Review
BibTex RIS Cite

DUVAR RESİMLERİNİN İNCELENMESİNDE YENİ YAKLAŞIMLAR: MULTİSPEKTRAL GÖRÜNTÜLEME YÖNTEMLERİ

Year 2021, Volume: 25 Issue: 3, 667 - 684, 13.12.2021

Abstract

Duvar resimleri, tarih boyunca en erken dönemdeki kaya resimlerinden, günümüz duvar resimlerine kadar uzanan süreçte insan yaratıcılığının kültürel anlatımı olmuştur. Uygarlık tarihi açısından büyük değer taşıyan bu varlıkların korunması için araştırılması ve belgelenmesinde gittikçe artan bir ilgiyle ileri teknolojik yöntemler kullanılmaktadır. Bu tekniklerden biri multispektral görüntüleme yöntemidir. Bu yöntem sistemindeki farklı dalga boyları sayesinde resim tekniği (fresko, secco vb.), pigmentlerin özelliği, sinopya (hazırlık çizimi), fırça darbeleri, kaybolan yüzeylerin görünürlüğü (UV, IR), onarım geçiren alanlar (rötuş, sansür vb.) gibi verilerin toplanması ile 3 boyutlu (3D) belgeleme ve haritalama imkanını sunmaktadır. Bu makale, uluslararası normda sıklıkla kullanılan bu yöntemlerin, ulusal normda yaygınlaşmasına katkı sağlamak için hazırlanmıştır. Makalenin ana konusu multispektral görüntüleme yöntemleri ve bu yöntemlerin koruma bilimine sağladığı bilgiler üzerinedir.

References

  • Artioli, G. (2012). Science MethodsAnd CulturalHeritage; An Introduction To The Application Of Materials ScienceTo Archaeometry And Conservation Science, Oxford Universty Press, New York.
  • Balas, C. vd. (2003). “A novel hyper-spectral imaging apparatus for the non-destructive analysis of objects of artistic and historic value” Journal of Cultural Heritage 4, 330–337.
  • Bendada, A. vd. (2015). “Subsurface imaging for panel paintings inspection: A comparative study of the ultraviolet, the visible, the infrared and the terahertz spectra” Opto−Electronics Review 23 (1), 88–99.
  • Cosentino, A. (2014). “Identification of pigments by multispectral imaging; a flowchart method” Heritage Science 2014, 2:8, 1-12.
  • Cosentino, A., Stout, S. (2014). “Photoshop and Multispectral Imaging For Art Documentation” e-Preservation Science 11, 91-98.
  • Cosentino, A. vd. (2014). “Technical photography for mural paintings: the newly discovered frescoes in Aci Sant’Antonio (Sicily, Italy)” Conservar Património 20, 23-33.
  • Cosentino, A. (2015a). “Practical notes on ultraviolet technical photography for art examination” Conservar Património 21, 53-62.
  • Cosentino, A. (2015b). “Effects Of Different Binders On Technical Photography And Infrared Reflectography Of 54 Historical Pigments” International Journal Of Conservation Science Volume 6, Issue 3, July-September, 287-298.
  • Cosentino, A. (2016). “Infrared Technical Photography For Art Examination” e-Preservation Science 13, 1-6.
  • Dikilitaş, G. (2005). “Duvar Resimlerinin Bozulmasına Neden Olan Etkenler ve Koruma Uygulamaları”, Sosyal Bilimler Enstitüsü, İstanbul Üniversitesi, (Yayınlanmamış Yüksek Lisans Tezi), İstanbul.
  • Daffara, C., Fontana, R. (2011). “Multispectral Infrared Reflectography to Differentiate Features in Paintings” Microscopy and Microanalysis 17, 691–695.
  • Dietz, C., Catanzariti, G., Martinez, A. J. (2011). “Infrared reflectography using 3D laser scanning”. E-conservation magazine 18, 32-42.
  • Dyer, J., Verri, G., Cupitt, J. (2013). Multispectral Imaging in Reflectance and Photo induced Luminescence modes: A User Manual, The British Museum,2013.
  • Delaney, John K. vd. (2016). “Visible and infrared imaging spectroscopy of paintings and improved reflectography”, Heritage Science, 4:6, 1-10.
  • Edwards, H., Vandenabeele, P. (2012). Analytical Archaeometry Selected Topics, RSC Publishing.
  • Fischer, C., Kakoulli, I. (2006). “Multispectral and hyperspectral imaging all he gies in conservation: current research and potential applications”, Reviews In Conservation Number 7, 3-16.
  • Fontana, R. vd. (2007). “Multi-spectral IR reflectography” In: O3A: Optics for Arts, Architecture, and Archaeology. International Society for Optics and Photonics, 1-15.
  • Fabbri, B. (2012). Science and Conservation for Museum Collections, Kermes Quaderni, Nardini Editore.
  • Ferrato, L. (2012). Comparing Hyperspectral And Multispectral Imagery For Land Classification Of The Lower Don River, Toronto, Master of Spatial Analysis in the Program of Spatial Analysis, Canada.
  • Gupta R. P. (2003). Multispectral Imaging Systems. In: Remote Sensing Geology, Springer, Berlin, Heidelberg.
  • Guntupalli, R., Grant, J. (2004). CCD Cameras tune in to scientific imaging, Photonics Spectra 38, 63-64.
  • Giacometti, A. vd. (2012). “Cultural Heritage Destruction: Documenting Parchment Degradation via Multispectral Imaging”, EVA, 301-308.
  • Grifoni, E. (2017). Automated Multispectral 3D Image-based Modeling for Cultural Heritage applications, Dottorato Di Ricerca In Scienze Chimiche.
  • Hain, M., Bartl, J., Jacko, V. (2003). “Multispectral Analysis Of Cultural Heritage Artefacts” Measurement Science Review, Volume 3, Section 3, 9-12.
  • Hof, M. (2003). “Basics of Optical Spectroscopy”, Handbook of Spectroscopy (Vol.1.), (Ed. G. Gauglitz and T. Vo-Dinh), Weinheim, Germany: Wiley-VCH., 39-47.
  • ICOMOS, (20003). Duvar Resimlerinin Korunması - Restorasyonu İçin ICOMOS İlkeleri, https://www.icomos.org/charters/wallpaintings_e.pdf 30.12.2019.
  • Kubik, M. (2007). “Hyperspectral Imaging: A New Technique For The Non-Invasive Study of Artworks” Physıcal Technıques In The Study Of Art, Archaeology And Cultural Herıtage Volume 2, (Ed. Dudley Greagh, David Bradley), Elsevier, 199-259.
  • Kaswezski, L. (2018). “Wall Paintings and Environment”, Historic Churches, https://www.buildingconservation.com/articles/wallpainting/wallpainting.html 08.01.2020.
  • Liang, H. vd. (2010). “A SWIR Hyperspectral Imaging System For Art History And Art Conservation”, IX Congreso Nacional Del Color. Alicante, 189-192.
  • Legnaioli, S. vd. (2013). “Recovery of archaeological wall paintings using novel multispectral imaging approaches” Heritage Science 2013, 1:33, 1-9.
  • Mairinger, F. (2000). “The infrared examination of paintings”. Radiation in Art and Archeometry Eds. DC Creagh, DA Bradley, Elsevier, 40-55.
  • Melessanaki, K. vd. (2001). “Laser induced breakdown spectroscopy and hyperspectral imaging analysis of pigments on an illuminated manuscript”, Spectrochimica Acta Part B. 56, 2337–2345.
  • Pelagotti, A. vd. (2008). “Multispectral Imagıng Of Paintings: A Way To Material Identification”, IEEE Signal Processing Magazine, 1-6.
  • Pamart, A. vd. (2017). “Multispectral photogrammetric data acquisition and processing for wall paintings studies”, The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2/W3, 559-566.
  • Pierraccini, M., Miccinesi, L. (2018). “No-contact GPR for investigating painted walls, II Ground Penetrating Radar (GPR): Conference Paper, June, 1-7.
  • Pronti, L. vd. (2019). “Post-Processing of VIS, NIR, and SWIR Multispectral Images of Paintings. New Discovery on the The Drunkenness of Noah, Painted by Andrea Sacchi, Stored at Palazzo Chigi (Ariccia, Rome)”, Heritage 2, 2275–2286.
  • Rogge, C., Lough, K. (2013). “Fluorescence Fails: the Color of UVA-Induced Visible Fluorescence of Tintype Varnishes does not Discriminate between Varnish Materials”, AIC & ICOM-CC Photographs Conservation Joint Meeting in Wellington, New Zealand, 239-247.
  • Schmid, W. (2000). GRADOC-Graphic Documentation Systems in Mural Painting Conservation: research seminar, Rome 16-20 November 1999, ICCROM.
  • Sablinskas, V. (2003). “Instrumentation”, Handbook of Spectroscopy (Vol.1.), (Ed. G. Gauglitz and T. Vo-Dinh), Weinheim, Germany: Wiley-VCH.
  • Turner, Gerald P. A., Bentley, J. (1997). Introduction to paint chemistry and principles of paint technology. CRC Press.
  • Weyer, A. vd. (2015). EwaGlos-European Illustrated Glossary Of Conservation Terms For WallPaintings And Architectural Surfaces, Printed in Eu, Peterberg-Germany.
Year 2021, Volume: 25 Issue: 3, 667 - 684, 13.12.2021

Abstract

References

  • Artioli, G. (2012). Science MethodsAnd CulturalHeritage; An Introduction To The Application Of Materials ScienceTo Archaeometry And Conservation Science, Oxford Universty Press, New York.
  • Balas, C. vd. (2003). “A novel hyper-spectral imaging apparatus for the non-destructive analysis of objects of artistic and historic value” Journal of Cultural Heritage 4, 330–337.
  • Bendada, A. vd. (2015). “Subsurface imaging for panel paintings inspection: A comparative study of the ultraviolet, the visible, the infrared and the terahertz spectra” Opto−Electronics Review 23 (1), 88–99.
  • Cosentino, A. (2014). “Identification of pigments by multispectral imaging; a flowchart method” Heritage Science 2014, 2:8, 1-12.
  • Cosentino, A., Stout, S. (2014). “Photoshop and Multispectral Imaging For Art Documentation” e-Preservation Science 11, 91-98.
  • Cosentino, A. vd. (2014). “Technical photography for mural paintings: the newly discovered frescoes in Aci Sant’Antonio (Sicily, Italy)” Conservar Património 20, 23-33.
  • Cosentino, A. (2015a). “Practical notes on ultraviolet technical photography for art examination” Conservar Património 21, 53-62.
  • Cosentino, A. (2015b). “Effects Of Different Binders On Technical Photography And Infrared Reflectography Of 54 Historical Pigments” International Journal Of Conservation Science Volume 6, Issue 3, July-September, 287-298.
  • Cosentino, A. (2016). “Infrared Technical Photography For Art Examination” e-Preservation Science 13, 1-6.
  • Dikilitaş, G. (2005). “Duvar Resimlerinin Bozulmasına Neden Olan Etkenler ve Koruma Uygulamaları”, Sosyal Bilimler Enstitüsü, İstanbul Üniversitesi, (Yayınlanmamış Yüksek Lisans Tezi), İstanbul.
  • Daffara, C., Fontana, R. (2011). “Multispectral Infrared Reflectography to Differentiate Features in Paintings” Microscopy and Microanalysis 17, 691–695.
  • Dietz, C., Catanzariti, G., Martinez, A. J. (2011). “Infrared reflectography using 3D laser scanning”. E-conservation magazine 18, 32-42.
  • Dyer, J., Verri, G., Cupitt, J. (2013). Multispectral Imaging in Reflectance and Photo induced Luminescence modes: A User Manual, The British Museum,2013.
  • Delaney, John K. vd. (2016). “Visible and infrared imaging spectroscopy of paintings and improved reflectography”, Heritage Science, 4:6, 1-10.
  • Edwards, H., Vandenabeele, P. (2012). Analytical Archaeometry Selected Topics, RSC Publishing.
  • Fischer, C., Kakoulli, I. (2006). “Multispectral and hyperspectral imaging all he gies in conservation: current research and potential applications”, Reviews In Conservation Number 7, 3-16.
  • Fontana, R. vd. (2007). “Multi-spectral IR reflectography” In: O3A: Optics for Arts, Architecture, and Archaeology. International Society for Optics and Photonics, 1-15.
  • Fabbri, B. (2012). Science and Conservation for Museum Collections, Kermes Quaderni, Nardini Editore.
  • Ferrato, L. (2012). Comparing Hyperspectral And Multispectral Imagery For Land Classification Of The Lower Don River, Toronto, Master of Spatial Analysis in the Program of Spatial Analysis, Canada.
  • Gupta R. P. (2003). Multispectral Imaging Systems. In: Remote Sensing Geology, Springer, Berlin, Heidelberg.
  • Guntupalli, R., Grant, J. (2004). CCD Cameras tune in to scientific imaging, Photonics Spectra 38, 63-64.
  • Giacometti, A. vd. (2012). “Cultural Heritage Destruction: Documenting Parchment Degradation via Multispectral Imaging”, EVA, 301-308.
  • Grifoni, E. (2017). Automated Multispectral 3D Image-based Modeling for Cultural Heritage applications, Dottorato Di Ricerca In Scienze Chimiche.
  • Hain, M., Bartl, J., Jacko, V. (2003). “Multispectral Analysis Of Cultural Heritage Artefacts” Measurement Science Review, Volume 3, Section 3, 9-12.
  • Hof, M. (2003). “Basics of Optical Spectroscopy”, Handbook of Spectroscopy (Vol.1.), (Ed. G. Gauglitz and T. Vo-Dinh), Weinheim, Germany: Wiley-VCH., 39-47.
  • ICOMOS, (20003). Duvar Resimlerinin Korunması - Restorasyonu İçin ICOMOS İlkeleri, https://www.icomos.org/charters/wallpaintings_e.pdf 30.12.2019.
  • Kubik, M. (2007). “Hyperspectral Imaging: A New Technique For The Non-Invasive Study of Artworks” Physıcal Technıques In The Study Of Art, Archaeology And Cultural Herıtage Volume 2, (Ed. Dudley Greagh, David Bradley), Elsevier, 199-259.
  • Kaswezski, L. (2018). “Wall Paintings and Environment”, Historic Churches, https://www.buildingconservation.com/articles/wallpainting/wallpainting.html 08.01.2020.
  • Liang, H. vd. (2010). “A SWIR Hyperspectral Imaging System For Art History And Art Conservation”, IX Congreso Nacional Del Color. Alicante, 189-192.
  • Legnaioli, S. vd. (2013). “Recovery of archaeological wall paintings using novel multispectral imaging approaches” Heritage Science 2013, 1:33, 1-9.
  • Mairinger, F. (2000). “The infrared examination of paintings”. Radiation in Art and Archeometry Eds. DC Creagh, DA Bradley, Elsevier, 40-55.
  • Melessanaki, K. vd. (2001). “Laser induced breakdown spectroscopy and hyperspectral imaging analysis of pigments on an illuminated manuscript”, Spectrochimica Acta Part B. 56, 2337–2345.
  • Pelagotti, A. vd. (2008). “Multispectral Imagıng Of Paintings: A Way To Material Identification”, IEEE Signal Processing Magazine, 1-6.
  • Pamart, A. vd. (2017). “Multispectral photogrammetric data acquisition and processing for wall paintings studies”, The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2/W3, 559-566.
  • Pierraccini, M., Miccinesi, L. (2018). “No-contact GPR for investigating painted walls, II Ground Penetrating Radar (GPR): Conference Paper, June, 1-7.
  • Pronti, L. vd. (2019). “Post-Processing of VIS, NIR, and SWIR Multispectral Images of Paintings. New Discovery on the The Drunkenness of Noah, Painted by Andrea Sacchi, Stored at Palazzo Chigi (Ariccia, Rome)”, Heritage 2, 2275–2286.
  • Rogge, C., Lough, K. (2013). “Fluorescence Fails: the Color of UVA-Induced Visible Fluorescence of Tintype Varnishes does not Discriminate between Varnish Materials”, AIC & ICOM-CC Photographs Conservation Joint Meeting in Wellington, New Zealand, 239-247.
  • Schmid, W. (2000). GRADOC-Graphic Documentation Systems in Mural Painting Conservation: research seminar, Rome 16-20 November 1999, ICCROM.
  • Sablinskas, V. (2003). “Instrumentation”, Handbook of Spectroscopy (Vol.1.), (Ed. G. Gauglitz and T. Vo-Dinh), Weinheim, Germany: Wiley-VCH.
  • Turner, Gerald P. A., Bentley, J. (1997). Introduction to paint chemistry and principles of paint technology. CRC Press.
  • Weyer, A. vd. (2015). EwaGlos-European Illustrated Glossary Of Conservation Terms For WallPaintings And Architectural Surfaces, Printed in Eu, Peterberg-Germany.
There are 41 citations in total.

Details

Primary Language Turkish
Journal Section Articles
Authors

Bengin Bilici

Bekir Eskici 0000-0003-2352-5080

Evin Caner 0000-0003-0499-7517

Publication Date December 13, 2021
Submission Date July 2, 2020
Published in Issue Year 2021 Volume: 25 Issue: 3

Cite

APA Bilici, B., Eskici, B., & Caner, E. (2021). DUVAR RESİMLERİNİN İNCELENMESİNDE YENİ YAKLAŞIMLAR: MULTİSPEKTRAL GÖRÜNTÜLEME YÖNTEMLERİ. Türkiye Sosyal Araştırmalar Dergisi, 25(3), 667-684.
AMA Bilici B, Eskici B, Caner E. DUVAR RESİMLERİNİN İNCELENMESİNDE YENİ YAKLAŞIMLAR: MULTİSPEKTRAL GÖRÜNTÜLEME YÖNTEMLERİ. Türkiye Sosyal Araştırmalar Dergisi. December 2021;25(3):667-684.
Chicago Bilici, Bengin, Bekir Eskici, and Evin Caner. “DUVAR RESİMLERİNİN İNCELENMESİNDE YENİ YAKLAŞIMLAR: MULTİSPEKTRAL GÖRÜNTÜLEME YÖNTEMLERİ”. Türkiye Sosyal Araştırmalar Dergisi 25, no. 3 (December 2021): 667-84.
EndNote Bilici B, Eskici B, Caner E (December 1, 2021) DUVAR RESİMLERİNİN İNCELENMESİNDE YENİ YAKLAŞIMLAR: MULTİSPEKTRAL GÖRÜNTÜLEME YÖNTEMLERİ. Türkiye Sosyal Araştırmalar Dergisi 25 3 667–684.
IEEE B. Bilici, B. Eskici, and E. Caner, “DUVAR RESİMLERİNİN İNCELENMESİNDE YENİ YAKLAŞIMLAR: MULTİSPEKTRAL GÖRÜNTÜLEME YÖNTEMLERİ”, Türkiye Sosyal Araştırmalar Dergisi, vol. 25, no. 3, pp. 667–684, 2021.
ISNAD Bilici, Bengin et al. “DUVAR RESİMLERİNİN İNCELENMESİNDE YENİ YAKLAŞIMLAR: MULTİSPEKTRAL GÖRÜNTÜLEME YÖNTEMLERİ”. Türkiye Sosyal Araştırmalar Dergisi 25/3 (December 2021), 667-684.
JAMA Bilici B, Eskici B, Caner E. DUVAR RESİMLERİNİN İNCELENMESİNDE YENİ YAKLAŞIMLAR: MULTİSPEKTRAL GÖRÜNTÜLEME YÖNTEMLERİ. Türkiye Sosyal Araştırmalar Dergisi. 2021;25:667–684.
MLA Bilici, Bengin et al. “DUVAR RESİMLERİNİN İNCELENMESİNDE YENİ YAKLAŞIMLAR: MULTİSPEKTRAL GÖRÜNTÜLEME YÖNTEMLERİ”. Türkiye Sosyal Araştırmalar Dergisi, vol. 25, no. 3, 2021, pp. 667-84.
Vancouver Bilici B, Eskici B, Caner E. DUVAR RESİMLERİNİN İNCELENMESİNDE YENİ YAKLAŞIMLAR: MULTİSPEKTRAL GÖRÜNTÜLEME YÖNTEMLERİ. Türkiye Sosyal Araştırmalar Dergisi. 2021;25(3):667-84.