Araştırma Makalesi
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W.B. Yeats ve Seamus Heaney’i Postkolonyal Bağlamda Okumak: Manzara ve Kimliğin İncelenmesi

Yıl 2024, Cilt: 4 Sayı: 7, 61 - 71, 14.06.2024
https://doi.org/10.69787/bitigefd.1454972

Öz

Bu makale, önde gelen İrlandalı şairler W. B. Yeats ve Seamus Heaney’in şiirlerine odaklanarak İrlanda'nın postkolonyal bağlamdaki konumunu incelemektedir. Makale ilk olarak, sömürgeleştirilmiş bir ulus olarak İrlanda’nın tarihsel ve kültürel arka planını ele almakta, İngiliz egemenliğinin etkisini ve İrlanda tarihinin karmaşık yapısını incelemektedir. Makale ayrıca, İrlanda deneyimi ile Üçüncü Dünya ülkelerindeki sömürgecilik karşıtı hareketler arasındaki paralellikleri tartışmakta ve sömürgeleştirmeye karşı direniş sürecindeki benzer mücadelelere vurgu yapmaktadır. Makale, sömürgeciliği deneyimlemiş olan Yeats ve Heaney’nin, manzara ve kimlik temalarını farklı direniş biçimleri olarak benimseyerek postkolonyal söyleme katkıda bulunduklarını savunmaktadır. Yeats’in mitolojiye olan kişisel ilgisi, sömürgeciye karşı direnişi mitleştirmek için kahramanlık eylemlerini canlandırdığı şiirlerinde gözlemlenir. Heaney “biz ve onlar” ikilemini yıkarak İmparatorluğa cevap yazar. Eserlerindeki toprak imgeleri, fiziksel manzara ile İrlanda kimliği arasındaki bağlantıyı sembolize eder. Bu makale, Yeats ve Heaney’nin şiirlerini postkolonyal bir çerçeveye yerleştirerek, onların eserlerini “İmparatorluğa geri yazma” olarak tanımayı ve böylece İrlanda postkolonyalizmine katkıda bulunmayı amaçlamaktadır.

Etik Beyan

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Destekleyen Kurum

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Teşekkür

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Kaynakça

  • Ashcroft, Bill., Griffiths, Gareth., & Tiffin, Hellen. (Eds.) (2006), The post-colonial studies reader. Taylor & Francis.
  • Bhabha, Homi (2012), The location of culture, Routledge.
  • Berberich, Christine (2006), “This green and pleasant land: cultural constructions of Englishness”, In Landscape and Englishness, Leiden: Brill.
  • Blauner, Robert (1969), “Internal colonialism and ghetto revolt”, Social Problems, 16 (4), 393–408.
  • Bornstein, George (2014), “Reading Yeats's ‘September 1913' in its contexts”, The Sewanee Review, 122 (2), 224–35.
  • Fanon, Frantz (1995), Wretched of the Earth, New York: Grove Press.
  • Heaney, Seamus (2013), “Bogland”, Door into the Dark, Faber & Faber.
  • Heaney, Seamus (1980), “Requiem for the Croppies”, Poems 1965–1975. New York: Farrar, Straus, and Giroux.
  • Hirsch, Edward (1991), “The Imaginary Irish Peasant”, PMLA, 10 (65), 1116–1133.
  • Kearney, Richard (1997). Postnationalist Ireland: Politics, Culture, Philosophy, London and New York: Routledge.
  • Kiberd, Declan (1984), “Inventing Irelands”. The Crane Bag, 8(1), 11–23. http://www.jstor.org/stable/30059548.
  • Kingsley, Charles (1894), Charles Kingsley: his letters and memories of his life. Ed. by his wife. (1). Macmillan.
  • Lord, Evelyn (2007), Slavery in Scotland? Scottish colliers, THE LOCAL.
  • Memmi, Albert (2013), The colonizer and the colonized, Routledge.
  • Moir, Michael A. (2010), “As Above, So Below: Doubled Plots and Notions of Aristocracy in Two Plays by W. B. Yeats”, New Hibernia Review / Iris Éireannach Nua, 14(4), 110–124.
  • Moore, David C. (2006), In Violeta K (Eds), Baltic Postcolonialism. Rodopi.
  • Osterhammel, Jurgen. & Shelley L. F. (2005), Colonialism: A theoretical overview, Princeton: Markus Wiener Publishers.
  • Sanders, K. (2009), Bodies in the Bog and the Archaeological Imagination, The University of Chicago Press.
  • Said, Edward (2003), “Afterword: reflections on Ireland and postcolonialism”, In: C. Carroll and P. King (Eds.), Ireland and postcolonial theory. Notre Dame University Press.
  • Said, Edward (2012), Culture and imperialism. Vintage.
  • Yeats, W. B. “September 1913”, https://www.poetryfoundation.org/poems/57309/september-1913
  • Yeats, W. B. “Easter, 1916”, https://www.poetryfoundation.org/poems/43289/easter-1916.
  • Young, Robert. J. C. (2016), Postcolonialism: An historical introduction, John Wiley & Sons.

Reading W. B. Yeats and Seamus Heaney in a Postcolonial Context: Exploring Landscape and Identity

Yıl 2024, Cilt: 4 Sayı: 7, 61 - 71, 14.06.2024
https://doi.org/10.69787/bitigefd.1454972

Öz

This article critically examines Ireland's postcolonial position, with a specific focus on the poetic works of influential Irish writers William Butler Yeats and Seamus Heaney. The exploration begins by delving into Ireland's historical and cultural context as a colonized nation, shedding light on the profound impact of English domination and the complexities of Irish history. Furthermore, the article draws parallels between the Irish experience and anticolonial movements in Third World countries, emphasising on the similar struggles in resisting colonization. The central argument posits that, having endured colonialism, both Yeats and Heaney actively contribute to the postcolonial discourse by employing themes of landscape and identity as distinct forms of resistance. Yeats, driven by a personal interest in mythology, mythologizes resistance against the colonizer through the revival of heroic deeds in his poetry. Conversely, Heaney engages in a subversion of the “us vs them” dichotomy, responding to the Empire through his works. The imagery of earth, depicted in his poetry, symbolises the connection between physical landscape to Irish identity. By situating Yeats’ and Heaney’s poetry within a postcolonial framework, this article seeks to acknowledge their collective contribution as a form of "writing back to the Empire," thereby enriching the discourse surrounding Irish postcolonialism.

Etik Beyan

-

Destekleyen Kurum

-

Teşekkür

-

Kaynakça

  • Ashcroft, Bill., Griffiths, Gareth., & Tiffin, Hellen. (Eds.) (2006), The post-colonial studies reader. Taylor & Francis.
  • Bhabha, Homi (2012), The location of culture, Routledge.
  • Berberich, Christine (2006), “This green and pleasant land: cultural constructions of Englishness”, In Landscape and Englishness, Leiden: Brill.
  • Blauner, Robert (1969), “Internal colonialism and ghetto revolt”, Social Problems, 16 (4), 393–408.
  • Bornstein, George (2014), “Reading Yeats's ‘September 1913' in its contexts”, The Sewanee Review, 122 (2), 224–35.
  • Fanon, Frantz (1995), Wretched of the Earth, New York: Grove Press.
  • Heaney, Seamus (2013), “Bogland”, Door into the Dark, Faber & Faber.
  • Heaney, Seamus (1980), “Requiem for the Croppies”, Poems 1965–1975. New York: Farrar, Straus, and Giroux.
  • Hirsch, Edward (1991), “The Imaginary Irish Peasant”, PMLA, 10 (65), 1116–1133.
  • Kearney, Richard (1997). Postnationalist Ireland: Politics, Culture, Philosophy, London and New York: Routledge.
  • Kiberd, Declan (1984), “Inventing Irelands”. The Crane Bag, 8(1), 11–23. http://www.jstor.org/stable/30059548.
  • Kingsley, Charles (1894), Charles Kingsley: his letters and memories of his life. Ed. by his wife. (1). Macmillan.
  • Lord, Evelyn (2007), Slavery in Scotland? Scottish colliers, THE LOCAL.
  • Memmi, Albert (2013), The colonizer and the colonized, Routledge.
  • Moir, Michael A. (2010), “As Above, So Below: Doubled Plots and Notions of Aristocracy in Two Plays by W. B. Yeats”, New Hibernia Review / Iris Éireannach Nua, 14(4), 110–124.
  • Moore, David C. (2006), In Violeta K (Eds), Baltic Postcolonialism. Rodopi.
  • Osterhammel, Jurgen. & Shelley L. F. (2005), Colonialism: A theoretical overview, Princeton: Markus Wiener Publishers.
  • Sanders, K. (2009), Bodies in the Bog and the Archaeological Imagination, The University of Chicago Press.
  • Said, Edward (2003), “Afterword: reflections on Ireland and postcolonialism”, In: C. Carroll and P. King (Eds.), Ireland and postcolonial theory. Notre Dame University Press.
  • Said, Edward (2012), Culture and imperialism. Vintage.
  • Yeats, W. B. “September 1913”, https://www.poetryfoundation.org/poems/57309/september-1913
  • Yeats, W. B. “Easter, 1916”, https://www.poetryfoundation.org/poems/43289/easter-1916.
  • Young, Robert. J. C. (2016), Postcolonialism: An historical introduction, John Wiley & Sons.
Toplam 23 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü
Bölüm Araştırma Makaleleri
Yazarlar

Buse Binici 0009-0001-1884-5189

Erken Görünüm Tarihi 12 Haziran 2024
Yayımlanma Tarihi 14 Haziran 2024
Gönderilme Tarihi 18 Mart 2024
Kabul Tarihi 23 Mayıs 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 4 Sayı: 7

Kaynak Göster

APA Binici, B. (2024). Reading W. B. Yeats and Seamus Heaney in a Postcolonial Context: Exploring Landscape and Identity. Bitig Edebiyat Fakültesi Dergisi, 4(7), 61-71. https://doi.org/10.69787/bitigefd.1454972
AMA Binici B. Reading W. B. Yeats and Seamus Heaney in a Postcolonial Context: Exploring Landscape and Identity. bitig. Haziran 2024;4(7):61-71. doi:10.69787/bitigefd.1454972
Chicago Binici, Buse. “Reading W. B. Yeats and Seamus Heaney in a Postcolonial Context: Exploring Landscape and Identity”. Bitig Edebiyat Fakültesi Dergisi 4, sy. 7 (Haziran 2024): 61-71. https://doi.org/10.69787/bitigefd.1454972.
EndNote Binici B (01 Haziran 2024) Reading W. B. Yeats and Seamus Heaney in a Postcolonial Context: Exploring Landscape and Identity. Bitig Edebiyat Fakültesi Dergisi 4 7 61–71.
IEEE B. Binici, “Reading W. B. Yeats and Seamus Heaney in a Postcolonial Context: Exploring Landscape and Identity”, bitig, c. 4, sy. 7, ss. 61–71, 2024, doi: 10.69787/bitigefd.1454972.
ISNAD Binici, Buse. “Reading W. B. Yeats and Seamus Heaney in a Postcolonial Context: Exploring Landscape and Identity”. Bitig Edebiyat Fakültesi Dergisi 4/7 (Haziran 2024), 61-71. https://doi.org/10.69787/bitigefd.1454972.
JAMA Binici B. Reading W. B. Yeats and Seamus Heaney in a Postcolonial Context: Exploring Landscape and Identity. bitig. 2024;4:61–71.
MLA Binici, Buse. “Reading W. B. Yeats and Seamus Heaney in a Postcolonial Context: Exploring Landscape and Identity”. Bitig Edebiyat Fakültesi Dergisi, c. 4, sy. 7, 2024, ss. 61-71, doi:10.69787/bitigefd.1454972.
Vancouver Binici B. Reading W. B. Yeats and Seamus Heaney in a Postcolonial Context: Exploring Landscape and Identity. bitig. 2024;4(7):61-7.
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