SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)

Ekin Pınar

doi:10.7456/tojdac.1674088

TR EN

TÜRKİYE’DE DUYUSAL ETNOGRAFİK SİNEMA PRATİKLERİ: SIRTLARINDAKI HAYAT (2004) VE SON MEVSİM ŞAVAKLAR (2009)

Öz

Bu makale yerel bir kültürün pratiklerini beden, duyu ve duygulara vurgu yaparak aktaran sanatsal bir biçim olan duyusal etnografik film kavramını Türkiye’deki belgesel sinema üretimi üzerinden incelemektedir. Kendilerini duyusal etnografik olarak tanımlamasalar da Türkiye’de üretilmiş Sırtlarındaki Hayat (Yeşim Ustaoğlu, 2004) ve Demsala Dawî Şewaxan (Son Mevsim Şavaklar, Kazım Öz, 2009) gibi bazı belgesel sinema örnekleri de benzer sanatsal eğilimler sergilemeleri bakımından bu kategoriye yakınlık gösterirler. Makale bu iki örneğin duyusal etnografik film kategorisine giren özelliklerini (seyircide oradaymış hissi uyandırmaları, insan-olmayanı da içeren geniş perspektifleri, belirli bir yerelliği ele alışları) incelemek yoluyla bu kategorinin coğrafi sınırlarının çıkış yaptığı Duyusal Etnografya Lab’ının üretimiyle sınırlı kalmadığını savunmaktadır. Bu amaçla, makale, Sırtlarındaki Hayat ve Demsala Dawî Şewaxan’ı, Duyusal Etnografi Lab’ında üretilmiş olan Sweetgrass (Lucien Castaing-Taylor ve Ilisa Barbash, 2009)’la beraber ele alır ve karşılaştırmalı olarak ve yeni maddecilik ve aktör-ağ teorilerinin teorik çerçevesinden yararlanarak analiz eder.

Anahtar Kelimeler

Aktör-ağ teorisi, Duyusal Etnografik Film, sanat, sinema, yeni maddecilik

SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)

Öz

This article explores documentary film production in Turkey, focusing on sensory ethnographic cinema, an artistic approach that highlights local cultural practices through the lens of the body, senses, and emotions. While not explicitly categorized as sensory ethnography, certain Turkish documentaries such as Life on Their Backs (Yeşim Ustaoğlu, 2004) and Last Season Shawaks (Kazım Öz, 2009) embody similar artistic elements. By highlighting the key characteristics of these two films -such as immersing the audience in a ‘being there’ experience, their expansive views including non-human aspects, and their distinct regional focus- the article suggests that the geographical scope of sensory etnography extends beyond the works produced by the Sensory Ethnography Lab where this genre originated. Accordingly, the article conducts a comparative analysis of Life on Their Backs, Last Season Shawaks, and Sensory Ethnography Lab’s Sweetgrass (Lucien Castaing-Taylor and Ilisa Barbash, 2009) within the theoretical frameworks of new materialism and actor-network theories.

Anahtar Kelimeler

Actor-network theory, art, cinema, sensory ethnographic film, new materialism

Kaynakça

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Ayrıntılar

Birincil Dil

İngilizce

Konular

Fotoğraf, Video ve Lens Tabanlı Uygulama, Video Sanatı, Sanat Tarihi, Teori ve Eleştiri (Diğer), Belgesel Film - Politik Sinema

Bölüm

Araştırma Makalesi

Yazarlar

Ekin Pınar ^*
0000-0002-8367-1234
Türkiye

Erken Görünüm Tarihi

30 Haziran 2025

Yayımlanma Tarihi

1 Temmuz 2025

Gönderilme Tarihi

11 Nisan 2025

Kabul Tarihi

30 Haziran 2025

Yayımlandığı Sayı

Yıl 2025 Cilt: 15 Sayı: 3

DOI

https://doi.org/10.7456/tojdac.1674088

IZ

https://izlik.org/JA32WY47TB

APA

Pınar, E. (2025). SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009). The Turkish Online Journal of Design Art and Communication, 15(3), 939-954. https://doi.org/10.7456/tojdac.1674088

AMA

1.Pınar E. SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009). TOJDAC. 2025;15(3):939-954. doi:10.7456/tojdac.1674088

Chicago

Pınar, Ekin. 2025. “SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)”. The Turkish Online Journal of Design Art and Communication 15 (3): 939-54. https://doi.org/10.7456/tojdac.1674088.

EndNote

Pınar E (01 Temmuz 2025) SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009). The Turkish Online Journal of Design Art and Communication 15 3 939–954.

IEEE

[1]E. Pınar, “SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)”, TOJDAC, c. 15, sy 3, ss. 939–954, Tem. 2025, doi: 10.7456/tojdac.1674088.

ISNAD

Pınar, Ekin. “SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)”. The Turkish Online Journal of Design Art and Communication 15/3 (01 Temmuz 2025): 939-954. https://doi.org/10.7456/tojdac.1674088.

JAMA

1.Pınar E. SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009). TOJDAC. 2025;15:939–954.

MLA

Pınar, Ekin. “SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)”. The Turkish Online Journal of Design Art and Communication, c. 15, sy 3, Temmuz 2025, ss. 939-54, doi:10.7456/tojdac.1674088.

Vancouver

1.Ekin Pınar. SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009). TOJDAC. 01 Temmuz 2025;15(3):939-54. doi:10.7456/tojdac.1674088

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TÜRKİYE’DE DUYUSAL ETNOGRAFİK SİNEMA PRATİKLERİ: SIRTLARINDAKI HAYAT (2004) VE SON MEVSİM ŞAVAKLAR (2009)

Öz

Anahtar Kelimeler

SENSORY ETHNOGRAPHIC PRACTICES IN TURKEY: LIFE ON THEIR BACKS (2004) AND LAST SEASON SHAWAKS (2009)

Öz

Anahtar Kelimeler

Kaynakça

Ayrıntılar

Birincil Dil

Konular

Bölüm

Yazarlar

Erken Görünüm Tarihi

Yayımlanma Tarihi

Gönderilme Tarihi

Kabul Tarihi

Yayımlandığı Sayı

DOI

IZ

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