Book Review

Bergson and Durational Performance (Re)Ma(r)king Time

Number: 36 June 22, 2023
  • Ayşe Draz Orhon *
TR EN

Bergson and Durational Performance (Re)Ma(r)king Time

Abstract

In his book Bergson and Durational Performance (Re)Ma(r)king Time, the author James Layton explores Bergson’s philosophy of duration in relation to performance and by making connections with Bergson’s duration to concepts by Abraham Maslow, Mihaly Csikszentmihalyi and Victor Turner, suggests a new interpretation of Bergson’s duration in relation to what these other theorists have formulated, respectively, self-actualization, flow, and communitas. What Layton argues, with three performances as case studies approached from an autoethnographic perspective, is that performances lasting beyond smooth consumption in our socially accelerated world can facilitate the Bergsonian duration experience, that durational performance can act in opposition to social acceleration, thus emancipate us from the shackles of always “being now”, free us from networked time and by allowing us to decelerate, Layton suggests that durational performances might enable better attunement to our inner rhythms as human beings.

Keywords

References

  1. Layton, James. Bergson and Durational Performance (Re)Ma(r)king Time. Bristol, UK: Intellect, 2022. google scholar

Details

Primary Language

Turkish

Subjects

Contemporary Drama Studies

Journal Section

Book Review

Authors

Ayşe Draz Orhon * This is me
Türkiye

Publication Date

June 22, 2023

Submission Date

May 5, 2023

Acceptance Date

May 6, 2023

Published in Issue

Year 2023 Number: 36

APA
Draz Orhon, A. (2023). Bergson and Durational Performance (Re)Ma(r)king Time. Tiyatro Eleştirmenliği Ve Dramaturji Bölümü Dergisi, 36, 111-116. https://doi.org/10.26650/jtcd.2023.00001
AMA
1.Draz Orhon A. Bergson and Durational Performance (Re)Ma(r)king Time. JTCD. 2023;(36):111-116. doi:10.26650/jtcd.2023.00001
Chicago
Draz Orhon, Ayşe. 2023. “Bergson and Durational Performance (Re)Ma(r)king Time”. Tiyatro Eleştirmenliği Ve Dramaturji Bölümü Dergisi, nos. 36: 111-16. https://doi.org/10.26650/jtcd.2023.00001.
EndNote
Draz Orhon A (June 1, 2023) Bergson and Durational Performance (Re)Ma(r)king Time. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 36 111–116.
IEEE
[1]A. Draz Orhon, “Bergson and Durational Performance (Re)Ma(r)king Time”, JTCD, no. 36, pp. 111–116, June 2023, doi: 10.26650/jtcd.2023.00001.
ISNAD
Draz Orhon, Ayşe. “Bergson and Durational Performance (Re)Ma(r)king Time”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi. 36 (June 1, 2023): 111-116. https://doi.org/10.26650/jtcd.2023.00001.
JAMA
1.Draz Orhon A. Bergson and Durational Performance (Re)Ma(r)king Time. JTCD. 2023;:111–116.
MLA
Draz Orhon, Ayşe. “Bergson and Durational Performance (Re)Ma(r)king Time”. Tiyatro Eleştirmenliği Ve Dramaturji Bölümü Dergisi, no. 36, June 2023, pp. 111-6, doi:10.26650/jtcd.2023.00001.
Vancouver
1.Ayşe Draz Orhon. Bergson and Durational Performance (Re)Ma(r)king Time. JTCD. 2023 Jun. 1;(36):111-6. doi:10.26650/jtcd.2023.00001