Abstract
Neutral thinking in contemporary Chinese philosophy is based on the era characteristics of diversification and multi-polarization.
It is not only a way of thinking but also a value of judgment, which can provide a choice and a path to the development of contemporary
art. Development of contemporary fiber art not only provides the experimental field of contemporary art, but also reflects
the value and significance of neutral thinking in the future development of art. This article will discuss three value orientations
in the development of contemporary fiber art, such as from the concept to the material, from the appreciation of ugliness to the
beauty, and from the elite to the general public, exemplifying the From Lausanne to Beijing International Fiber Art Biennale and
trying to explore the future and value of fiber art.
References
- Auther, E. (Autumn, 2002). Classification and Its Consequences:The Case of “Fiber Art”, American Art, Vol. 16, No. 3, USA
- Zou, G. (2016). Neutral thinking and cultural innovation, The cultural expression of homesickness, Hei Longjiang Education Press, China.
- Lin, L.; Kai L. (2014). Re-cognition: 1895 China Contemporary Arts and Crafts Exhibition, China Art, No. 4, China.
- Lin, L.; Yizhuang Z. (2000). International Tapestry Art Exhibition, China City Press & Beijing Arts and Crafts Press, China.
- Lin, L.; Kai W. (2006). Fiber Art, Shanghai Pictorial Magazine Press, China.
- Lv, P; Jude L.; Dangqi L.; Yuehong N.; Lecheng L. (2012). A dialogue about fiber art, No. 5, China.
- Wang, K. (2011). Fiber Art New Landscape, China Construction Press, China.
- Interviews/Personal Records Hampton, K. (2017). Interview with fiber artists Karen Hampton, artist’s studio, USA
- Lin, L. (2015). Interview with fiber artists Prof. Lin Lecheng, Tsinghua University, Art and Craft Department, personalstudio, Beijing, China.
Abstract
References
- Auther, E. (Autumn, 2002). Classification and Its Consequences:The Case of “Fiber Art”, American Art, Vol. 16, No. 3, USA
- Zou, G. (2016). Neutral thinking and cultural innovation, The cultural expression of homesickness, Hei Longjiang Education Press, China.
- Lin, L.; Kai L. (2014). Re-cognition: 1895 China Contemporary Arts and Crafts Exhibition, China Art, No. 4, China.
- Lin, L.; Yizhuang Z. (2000). International Tapestry Art Exhibition, China City Press & Beijing Arts and Crafts Press, China.
- Lin, L.; Kai W. (2006). Fiber Art, Shanghai Pictorial Magazine Press, China.
- Lv, P; Jude L.; Dangqi L.; Yuehong N.; Lecheng L. (2012). A dialogue about fiber art, No. 5, China.
- Wang, K. (2011). Fiber Art New Landscape, China Construction Press, China.
- Interviews/Personal Records Hampton, K. (2017). Interview with fiber artists Karen Hampton, artist’s studio, USA
- Lin, L. (2015). Interview with fiber artists Prof. Lin Lecheng, Tsinghua University, Art and Craft Department, personalstudio, Beijing, China.
Details
| Primary Language | English |
|---|---|
| Journal Section | Araştırma Makaleler |
| Authors | |
| Publication Date | July 23, 2018 |
| Submission Date | April 30, 2018 |
| Acceptance Date | June 24, 2018 |
| Published in Issue | Year 2018 Issue: 20 |
This work is licensed under a Creative Commons Attribution 4.0 International License.