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FURNITURE DESIGN AND INTERVAL PRODUCTION IN ART-CRAFT-INDUSTRY

Year 2021, Volume: 3 Issue: 1, 30 - 39, 25.03.2021

Abstract

The concept of mobility contains the meanings associated with the movement from one place to another. Although furniture, whose history is as old as human cultures, has shown some differences according to the countries. It has achieved an almost equal development in the contemporary sense and covered a distance between art and industrial production by exceeding itself and even its function. With the revival of craft production in terms of production before the industrial revolution, it gains a different dimension. Within these stages, the identity of modern furniture, even being made in small quantities, is differentiated by material and method of production and also based on its functionality in a broader meaning. In the future, the development of their production will be revealed by the semi-mechanization in the skill full production of large or small manufacturers. The report includes the semantic concept of furniture in modern design, primarily a chair, an object of art, craft production based on a functional object and production that responds to the requirements of mass production.

References

  • Heskett, J., 2002, Toothpicks and logos, Oxford University Press.pp. 11
  • ICSID = WDO, Uluslar arası End. Tas. Konseyi (International Council of Societies of Industrial Design – ICSID), güncel (World Design Organization-WDO)
  • Erdem,.T., 2007, Mobilya Tarihine Genel Bakış ve Art Deco, Y. Lisans Tezi, İstanbul Kültür Üniversitesi-Fen Bilimleri Enstitüsü, pp. 117-123
  • Yüksel, E., 2016, Çevre Dostu Mobilya Tasarım Yaklaşımında Kullanılan Ahşap Malzemeler, „Ahşabın Tasarım Serüveni“ Başlıklı Uluslararası Katılımlı Sempozyum bildirisi, pp. 05
  • Dilthey, W. 1999. Hermeneutik ve Tin Bilimleri, çev. Doğan Özlem, Paradigma Yayınları, Felsefe dizisi: 7, İstanbul, s. 35-36 TPMK-Klavuzu - Türk Patent ve Marka Kurumu – Tasarım Bölümü, Tasarım Bilgilendirme, https://www.turkpatent.gov.tr/TURKPATENT/
  • Sever, A.İ., Dişkaya, F.N., 2019, Mobilya Tasarımlarının Mekân Üzerindeki Etkileri, 6. Uluslararası Multidisipliner Çalışmalar Kongresi, Tam Metin Bildiri, pp. 241
  • Vegesack, A.[Edited], 1997, Designmaßstäbe - 100 klassische Sitzmöbel, Ausstellungskatalog des Vitra Design Museums, Zusammenarbeit mit dem Goethe Institut München, pp.1-5
  • Miró,E.,P., Coll, M.,P., Viloria, A.,R.,C., 2006, Mobilya Restorasyonu ve Yenilemesi, Dekoratif Teknikler, Çev. Feza Altuniç, İnkılap Kitapevi, Ankara, s. 9
  • White, K., 2012, Sanat Okulunda Öğrenilecek 101 Şey, Yem Yayın, pp. 3, 11, 29
  • Adamson, G., 2007, Thinking Through Craft, Berg is the imprint of Oxford International Publishers Ltd., London, ss: 39 Press, M., 2005, Handmade Futures: The Emerging Role of Craft Knowledge in Our Digital Culture, edited: Alfoldy, S.,The Press of the Nova Scotia-College of Art and Design, Canada, ss: 250, 251
  • Sennett, R., 2009, Zanaatkâr, Çev. Melih Pekdemir, Ayrıntı Yayınları, İstanbul, pp. 73-75
  • Cochrane, G., 2007, Smart Works: Design and the Handmade , Powerhouse Publishing, Sydney, pp. 19, 163, 169, 171
  • Doğan, E.T., 2012, Zanaatkârlığın Günümüzde Yeniden Yorumlanması, : Yeni Zanaatkârlık mı?, Çalışma İlişkileri Dergisi, Cilt 3, Sayı 1, sahife: 67-85, pp. 71
  • Thompson, R.,2011, The Manufacturing Guides Product and Furniture Design, Thames & Hudson Publishing, pp. 42-43, 54, 64-65, 88, 119-121
  • Web-1: Can Furniture Be Art? https://www.artvancouver.net/post/can-furniture-be- art?gclid=EAIaIQobChMIlrbFiPm07AIVgrWyCh1rDQvbEAAYASAAEgLLk_D_BwE
  • Web-2: Davide Conti, The Bloom Chair, https://www.boredpanda.com/creative-chair-design/?utm_source=google&utm_medium=organic&utm_campaign=organic
  • Web-3: Konstantin Grcic, https://www.aram.co.uk/designers/konstantin-grcic
Year 2021, Volume: 3 Issue: 1, 30 - 39, 25.03.2021

Abstract

References

  • Heskett, J., 2002, Toothpicks and logos, Oxford University Press.pp. 11
  • ICSID = WDO, Uluslar arası End. Tas. Konseyi (International Council of Societies of Industrial Design – ICSID), güncel (World Design Organization-WDO)
  • Erdem,.T., 2007, Mobilya Tarihine Genel Bakış ve Art Deco, Y. Lisans Tezi, İstanbul Kültür Üniversitesi-Fen Bilimleri Enstitüsü, pp. 117-123
  • Yüksel, E., 2016, Çevre Dostu Mobilya Tasarım Yaklaşımında Kullanılan Ahşap Malzemeler, „Ahşabın Tasarım Serüveni“ Başlıklı Uluslararası Katılımlı Sempozyum bildirisi, pp. 05
  • Dilthey, W. 1999. Hermeneutik ve Tin Bilimleri, çev. Doğan Özlem, Paradigma Yayınları, Felsefe dizisi: 7, İstanbul, s. 35-36 TPMK-Klavuzu - Türk Patent ve Marka Kurumu – Tasarım Bölümü, Tasarım Bilgilendirme, https://www.turkpatent.gov.tr/TURKPATENT/
  • Sever, A.İ., Dişkaya, F.N., 2019, Mobilya Tasarımlarının Mekân Üzerindeki Etkileri, 6. Uluslararası Multidisipliner Çalışmalar Kongresi, Tam Metin Bildiri, pp. 241
  • Vegesack, A.[Edited], 1997, Designmaßstäbe - 100 klassische Sitzmöbel, Ausstellungskatalog des Vitra Design Museums, Zusammenarbeit mit dem Goethe Institut München, pp.1-5
  • Miró,E.,P., Coll, M.,P., Viloria, A.,R.,C., 2006, Mobilya Restorasyonu ve Yenilemesi, Dekoratif Teknikler, Çev. Feza Altuniç, İnkılap Kitapevi, Ankara, s. 9
  • White, K., 2012, Sanat Okulunda Öğrenilecek 101 Şey, Yem Yayın, pp. 3, 11, 29
  • Adamson, G., 2007, Thinking Through Craft, Berg is the imprint of Oxford International Publishers Ltd., London, ss: 39 Press, M., 2005, Handmade Futures: The Emerging Role of Craft Knowledge in Our Digital Culture, edited: Alfoldy, S.,The Press of the Nova Scotia-College of Art and Design, Canada, ss: 250, 251
  • Sennett, R., 2009, Zanaatkâr, Çev. Melih Pekdemir, Ayrıntı Yayınları, İstanbul, pp. 73-75
  • Cochrane, G., 2007, Smart Works: Design and the Handmade , Powerhouse Publishing, Sydney, pp. 19, 163, 169, 171
  • Doğan, E.T., 2012, Zanaatkârlığın Günümüzde Yeniden Yorumlanması, : Yeni Zanaatkârlık mı?, Çalışma İlişkileri Dergisi, Cilt 3, Sayı 1, sahife: 67-85, pp. 71
  • Thompson, R.,2011, The Manufacturing Guides Product and Furniture Design, Thames & Hudson Publishing, pp. 42-43, 54, 64-65, 88, 119-121
  • Web-1: Can Furniture Be Art? https://www.artvancouver.net/post/can-furniture-be- art?gclid=EAIaIQobChMIlrbFiPm07AIVgrWyCh1rDQvbEAAYASAAEgLLk_D_BwE
  • Web-2: Davide Conti, The Bloom Chair, https://www.boredpanda.com/creative-chair-design/?utm_source=google&utm_medium=organic&utm_campaign=organic
  • Web-3: Konstantin Grcic, https://www.aram.co.uk/designers/konstantin-grcic
There are 17 citations in total.

Details

Primary Language English
Subjects Timber, Pulp and Paper
Journal Section Review Articles
Authors

Secıl Satır 0000-0002-5530-5798

Publication Date March 25, 2021
Acceptance Date December 15, 2020
Published in Issue Year 2021 Volume: 3 Issue: 1

Cite

APA Satır, S. (2021). FURNITURE DESIGN AND INTERVAL PRODUCTION IN ART-CRAFT-INDUSTRY. Wood Industry and Engineering, 3(1), 30-39.
AMA Satır S. FURNITURE DESIGN AND INTERVAL PRODUCTION IN ART-CRAFT-INDUSTRY. WI&E. March 2021;3(1):30-39.
Chicago Satır, Secıl. “FURNITURE DESIGN AND INTERVAL PRODUCTION IN ART-CRAFT-INDUSTRY”. Wood Industry and Engineering 3, no. 1 (March 2021): 30-39.
EndNote Satır S (March 1, 2021) FURNITURE DESIGN AND INTERVAL PRODUCTION IN ART-CRAFT-INDUSTRY. Wood Industry and Engineering 3 1 30–39.
IEEE S. Satır, “FURNITURE DESIGN AND INTERVAL PRODUCTION IN ART-CRAFT-INDUSTRY”, WI&E, vol. 3, no. 1, pp. 30–39, 2021.
ISNAD Satır, Secıl. “FURNITURE DESIGN AND INTERVAL PRODUCTION IN ART-CRAFT-INDUSTRY”. Wood Industry and Engineering 3/1 (March 2021), 30-39.
JAMA Satır S. FURNITURE DESIGN AND INTERVAL PRODUCTION IN ART-CRAFT-INDUSTRY. WI&E. 2021;3:30–39.
MLA Satır, Secıl. “FURNITURE DESIGN AND INTERVAL PRODUCTION IN ART-CRAFT-INDUSTRY”. Wood Industry and Engineering, vol. 3, no. 1, 2021, pp. 30-39.
Vancouver Satır S. FURNITURE DESIGN AND INTERVAL PRODUCTION IN ART-CRAFT-INDUSTRY. WI&E. 2021;3(1):30-9.

Wood Industry and Engineering Journal
 Correspondence: Karadeniz Technical University, Faculty of Forestry, Department of Forest Industry Engineering, Kanuni Campus, 61080, Trabzon / TURKEY
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