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Arada olmanın keyfi: Henry James’in The Ambassadors (Elçiler) eseri

Yıl 2019, Sayı: 14, 469 - 479, 21.03.2019
https://doi.org/10.29000/rumelide.541085

Öz

Çok sayıda eseriyle, Amerika’nın sürgün roman ve
deneme yazarı Henry James, hem 19. yy sonu hem de 20. yy başlarına tanıklık
eden bir yazar olarak, ABD’de modernizme geçiş süreci hakkındaki algımızın
zenginleşmesine önemli ölçüde katkıda bulunmuştur. Uzun bir süre püriten düzeni
yaşayan ve katı bir şekilde kurulmuş ahlaki kurallara saplanıp kalmış olan
Amerika’nın New England toplumu yeni yüzyılın gelişiyle birlikte eski
muhafazakar kabuğunu kırıyordu. James bu geçiş sürecine, The Ambassadors, Bostonians ve Transatlantic Sketches gibi birçok
eseriyle ışık tutmuştur. Bu çalışmada, James’in Avrupa tecrübelerinin bir
izdüşümü sayılabilecek olan The Ambassadors eseri, Paris ve Woollett, daha
büyük eksende Eski Dünya ve Yeni Dünya’nın karşılaştırmalı temsilleri üzerinden
ele alınıyor. Hayatının büyük bir kısmını Eski ve Yeni Dünya arasında gidip
gelerek geçiren James, burada ele alınan eserinde okuyucularına, romanın
başkarakteri, Strether’in gözünden, bu yerler hakında eşsiz bakış açıları
sunmaktadır. Woollett ve Paris arasında yapılan önemli ayrımlar üzerinden,
James’in modern Amerikan kimliğini, Atlantik’in iki yakasına dayanarak nasıl
yeniden inşa ettiğinin incelenmesi amaçlanmıştır.  

Kaynakça

  • Beyer, B. (2014). Experience at Home and Innocence Abroad: Social and Cultural Capital in Machado de Assis’s Esaue Jaco and Henry James’s The Ambassadors. Machado de Assis em Linha, 7(13), 78-99. Bennett, J. (1956). The Art of Henry James: The Ambassadors. Chicago Review, 9(4),12-26. Cargill, O. (1961). The Novels of Henry James. New York: Macmillan. Cecil, L. M. (1967). Virtuous Attachment in James' The Ambassadors. American Quarterly, 19(4), 719-724. Cosgrove, W. & Mathees, I. (1980). "To See Life Reflected": Seeing as Living in The Ambassadors. The Henry James Review, 1(3), 204-210. Crews, F. C. (1957). The Tragedy of Manners: Moral Drama in the Later Novels of Henry James. Connecticut: Yale University Press. Deans, T. R. (1972). James' "The Ambassadors": The Primal Scene Revisited. American Imago, 29(3), 233-256. Diamond, C. (1997). Henry James, Moral Philosophers, Moralism. The Henry James Review, 18(3), 243-257. Dreifus, E. (2004). A Focus on the "Surrounding Scene": Examining Paris in The Ambassadors. The Henry James Review, 25(1), 44-51. Edel, L. (1985). Henry James: A Life. New York: Harper and Row. Flaherty, M. (2014). Henry James at the Ethical Turn Vivification and Ironization in The Ambassadors. Nineteenth-Century Literature, 69(3), 366-393. Gargano, J. W. (1984) A Unified Sensibility: A Study of Henry James's The Ambassadors and Its Scenario (review) The Henry James Review, 6(1), 69-70. Grigg, Q. (1980). The Novel in John Gabriel Borkman : Henry James's The Ambassadors. The Henry James Review, 1(3), 211-218. Hutchison, H. (2003). The Other Lambert Strether: Henry James's "The Ambassadors", Balzac's “Louis Lambert”, and J. H. Lambert. Nineteenth-Century Literature, 58(2), 230-258. Hutchison, H. (2005). James's Spectacles: Distorted Vision in The Ambassadors. The Henry James Review, 26(1), 39-51. James, H. (1909). The Ambassadors. New York: Anchor Book. James, H. (1903). Transatlantic Sketches. USA: Houghton, Mifflin. James, H. (1877). The American. Boston: Houghton Mifflin Company & James R. Osgood and Company. Jochum, K. P. S. (1983). Henry James's Ambassadors in Paris. Modern Language Studies, Henry James Issue, 13(4), 109-120. Kohan, K. (1999). Rereading the Book in Henry James's The Ambassadors. Nineteenth-Century Literature, 54(3), 373-400. Kovacs, Á. Z. (2011). Henry James in New York City and Lambert Strether in Paris: The CulturalAspect of Experience in The American Scene and The Ambassadors. Hungarian Journal ofEnglish and American Studies, 17(2), 339-349. Menton, A. W. (1994). Typical Tales of Paris: the Function of Reading in The Ambassadors. The Henry James Review, 15(3), 286-300. Onofrei, P.-A., Cuza, A. I., Enescu, G. (2013). Literature and Visual Arts in Henry James’ Works. Procedia Social and Behavioral Sciences,70, 346-357 Smith, D. L. (2012). The Jamesian Oedipus and the Freudian Moses: Image, Word, the Later Style, and the Ambassadors. Studies in the Novel, 44(1), 1-26 Taghizadeh, A. (2011). Structuralism and Its Aftermath in The Fiction of Henry James. PhD Diss.Berlin: Free Berlin University Teahan, S. (1996). Engendering Culture in The American Scene. The Henry James Review, 17(1), 52-57. Tintner, R. A. (1993). Henry James and the Lust of the Eyes. Baton Rouge: Louisiana State UP. Walton, J. (2009). Strether’s Babylon: Counterplot in The Ambassadors. Literary Imagination, 11(3),291–316. Wilson, S. (2004). Americanness Becomes Modernism in James’s The Ambassadors” Studies in the Novel, 36(4), 509-532.

The joy of in-betweenness: Henry James’s The Ambassadors

Yıl 2019, Sayı: 14, 469 - 479, 21.03.2019
https://doi.org/10.29000/rumelide.541085

Öz

With his numerous works, the well-known prolific
American expatriate novelist and essayist, Henry James considerably contributed
to enriching our perception of the transition process in the USA to modernism
as an author witnessing both late nineteenth and early twentieth centuries.
After experiencing a long period of puritanical order and remaining stuck in
the strictly established moral rules, American New England society was breaking
its earlier conservative crust with the advent of the new century. James shed
light on this transition process with many of his works such as The Ambassadors, Bostonians and Transatlantic Sketches. In this study, The Ambassadors, which can be seen as
the projection of James’s European experiences, is scrutinized with respect to
the comparative representations of Paris and Woollett, and in a bigger scope,
Europe and America. Spending most of his time by commuting between the Old and
New World, James provided his readers with unique perspectives about these
places in hereby-handled fiction through the eye of his protagonist, Strether.
Drawing on the distinctions made between Woollett and Paris, this article
examines how James reconstructs modern American identity hinging upon the two
sides of Atlantic.

Kaynakça

  • Beyer, B. (2014). Experience at Home and Innocence Abroad: Social and Cultural Capital in Machado de Assis’s Esaue Jaco and Henry James’s The Ambassadors. Machado de Assis em Linha, 7(13), 78-99. Bennett, J. (1956). The Art of Henry James: The Ambassadors. Chicago Review, 9(4),12-26. Cargill, O. (1961). The Novels of Henry James. New York: Macmillan. Cecil, L. M. (1967). Virtuous Attachment in James' The Ambassadors. American Quarterly, 19(4), 719-724. Cosgrove, W. & Mathees, I. (1980). "To See Life Reflected": Seeing as Living in The Ambassadors. The Henry James Review, 1(3), 204-210. Crews, F. C. (1957). The Tragedy of Manners: Moral Drama in the Later Novels of Henry James. Connecticut: Yale University Press. Deans, T. R. (1972). James' "The Ambassadors": The Primal Scene Revisited. American Imago, 29(3), 233-256. Diamond, C. (1997). Henry James, Moral Philosophers, Moralism. The Henry James Review, 18(3), 243-257. Dreifus, E. (2004). A Focus on the "Surrounding Scene": Examining Paris in The Ambassadors. The Henry James Review, 25(1), 44-51. Edel, L. (1985). Henry James: A Life. New York: Harper and Row. Flaherty, M. (2014). Henry James at the Ethical Turn Vivification and Ironization in The Ambassadors. Nineteenth-Century Literature, 69(3), 366-393. Gargano, J. W. (1984) A Unified Sensibility: A Study of Henry James's The Ambassadors and Its Scenario (review) The Henry James Review, 6(1), 69-70. Grigg, Q. (1980). The Novel in John Gabriel Borkman : Henry James's The Ambassadors. The Henry James Review, 1(3), 211-218. Hutchison, H. (2003). The Other Lambert Strether: Henry James's "The Ambassadors", Balzac's “Louis Lambert”, and J. H. Lambert. Nineteenth-Century Literature, 58(2), 230-258. Hutchison, H. (2005). James's Spectacles: Distorted Vision in The Ambassadors. The Henry James Review, 26(1), 39-51. James, H. (1909). The Ambassadors. New York: Anchor Book. James, H. (1903). Transatlantic Sketches. USA: Houghton, Mifflin. James, H. (1877). The American. Boston: Houghton Mifflin Company & James R. Osgood and Company. Jochum, K. P. S. (1983). Henry James's Ambassadors in Paris. Modern Language Studies, Henry James Issue, 13(4), 109-120. Kohan, K. (1999). Rereading the Book in Henry James's The Ambassadors. Nineteenth-Century Literature, 54(3), 373-400. Kovacs, Á. Z. (2011). Henry James in New York City and Lambert Strether in Paris: The CulturalAspect of Experience in The American Scene and The Ambassadors. Hungarian Journal ofEnglish and American Studies, 17(2), 339-349. Menton, A. W. (1994). Typical Tales of Paris: the Function of Reading in The Ambassadors. The Henry James Review, 15(3), 286-300. Onofrei, P.-A., Cuza, A. I., Enescu, G. (2013). Literature and Visual Arts in Henry James’ Works. Procedia Social and Behavioral Sciences,70, 346-357 Smith, D. L. (2012). The Jamesian Oedipus and the Freudian Moses: Image, Word, the Later Style, and the Ambassadors. Studies in the Novel, 44(1), 1-26 Taghizadeh, A. (2011). Structuralism and Its Aftermath in The Fiction of Henry James. PhD Diss.Berlin: Free Berlin University Teahan, S. (1996). Engendering Culture in The American Scene. The Henry James Review, 17(1), 52-57. Tintner, R. A. (1993). Henry James and the Lust of the Eyes. Baton Rouge: Louisiana State UP. Walton, J. (2009). Strether’s Babylon: Counterplot in The Ambassadors. Literary Imagination, 11(3),291–316. Wilson, S. (2004). Americanness Becomes Modernism in James’s The Ambassadors” Studies in the Novel, 36(4), 509-532.
Toplam 1 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sanat ve Edebiyat
Bölüm Türk dili, kültürü ve edebiyatı
Yazarlar

Ali Yiğit Bu kişi benim 0000-0002-3705-4913

Yayımlanma Tarihi 21 Mart 2019
Yayımlandığı Sayı Yıl 2019 Sayı: 14

Kaynak Göster

APA Yiğit, A. (2019). The joy of in-betweenness: Henry James’s The Ambassadors. RumeliDE Dil Ve Edebiyat Araştırmaları Dergisi(14), 469-479. https://doi.org/10.29000/rumelide.541085