SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)

Ekin Pınar

doi:10.7456/tojdac.1674088

TR EN

TÜRKİYE’DE DUYUSAL ETNOGRAFİK SİNEMA PRATİKLERİ: SIRTLARINDAKI HAYAT (2004) VE SON MEVSİM ŞAVAKLAR (2009)

Abstract

Bu makale yerel bir kültürün pratiklerini beden, duyu ve duygulara vurgu yaparak aktaran sanatsal bir biçim olan duyusal etnografik film kavramını Türkiye’deki belgesel sinema üretimi üzerinden incelemektedir. Kendilerini duyusal etnografik olarak tanımlamasalar da Türkiye’de üretilmiş Sırtlarındaki Hayat (Yeşim Ustaoğlu, 2004) ve Demsala Dawî Şewaxan (Son Mevsim Şavaklar, Kazım Öz, 2009) gibi bazı belgesel sinema örnekleri de benzer sanatsal eğilimler sergilemeleri bakımından bu kategoriye yakınlık gösterirler. Makale bu iki örneğin duyusal etnografik film kategorisine giren özelliklerini (seyircide oradaymış hissi uyandırmaları, insan-olmayanı da içeren geniş perspektifleri, belirli bir yerelliği ele alışları) incelemek yoluyla bu kategorinin coğrafi sınırlarının çıkış yaptığı Duyusal Etnografya Lab’ının üretimiyle sınırlı kalmadığını savunmaktadır. Bu amaçla, makale, Sırtlarındaki Hayat ve Demsala Dawî Şewaxan’ı, Duyusal Etnografi Lab’ında üretilmiş olan Sweetgrass (Lucien Castaing-Taylor ve Ilisa Barbash, 2009)’la beraber ele alır ve karşılaştırmalı olarak ve yeni maddecilik ve aktör-ağ teorilerinin teorik çerçevesinden yararlanarak analiz eder.

Keywords

Aktör-ağ teorisi, Duyusal Etnografik Film, sanat, sinema, yeni maddecilik

SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)

Abstract

This article explores documentary film production in Turkey, focusing on sensory ethnographic cinema, an artistic approach that highlights local cultural practices through the lens of the body, senses, and emotions. While not explicitly categorized as sensory ethnography, certain Turkish documentaries such as Life on Their Backs (Yeşim Ustaoğlu, 2004) and Last Season Shawaks (Kazım Öz, 2009) embody similar artistic elements. By highlighting the key characteristics of these two films -such as immersing the audience in a ‘being there’ experience, their expansive views including non-human aspects, and their distinct regional focus- the article suggests that the geographical scope of sensory etnography extends beyond the works produced by the Sensory Ethnography Lab where this genre originated. Accordingly, the article conducts a comparative analysis of Life on Their Backs, Last Season Shawaks, and Sensory Ethnography Lab’s Sweetgrass (Lucien Castaing-Taylor and Ilisa Barbash, 2009) within the theoretical frameworks of new materialism and actor-network theories.

Keywords

Actor-network theory, art, cinema, sensory ethnographic film, new materialism

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Details

Primary Language

English

Subjects

Photography, Video and Lens-Based Practice, Video Art, Art History, Theory and Criticism (Other), Documentary Film - Political Cinema

Journal Section

Research Article

Authors

Ekin Pınar ^*
0000-0002-8367-1234
Türkiye

Early Pub Date

June 30, 2025

Publication Date

July 1, 2025

Submission Date

April 11, 2025

Acceptance Date

June 30, 2025

Published in Issue

Year 2025 Volume: 15 Number: 3

DOI

https://doi.org/10.7456/tojdac.1674088

IZ

https://izlik.org/JA32WY47TB

APA

Pınar, E. (2025). SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009). The Turkish Online Journal of Design Art and Communication, 15(3), 939-954. https://doi.org/10.7456/tojdac.1674088

AMA

1.Pınar E. SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009). TOJDAC. 2025;15(3):939-954. doi:10.7456/tojdac.1674088

Chicago

Pınar, Ekin. 2025. “SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)”. The Turkish Online Journal of Design Art and Communication 15 (3): 939-54. https://doi.org/10.7456/tojdac.1674088.

EndNote

Pınar E (July 1, 2025) SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009). The Turkish Online Journal of Design Art and Communication 15 3 939–954.

IEEE

[1]E. Pınar, “SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)”, TOJDAC, vol. 15, no. 3, pp. 939–954, July 2025, doi: 10.7456/tojdac.1674088.

ISNAD

Pınar, Ekin. “SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)”. The Turkish Online Journal of Design Art and Communication 15/3 (July 1, 2025): 939-954. https://doi.org/10.7456/tojdac.1674088.

JAMA

1.Pınar E. SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009). TOJDAC. 2025;15:939–954.

MLA

Pınar, Ekin. “SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)”. The Turkish Online Journal of Design Art and Communication, vol. 15, no. 3, July 2025, pp. 939-54, doi:10.7456/tojdac.1674088.

Vancouver

1.Ekin Pınar. SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009). TOJDAC. 2025 Jul. 1;15(3):939-54. doi:10.7456/tojdac.1674088

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TÜRKİYE’DE DUYUSAL ETNOGRAFİK SİNEMA PRATİKLERİ: SIRTLARINDAKI HAYAT (2004) VE SON MEVSİM ŞAVAKLAR (2009)

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SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)

Abstract

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Published in Issue

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