The structural codes of metaphor in the visual arts

Öz

At the core of this paper is a hermeneutic and transdisciplinary research on the concept of metaphor applied in the visual arts as an element of coding of meaningful relationships. The hypothesis of this paper anticipates that in the process of creating a work of art, metaphor has a multitude of structural functions through creative procedures in the construction of visual compositions and artistic narratives. Methodologically, the research intersects theories of metaphor as a method, of its hermeneutic function, of its openness, and of its denotative aspects. The theoretical aspects underline the essential properties of metaphor in the process of signification and contextual positioning in the realization of the poetic method, of its referentiality, of its category as a product of thought and as a formation of meanings, as a root metaphor, as an act of signifying and of interpretation, and as a symbol. The results show the realization of the poetic and creative function of metaphor through the context of discourse through the analysis and interpretation of Greek art (Minoan, Mycenaean, Classical, and Hellenistic) and of the hermeneutic reading of the works of Friedrich, Grosz, Hofer, Picasso, Kandinsky, Klein, Warhol, Baldessari, Gillick, and others. The outcome of the research leads to new conclusions about the function of metaphor that enrich the history of art with new theoretical points.

Anahtar Kelimeler

• metaphor
• openness
• message
• referentiality
• poetic function

Destekleyen Kurum

Faculty of Fine Arts, Ss. Cyril and Methodius University, Skopje

Proje Numarası

No project number

Etik Beyan

As an author, I apply ethical principles and standards in writing my papers.

Görsel sanatlarda metaforun yapısal kodları

Öz

Bu çalışmanın özünde, görsel sanatlarda anlamlı ilişkilerin kodlanmasında bir unsur olarak kullanılan metafor kavramına ilişkin hermeneutik ve disiplinlerarası bir araştırma yer almaktadır. Bu çalışmanın hipotezi, bir sanat eserinin yaratım sürecinde metaforun, görsel kompozisyonların ve sanatsal anlatıların inşasında yaratıcı süreçler aracılığıyla çok sayıda yapısal fonksiyona sahip olacağını öngörmektedir. Metodolojik olarak, araştırma, metaforun bir yöntem olarak kuramlarını, hermeneutik işlevini, açıklığını ve göstergesel yönlerini kesiştirmektedir. Kuramsal yönler, metaforun anlamlandırma ve bağlamsal konumlandırma sürecindeki temel özelliklerini, şiirsel yöntemin gerçekleştirilmesindeki referanssallığını, düşüncenin bir ürünü ve anlamların oluşumu olarak kategorisini, kök metafor olarak özelliğini, anlamlandırma ve yorumlama eylemi olarak özelliğini ve bir sembol olarak özelliğini vurgulamaktadır. Sonuçlar, Yunan sanatının (Minos, Miken, Klasik ve Helenistik) analizi ve yorumu ile Friedrich, Grosz, Hofer, Picasso, Kandinsky, Klein, Warhol, Baldessari, Gillick ve diğerlerinin eserlerinin hermeneutik okuması yoluyla, söylem bağlamında metaforun şiirsel ve yaratıcı işlevinin gerçekleştiğini göstermektedir. Araştırmanın sonucu, sanat tarihini yeni teorik noktalarla zenginleştiren metaforun işlevi hakkında yeni sonuçlara yol açmaktadır.

Anahtar Kelimeler

• metafor
• açıklık
• mesaj
• gönderme
• şiirsel işlev

Proje Numarası

No project number

Kaynakça

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28. Online References
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30. Image References
31. Image 1. Caspar David Friedrich (1774–1840), Wanderer above the Sea of ​​Fog (c. 1817), oil on canvas, 94.8 cm x 74.8 cm. Image rights: Permanent loan from the Hamburg Art Collections Foundation © SHK / Hamburger Kunsthalle / bpk, Photo: Elke Walford
32. Image 2. Gustave Moreau, The Travelling Poet, late 19th century, oil on canvas, Musée Gustave Moreau, Paris. Public domain image via Wikimedia Commons.
33. Image 3. Odilon Redon, To Edgar Poe (The Eye, Like a Strange Balloon, Mounts toward Infinity), 1882, Los Angeles County Museum of Art, Wallis Foundation Fund in memory of Hal B. Wallis, photo © Museum Associates/LACMA
34. Image 4. Edward Hopper, House by the Railroad (1925), oil on canvas, 61 × 73.7 cm. Museum of Modern Art, New York City. Public domain image via Wikimedia Commons. https://commons.wikimedia.org/wiki/File:The_House_by_the_Railroad_by_Edward_Hopper_1925.jpg
35. Image 5. Andy Warhol, Marilyn Diptych, 1962, acrylic on canvas, Tate Modern, London. Image © The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / DACS, London. 2026. Image credit: Tate.