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Antonin Artaud, Samuel Beckett: Bedeni Sarsmak

Year 2009, Issue: 2, 51 - 56, 01.07.2009

Abstract

Héléne Lecossois
Çeviren: Melisa Selin ÇELIKER

Artaud beden üzerine hem kişisel hem de kuramsal bakış açısından yazılar yazmıştır Vahşet
Tiyatrosu hakkında yazdığı kuramsal makale ile bedenle ilgili kişisel görüşlerini içeren Pour
en finir avec le jugemenet de Dieu (Tanrı Yargısıyla İşini Bitirmek İçin) çok arasında büyük
farklılıklar vardır. Burada bu yazının amacına uygun olarak büyük çoğunlukla onun kuramsal
bakış açısı üzerinde duracağım.


References

  • KAYNAKÇA
  • • ARTAUD, Antonin, “The Theatre of Cruelty. Second Manifesto” in
  • Eric BENTLEY (ed.), The Theory of the Modern Stage [1968], London:
  • Penguin Books, 1989.
  • • BECKETT, Samuel, The Complete Dramatic Works, London:
  • Faber and Faber, 1986.
  • • BECKETT, Samuel, L’Innommable, Paris: Editions de Minuit,
  • -
  • • BECKETT, Samuel, En attendant Godot, Paris: Editions de Minuit,
  • -
  • • DERRIDA, Jacques, “La parole soufflée”, L’écriture et la différence,
  • Paris: Editions du Seuil, 1967.
  • • GIRARD, Didier, POLLOCK, Jonathan, Eds, Invectives. Quand le
  • corps reprend la parole, Presses Universitaires de Perpignan, 2006.
  • • GROSSMAN, Evelyne, La Défiguration. Artaud-Beckett-Michaux,
  • Paris: Les Editions de Minuit, 2004.
  • • GROSSMAN, Evelyne, “Le théâtre de la cruauté de Samuel
  • Beckett” in Les théâtres de la Cruauté. Hommage à Antonin Artaud,
  • • DUMOULE, Camille, Ed., Paris: Editions Desjonquères, 2000.
  • • KALB, Jonathan, Beckett in Performance, Cambridge University
  • Press, 1989.
  • • POUNTNEY, Rosemary, Theatre of Shadows. Samuel Beckett’s
  • Drama 1956-1976, Gerrards Cross: Colin Smythe, 1988.
  • NOTLAR
  • Billie WHITELAW’dan aktaranJonathan KALB, Beckett in
  • Performance, Cambridge University Press, 1989, 147 s.
  • Evelyne GROSSMAN, La Défiguration. Artaud-Beckett-Michaux,
  • Paris : Les Editions de Minuit, 2004, s. 54.
  • Antonin ARTAUD, “The Theatre of Cruelty. Second Manifesto” in
  • Eric BENTLEY (ed.), The Theory of the Modern Stage [1968], London:
  • Penguin Books, 1989, s. 66.
  • Beckett’in oyunlarına yapılan tüm referanslar için Samuel
  • BECKETT, The Complete Dramatic Works, London: Faber and Faber,
  • -
  • Pierre CHABERT’den aktaran Jonathan KALB, Beckett in
  • Performance, Cambridge University Press, 1989, 44s.
  • Antonin ARTAUD’dan aktaran Eric BENTLEY, (ed.), age.,. 59 s.
  • Conversation with Walter ASMUS, Jonathan KALB, aget., 181 s.
Year 2009, Issue: 2, 51 - 56, 01.07.2009

Abstract

References

  • KAYNAKÇA
  • • ARTAUD, Antonin, “The Theatre of Cruelty. Second Manifesto” in
  • Eric BENTLEY (ed.), The Theory of the Modern Stage [1968], London:
  • Penguin Books, 1989.
  • • BECKETT, Samuel, The Complete Dramatic Works, London:
  • Faber and Faber, 1986.
  • • BECKETT, Samuel, L’Innommable, Paris: Editions de Minuit,
  • -
  • • BECKETT, Samuel, En attendant Godot, Paris: Editions de Minuit,
  • -
  • • DERRIDA, Jacques, “La parole soufflée”, L’écriture et la différence,
  • Paris: Editions du Seuil, 1967.
  • • GIRARD, Didier, POLLOCK, Jonathan, Eds, Invectives. Quand le
  • corps reprend la parole, Presses Universitaires de Perpignan, 2006.
  • • GROSSMAN, Evelyne, La Défiguration. Artaud-Beckett-Michaux,
  • Paris: Les Editions de Minuit, 2004.
  • • GROSSMAN, Evelyne, “Le théâtre de la cruauté de Samuel
  • Beckett” in Les théâtres de la Cruauté. Hommage à Antonin Artaud,
  • • DUMOULE, Camille, Ed., Paris: Editions Desjonquères, 2000.
  • • KALB, Jonathan, Beckett in Performance, Cambridge University
  • Press, 1989.
  • • POUNTNEY, Rosemary, Theatre of Shadows. Samuel Beckett’s
  • Drama 1956-1976, Gerrards Cross: Colin Smythe, 1988.
  • NOTLAR
  • Billie WHITELAW’dan aktaranJonathan KALB, Beckett in
  • Performance, Cambridge University Press, 1989, 147 s.
  • Evelyne GROSSMAN, La Défiguration. Artaud-Beckett-Michaux,
  • Paris : Les Editions de Minuit, 2004, s. 54.
  • Antonin ARTAUD, “The Theatre of Cruelty. Second Manifesto” in
  • Eric BENTLEY (ed.), The Theory of the Modern Stage [1968], London:
  • Penguin Books, 1989, s. 66.
  • Beckett’in oyunlarına yapılan tüm referanslar için Samuel
  • BECKETT, The Complete Dramatic Works, London: Faber and Faber,
  • -
  • Pierre CHABERT’den aktaran Jonathan KALB, Beckett in
  • Performance, Cambridge University Press, 1989, 44s.
  • Antonin ARTAUD’dan aktaran Eric BENTLEY, (ed.), age.,. 59 s.
  • Conversation with Walter ASMUS, Jonathan KALB, aget., 181 s.
There are 38 citations in total.

Details

Primary Language Turkish
Journal Section Araştırma Makaleler
Authors

Melisa Çeliker This is me

Publication Date July 1, 2009
Submission Date January 15, 2015
Published in Issue Year 2009 Issue: 2

Cite

APA Çeliker, M. (2009). Antonin Artaud, Samuel Beckett: Bedeni Sarsmak. Yedi(2), 51-56.

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