the centuries, madness has been the historical label applied to female resistance, female power and female liberation. It has been imposed on society by patriarchy as a phenomenon or an illness peculiar only to women. Its ultimate aim is to subjugate women to the patriarchal world order. Women, challenging patriarchal ideology in the way of their sexual choices and their lifestyles, have been labelled as insane and confined to the psychiatric hospitals in order to be silenced. In this way, psychiatric hospitals have become spaces that institutionalize women with mental illness. Patriarchy has taken advantage of these institutions as a tool to discourage women from acting freely and achieving personal development. In the twentieth century, when feminist movement come to life, many feminist playwrights specially tend to investigate and write on both mental illness and psychiatric hospitals as a means of male oppression used against women. Their essential motivation is to question the social and historical dynamics behind the labelling of women as insane and imprisoning them to the psychiatric hospitals. Award-winning playwright Charlotte Jones (1968-), one of the towering names of contemporary British theatre, focussed on caged two women in a psychiatric hospital, named St. Dymphna’s Hospital, in her first play Airswimming (1997). She puts these women subjected to imprisonment as victims of patriarchal hegemony and their deplorable living conditions in psychiatric hospital in the center and argues the power of female solidarity against patriarchal persecution. This paper aims at exposing the systemized male oppression of women by psychiatric hospitals and the power of female solidarity against this oppression by focussing on the image of the ‘madwoman’ in Jones’s Airswimming.

References

  • “A Victorian mental asylum”. (2018). Science Museum, https://www.sciencemuseum.org.uk/objects-and-stories/medicine/victorian-mental-asylum
  • “Airswimming, Swan Theatre”. (2024). The Fine Time Recorder, https://www.theftr.co.uk/airswimming-swan-theatre-yeovil/
  • Akyürek, Ç. (2016). “İstanbul Jest Tiyatro’dan yeni oyun: Havada Yüzmek”. Ranini, http://www.ranini.tv/ozel/11277/1/istanbul-jest-tiyatrodan-yeni-oyun-havada-yuzmek
  • Allen, H. (1986). “Psychiatry and the feminine”. In P. Miller & N. Rose (Eds.), The power of psychiatry, Cambridge: Polity.
  • Aziz, A. & Goel, K. (2021). “The impact of patriarchy on mental health and physical well-being in India with Kashmir as a case study”. International Journal of Policy Sciences and Law, 2(1), 2911-2940.
  • Barrett L. & Bliss-Moreau E. (2009). “She’s emotional. He's having a bad day: Attributional explanations for emotion stereotypes”. Emotion, 9(5), 649–658.
  • Beake, J. (2021). “A story of female friendship in debut play at Westacre”. Lynn News, https://www.lynnnews.co.uk/whats-on/a-story-of-female-friendship-in-debut-play-9223863/
  • Biber Vangölü, Y. (2021). “Terror, Spatiality, and the Future in Maria Irene Fornes’s Terra Incognita”. Latin American Theatre Review, 54(2), 51–70.
  • Chesler, P. (2005). Women and madness. Palgrave Macmillan.
  • Cixous, H. (1976). “The laugh of the Medusa”. Signs, K. Cohen & P. Cohen (Trans.), 1(4), 875-893.
  • Cixous, H. (1989). “Sorties: Out and out: attacks/ways out/forays”. In C. Belsey & J. Moore (Eds.), The feminist reader: Essays in gender and the politics of literary criticism, New York: Blackwell.
  • Dill, B. T. (1983). “Race, class and gender: Prospects for an all-inclusive sisterhood”. Feminist Studies, 9, 131-50.
  • Dimberline, D. (2024). “Overcoming confinement”. Style Weekly, https://www.styleweekly.com/overcoming-confinement/
  • Dresvina, J. (2013). “Hagiography and idealism: St Dympna of geel, an uncanny saint”. In C. Innes-Parker & N. K. Yoshikawa (Eds.), Anchoritism in the Middle Ages: texts and contexts, University of Wales Press, 83-100.
  • Eichler, M. (1980). The double standard: A feminist critique of feminist social science. London: Croom Helm.
  • Felman, S. (1975). “Women and madness: The critical phallacy”. Diacritics, 5(4), 2–10.
  • Finnegan Bungeroth, M. (2013). “Airswimming: Forsaken women find love in margins”. The Wild Geese, https://thewildgeeseblog.blogspot.com/2013/02/airswimming-forsaken-women-find-love-in.html
  • Gardner, L. (2001). “To bee or not to bee, that is the question”. Guardian, https://www.theguardian.com/culture/2001/jul/18/artsfeatures.arts
  • Gates. A. (2013). “Solace in a sea of insanity Airswimming”. New York Times, https://www.nytimes.com/2013/01/28/theater/reviews/airswimming-at-the-irish-repertory-theater.html
  • Geissler, W. (2023). "The future’s not ours to see”. Austro-British Society, https://www.oebrg.at/the-futures-not-ours-to-see/
  • Goffman, E. (1961). Asylums: Essays on the social situation of mental patients and other inmates. New York: Anchor Books.
  • Holt, V. & Stockley, A. (2023). “Airswimming interview”. Beyond The Curtain, https://www.beyondthecurtain.co.uk/2023/10/vic-holt-and-alby-stockley-airswimming.html
  • hooks, b. (1986). “Sisterhood: political solidarity between women”. Feminist Review, 23.
  • Hudson-Weems, C. (2004). Africana womanist literary theory. Trenton & Asmara: Africa World Press.
  • Hunter, N. (2019). “The scarlet diagnosis trauma, psychosis, and pathologizing the feminine”. In M. Brown & M. Charles (Eds.), Women and the psychosocial construction of madness. London: Lexington Books.
  • Jarrett, S, & Walmsley, J. (2019). “Intellectual disability policy and practice in twentieth-century United Kingdom”. In J. Walmsley, and S. Jarrett (Eds.), Intellectual Disability in the Twentieth Century: Transnational Perspectives on People, Policy, and Practice, Bristol: Policy Press Scholarship.
  • Jones, C. (2017). “Airswimming: Notes from the playwright”. Dragon Theatre, https://dragonproductionstheatre.blogspot.com/2017/08/airswimming-notes-from-playwright.html
  • Jones, C. (2020). “Airswimming”. The Queen Mother Theatre, https://qmt.org.uk/audition/audition-notice-2020-airswimming-by-charlotte-jones/
  • Jones, C. (2004). Airswimming. London: Faber and Faber.
  • Kane, K. (2017). “Just keep swimming”. Palo Alto Online, https://www.paloaltoonline.com/ae/2017/08/10/just-keep-swimming/
  • Irigaray, L. (1991). “Sexual difference”. In M. Whitford (Ed.), The Irigaray Reader, Oxford: Blackwell Publishers, 165–178.
  • Levett, K. (2019). “Intimate Airswimming is heartfelt and endearing”. Backstage, https://www.backstage.com/magazine/article/intimate-airswimming-heartfelt-endearing-46893/
  • Morgan, R. (1970). Sisterhood is powerful: An anthology of writings from the women’s liberation movement. New York: Random House.
  • Morgan, R. (1984). Sisterhood is global: The international women’s movement anthology. New York: Feminist Press at the City University of New York.
  • Morgan, R. (2007). Sisterhood is forever: The women’s anthology for a new millennium. New York: Washington Square Press.
  • Murdoch, E. L. A. (2016). Madness, psychiatry and anti-psychiatry in English and French women’s writing and film. University of Birmingham. (Doctoral dissertation), Birmingham.
  • Qasim, N., Shehnaz, M., Zainab, A & Masrour, H. (2015). “Women’s liberation: The effects of patriarchal oppression on women’s mind”. International Journal of Asian Social Science, 5(7), pp. 382-393.
  • Orel, G. (2013). “A story about everyone”. Irish Examiner, https://www.irishexaminerusa.com/mt/2013/01/15/a_story_about_everyone.html
  • O’Sullivan, O. (2013). “Ill-Matched cellmates find ways to cope”. The Irish Echo, https://www.irishecho.com/2013/1/ill-matched-cellmates-find-ways-to-cope
  • Qi, T. (2010). “Transforming sisterhood to an all-relational solidarity”. Race, Gender & Class, 17(3/4), 327–335.
  • Rammutla, S. (2005). “Nurturing the sisterly garden: the foundation for sisterhood”. Agenda: Empowering Women for Gender Equity, 64, 148-153.
  • Raymond, J. (1980). The transsexual empire. London: The Women’s Press.
  • Richter, J. (2017). “Wrongly institutionalized women form friendship in Airswimming”. AISLE SAY San Francisco, http://www.aislesaysanfrancisco.com/2017/08/wrongly institutionalized-women-form.html
  • Rosegg, C. (2013). “Airswimming”. Theatre Mania, https://www.theatermania.com/new-york-city-theater/news/01-2013/airswimming_64137.html/
  • Salkeld, D. (1993). Madness and drama in the age of Shakespeare. Manchester: Manchester UP.
  • Saltzman, S. (2013). “Airswimming”. A Curtain Up, https://curtainup.com/airswimming.html
  • Sarısoy, R. (2021). Deciphering the representations of women and female madness in Henrik Ibsen’s A Doll’s House and George Bernard Shaw’s Mrs. Warren’s Profession. Kapadokya University. (Master’s Thesis), Nevşehir.
  • Scholz, S. J. (2011). Feminism. Oxford: One World Publications.
  • Showalter, E. (1987). The female malady: women, madness and english culture, 1830-1980. London: Virago.
  • Tyson, L. (2006). Critical theory today a user-friendly guide. New York: Routledge.
  • Uğurel Özdemir, E. (2023). “Demythologization of the mythic representation of “woman”: critical reimagining of the archaic stories”. Federgi, 15(2), pp. 198-223.
  • Ussher, J. M. (1991). Women's madness: misogyny or mental illness?. New York & London: Harvester Wheatsheaf.
  • Ussher, J. M. (2013). Diagnosing difficult women and pathologising femininity: Gender bias in psychiatric nosology. Feminism & Psychology, 23(1), 63–69.
  • Winter, K. J. (1992). Subjects of slavery, Agents of change: Women and power in gothic. Novels and slave narratives, 1790-1865. Athens: The University of Georgia Press.
  • Yates, B. (2024). “In Airswimming, psychiatric incarceration feels like it’ll last forever, and then it does by Brett”. Vermont Psychiatric Survivors, https://vermontpsychiatricsurvivors.org/in-airswimming-psychiatric-incarceration-feels-like-itll-last-forever-and-then-it-does/
There are 55 citations in total.

Details

Primary Language English
Subjects British and Irish Language, Literature and Culture
Journal Section Western Languages and Literatures
Authors

Gamze Şentürk Tatar 0000-0002-5097-7739

Publication Date December 30, 2024
Submission Date August 23, 2024
Acceptance Date November 15, 2024
Published in Issue Year 2024 Issue: 62

Cite

APA Şentürk Tatar, G. (2024). Swimming in the Deep Waters in Charlotte Jones’s Airswimming: Exploring Female Madness and Female Solidarity in a Psychiatric Hospital. Süleyman Demirel Üniversitesi İnsan Ve Toplum Bilimleri Dergisi(62), 161-180. https://doi.org/10.35237/suitder.1537895