The protagonists in Bahram Beyzai’s Chahar Sandough and Saadallah Wannous’s Al-Malek Hova Al-Malek play critical roles in the structural framework of their respective dramas. These works vividly reflect the structure of contemporary society, with the external realities influencing the protagonists and thereby enhancing their believability. The emancipatory themes, persistent interaction with individuals and society, demonstrations of power, lack of external control, and eventual triumph are key elements uniting the protagonists in these dramas. Consequently, the study identified significant parallels and shared dimensions between Baizai’s “Scarecrow” and Wannous’s “Abu Izza.” This research focuses specifically on analyzing the function of the protagonists in these two works.
Primary Language | English |
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Subjects | Acting-Stage Direction |
Journal Section | Research Article |
Authors | |
Publication Date | December 31, 2024 |
Submission Date | May 23, 2024 |
Acceptance Date | November 8, 2024 |
Published in Issue | Year 2024 Issue: 39 |