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Yerelleştirme Süreçlerinde Metinlerarası ilişkilendirmelerin Rolü: Suskunlar Örneği

Year 2020, Issue: 23, 1 - 9, 23.01.2020
https://doi.org/10.17484/yedi.643985

Abstract

Bu makale, metinlerarasılık kavramının yerelleştirme
süreçlerindeki önemini
Suskunlar (Show TV, 2012) dizisi örneği üzerinden tartışmayı
hedefler. Makale, yerel yayın serüveninin ardından Amerika Birleşik Devletleri’nde
Game of Silence (2016) adıyla uyarlanan Suskunlar dizisine dair Türkiye ve Amerikan medyasında üretilen söylemlere
odaklanarak, dizinin farklı yerel düzlemlerde farklı metinlerle ilişkilendirilmesinin
yerelleştirme sürecine olan etkisini araştırır. Böylelikle makale, aynı kaynak
metinden esinlenilerek üretilen içeriklerin kurulan farklı metinlerarası ilişkilendirmeler
sayesinde farklı yerelleşme süreçlerinden geçtiklerini iddia eder.

References

  • 1. Alfaro, M. J. M. (1996) “Intertextuality: Origins and development of the concept,” Atlantis, 18(½), 268-285.
  • 2. Andreeva, N. (2015) “NBC Orders ‘Game Of Silence’ Drama Pilot,” Deadline. URL (July 2019): http://deadline.com/2015/01/game-of-silence-drama-pilot-nbc-carol-mendelsohn-1201352616/
  • 3. Arslan, S. (2011) Cinema in Turkey: A new critical history. New York: Oxford University Press.
  • 4. Bianco, R. (2016) “Review: NBC's 'Game of Silence' is muddled mystery,” USA Today. URL (July 2019): https://www.usatoday.com/story/life/tv/columnist/2016/04/11/review-nbc-game-of-silence/82801396/
  • 5. “Bu acıları gördükten sonra, neleri kafaya takmışız diye gülüyorum” (2012) Milliyet Newspaper. URL (July 2019): http://www.milliyet.com.tr/pazar/bu-acilari-gordukten-sonra-neleri-kafaya-takmisiz-diye-guluyorum-1516722
  • 6. Chalaby, J. K. (2016) “Drama without drama: The late rise of scripted TV formats,” Television & New Media, 17(1), 3-20.
  • 7. Dhoest, A. (2007) “The national everyday in contemporary European television fiction: The Flemish case,” Critical Studies in Television: An International Journal of Television Studies, 2(2), 60-76.
  • 8. Dowling, A. (2016) “‘Game of Silence’ Review: A Brutal But Often Gripping Search for Justice,” The Wrap. URL (July 2019): https://www.thewrap.com/game-of-silence-review-a-brutal-but-often-gripping-search-for-justice/
  • 9. Ekşisözlük (2012) “Suskunlar,” URL (July 2019): https://eksisozluk.com/suskunlar--1737827
  • 10. Ellis, J. (2000) Seeing things: Television in the age of uncertainty. London: IB Tauris.
  • 11. Featherstone, M. (1995) Undoing Culture: Globalisation, Postmodernism and Identity. London: Sage.
  • 12. Fienberg, D. (2016) “'Game of Silence': TV Review,” Hollywood Reporter. URL (July 2019): https://www.hollywoodreporter.com/review/game-silence-tv-review-882913
  • 18. Lowry, B. (2016) “TV Review: ‘Game of Silence’,” Variety. URL (July 2019): http://variety.com/2016/tv/reviews/game-of-silence-review-david-lyons-nbc-1201746770/
  • 14. Gay, V. (2016) “‘Game of Silence’ review: NBC's layered drama, with extra layers,” Newsday. URL (July 2019): https://www.newsday.com/entertainment/tv/game-of-silence-review-nbc-s-layered-drama-with-extra-layers-1.11670097
  • 15. Gilbert, M. (2016) “‘Game of Silence’: TV show as Clue board,” The Boston Globe. URL (July 2019): https://www.bostonglobe.com/arts/2016/04/10/game-silence-show-clue-board/9l5TOJJbhvsFU2GfPdJQ7J/story.html
  • 16. Günebakan, D. (2012) “Pozantı Kabusu ve ‘Suskunlar’,” Bianet Bağımsız İletişim Ağı. URL (July 2019): https://m.bianet.org/bianet/kultur/136836-pozanti-kabusu-ve-suskunlar
  • 17. Ihnat, G. (2016) “Game Of Silence is the Sleepers redux nobody asked for,” AV Club. URL (July 2019): https://tv.avclub.com/game-of-silence-is-the-sleepers-redux-nobody-asked-for-1798187345
  • 19. McNamara, M. (2016) “'Game of Silence' is a slam-bang revenge tale with a terrible secret,” Los Angeles Time. URL (July 2019): http://www.latimes.com/entertainment/tv/la-et-st-game-of-silence-review-20160412-column.html
  • 20. Mikos, L. (2016) “Television drama series and transmedia storytelling in an era of convergence,” Northern Lights: Film & Media Studies Yearbook, 14(1), 47-64.
  • 21. Moran, A. (2009a) TV Formats Worldwide: Localizing Global Programs. United Kingdom: Intellect Books.
  • 22. Moran, A. (2009b) “Global franchising, local customizing: The cultural economy of TV program formats,” Continuum: Journal of Media & Cultural Studies 23(2), 115-125.
  • 23. Odegard, D. (2016) “'Game of Silence' Interview: Star David Lyons Talks Dark Themes & Depicting PTSD & Sexual Abuse [EXCLUSIVE],” ENSTARS. URL (July 2019): https://www.enstarz.com/articles/154330/20160415/game-silence-interview-star-david-lyons-dark-themes.htm
  • 24. Owen, R. (2016) “NBC plays ‘Game of Silence’,” Community Voices. URL (July 2019): http://communityvoices.post-gazette.com/arts-entertainment-living/tuned-in/item/40005-nbc-plays-game-of-silence
  • 25. Öncü, A. (2000) “The Banal and the subversive,” European Journal of Cultural Studies, 3(3), 296-318.
  • 26. Öztürk, Ç. (2012) “Şimdi Konuşma Zamanı: Suskunlar Konuşuyor,” T24 Independent Internet Newspaper. URL (July 2019): http://t24.com.tr/yazarlar/cagnur-ozturk/simdi-konusma-zamani-suskunlar-konusuyor,4746
  • 27. “Pınar Bulut Deren: Global bir başarı yakalamanın yolu lokal içeriklerden geçiyor...” (2016) Ranini.tv. URL (July 2019): http://www.ranini.tv/roportaj/14041/1/pinar-bulut-deren-global-bir-basari-yakalamanin-yolu-lokal-iceriklerd
  • 28. Roush, M. (2016) “Roush Review: Silence Is Not Golden,” TV Insider. URL (July 2019): https://www.tvinsider.com/84799/roush-review-silence-is-not-golden/
  • 29. Semercioğlu, C. (2015) “Suskunlar’ın Büyük Başarısı,” Hürriyet Newspaper. URL (July 2019): http://www.hurriyet.com.tr/yazarlar/cengiz-semercioglu/suskunlar-in-buyuk-basarisi-28965474
  • 30. Tekelioğlu, O. (2012) “Suskunlar'ın esas derdi 'erkeklik',” Radikal Newspaper. URL (July 2019): http://www.radikal.com.tr/radikal2/suskunlarin-esas-derdi-erkeklik-1092959/
  • 31. “Yabancı Dizilerden Uyarlandığını Bilmediğiniz En Sevilen 17 Türk Dizisi,” (2016) Onedio. URL (July 2019): https://onedio.com/haber/yabanci-dizilerden-uyarlandigini-bilmediginiz-en-sevilen-17-turk-dizisi-695404
  • 32. Yesil, B. (2015) “Transnationalization of Turkish dramas: Exploring the convergence of local and global market imperatives,” Global Media and Communication, 11(1): 43-60.
  • 33. Waisbord, S. (2004) “McTV Understanding the Global Popularity of Television Formats,” Television & New Media, 5(4), 359-383.

The Role of Intertextual Associations in Localization Processes: The Case of Suskunlar

Year 2020, Issue: 23, 1 - 9, 23.01.2020
https://doi.org/10.17484/yedi.643985

Abstract

This article
aims to discuss localization processes in scripted format adaptations by
particularly focusing on Turkish TV series Suskunlar
(Game of Silence, Show TV, 2012)
which is later adapted in the U.S. as Game of Silence (2016).
By adopting a discursive approach, the article aims to investigate a wide range
of information that is spread about
Suskunlar
and Game of Silence in
the Turkish and American media sphere. The article is especially interested in
investigating the role that ‘intertextuality’ play in localizing scripted
formats and intends to point at the different localization processes that the
series go under in different localities.

References

  • 1. Alfaro, M. J. M. (1996) “Intertextuality: Origins and development of the concept,” Atlantis, 18(½), 268-285.
  • 2. Andreeva, N. (2015) “NBC Orders ‘Game Of Silence’ Drama Pilot,” Deadline. URL (July 2019): http://deadline.com/2015/01/game-of-silence-drama-pilot-nbc-carol-mendelsohn-1201352616/
  • 3. Arslan, S. (2011) Cinema in Turkey: A new critical history. New York: Oxford University Press.
  • 4. Bianco, R. (2016) “Review: NBC's 'Game of Silence' is muddled mystery,” USA Today. URL (July 2019): https://www.usatoday.com/story/life/tv/columnist/2016/04/11/review-nbc-game-of-silence/82801396/
  • 5. “Bu acıları gördükten sonra, neleri kafaya takmışız diye gülüyorum” (2012) Milliyet Newspaper. URL (July 2019): http://www.milliyet.com.tr/pazar/bu-acilari-gordukten-sonra-neleri-kafaya-takmisiz-diye-guluyorum-1516722
  • 6. Chalaby, J. K. (2016) “Drama without drama: The late rise of scripted TV formats,” Television & New Media, 17(1), 3-20.
  • 7. Dhoest, A. (2007) “The national everyday in contemporary European television fiction: The Flemish case,” Critical Studies in Television: An International Journal of Television Studies, 2(2), 60-76.
  • 8. Dowling, A. (2016) “‘Game of Silence’ Review: A Brutal But Often Gripping Search for Justice,” The Wrap. URL (July 2019): https://www.thewrap.com/game-of-silence-review-a-brutal-but-often-gripping-search-for-justice/
  • 9. Ekşisözlük (2012) “Suskunlar,” URL (July 2019): https://eksisozluk.com/suskunlar--1737827
  • 10. Ellis, J. (2000) Seeing things: Television in the age of uncertainty. London: IB Tauris.
  • 11. Featherstone, M. (1995) Undoing Culture: Globalisation, Postmodernism and Identity. London: Sage.
  • 12. Fienberg, D. (2016) “'Game of Silence': TV Review,” Hollywood Reporter. URL (July 2019): https://www.hollywoodreporter.com/review/game-silence-tv-review-882913
  • 18. Lowry, B. (2016) “TV Review: ‘Game of Silence’,” Variety. URL (July 2019): http://variety.com/2016/tv/reviews/game-of-silence-review-david-lyons-nbc-1201746770/
  • 14. Gay, V. (2016) “‘Game of Silence’ review: NBC's layered drama, with extra layers,” Newsday. URL (July 2019): https://www.newsday.com/entertainment/tv/game-of-silence-review-nbc-s-layered-drama-with-extra-layers-1.11670097
  • 15. Gilbert, M. (2016) “‘Game of Silence’: TV show as Clue board,” The Boston Globe. URL (July 2019): https://www.bostonglobe.com/arts/2016/04/10/game-silence-show-clue-board/9l5TOJJbhvsFU2GfPdJQ7J/story.html
  • 16. Günebakan, D. (2012) “Pozantı Kabusu ve ‘Suskunlar’,” Bianet Bağımsız İletişim Ağı. URL (July 2019): https://m.bianet.org/bianet/kultur/136836-pozanti-kabusu-ve-suskunlar
  • 17. Ihnat, G. (2016) “Game Of Silence is the Sleepers redux nobody asked for,” AV Club. URL (July 2019): https://tv.avclub.com/game-of-silence-is-the-sleepers-redux-nobody-asked-for-1798187345
  • 19. McNamara, M. (2016) “'Game of Silence' is a slam-bang revenge tale with a terrible secret,” Los Angeles Time. URL (July 2019): http://www.latimes.com/entertainment/tv/la-et-st-game-of-silence-review-20160412-column.html
  • 20. Mikos, L. (2016) “Television drama series and transmedia storytelling in an era of convergence,” Northern Lights: Film & Media Studies Yearbook, 14(1), 47-64.
  • 21. Moran, A. (2009a) TV Formats Worldwide: Localizing Global Programs. United Kingdom: Intellect Books.
  • 22. Moran, A. (2009b) “Global franchising, local customizing: The cultural economy of TV program formats,” Continuum: Journal of Media & Cultural Studies 23(2), 115-125.
  • 23. Odegard, D. (2016) “'Game of Silence' Interview: Star David Lyons Talks Dark Themes & Depicting PTSD & Sexual Abuse [EXCLUSIVE],” ENSTARS. URL (July 2019): https://www.enstarz.com/articles/154330/20160415/game-silence-interview-star-david-lyons-dark-themes.htm
  • 24. Owen, R. (2016) “NBC plays ‘Game of Silence’,” Community Voices. URL (July 2019): http://communityvoices.post-gazette.com/arts-entertainment-living/tuned-in/item/40005-nbc-plays-game-of-silence
  • 25. Öncü, A. (2000) “The Banal and the subversive,” European Journal of Cultural Studies, 3(3), 296-318.
  • 26. Öztürk, Ç. (2012) “Şimdi Konuşma Zamanı: Suskunlar Konuşuyor,” T24 Independent Internet Newspaper. URL (July 2019): http://t24.com.tr/yazarlar/cagnur-ozturk/simdi-konusma-zamani-suskunlar-konusuyor,4746
  • 27. “Pınar Bulut Deren: Global bir başarı yakalamanın yolu lokal içeriklerden geçiyor...” (2016) Ranini.tv. URL (July 2019): http://www.ranini.tv/roportaj/14041/1/pinar-bulut-deren-global-bir-basari-yakalamanin-yolu-lokal-iceriklerd
  • 28. Roush, M. (2016) “Roush Review: Silence Is Not Golden,” TV Insider. URL (July 2019): https://www.tvinsider.com/84799/roush-review-silence-is-not-golden/
  • 29. Semercioğlu, C. (2015) “Suskunlar’ın Büyük Başarısı,” Hürriyet Newspaper. URL (July 2019): http://www.hurriyet.com.tr/yazarlar/cengiz-semercioglu/suskunlar-in-buyuk-basarisi-28965474
  • 30. Tekelioğlu, O. (2012) “Suskunlar'ın esas derdi 'erkeklik',” Radikal Newspaper. URL (July 2019): http://www.radikal.com.tr/radikal2/suskunlarin-esas-derdi-erkeklik-1092959/
  • 31. “Yabancı Dizilerden Uyarlandığını Bilmediğiniz En Sevilen 17 Türk Dizisi,” (2016) Onedio. URL (July 2019): https://onedio.com/haber/yabanci-dizilerden-uyarlandigini-bilmediginiz-en-sevilen-17-turk-dizisi-695404
  • 32. Yesil, B. (2015) “Transnationalization of Turkish dramas: Exploring the convergence of local and global market imperatives,” Global Media and Communication, 11(1): 43-60.
  • 33. Waisbord, S. (2004) “McTV Understanding the Global Popularity of Television Formats,” Television & New Media, 5(4), 359-383.
There are 32 citations in total.

Details

Primary Language English
Journal Section Araştırma Makaleler
Authors

Ayşegül Kesirli Unur 0000-0002-1442-8038

Publication Date January 23, 2020
Submission Date November 7, 2019
Acceptance Date December 2, 2019
Published in Issue Year 2020 Issue: 23

Cite

APA Kesirli Unur, A. (2020). The Role of Intertextual Associations in Localization Processes: The Case of Suskunlar. Yedi(23), 1-9. https://doi.org/10.17484/yedi.643985

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