ATTACHMENT ++ : The Third Space in the Walled City Nicosia

Öz

Attachments in the cityscapes are mobile, temporary, light, small, demountable units conceived to fulfill the urgent needs of the “others” that they confront in the third lived space. They are the prostheses supporting the disabilities of the ones who are not recognized, discriminated against and deterritorialized. This paper‟s main goal is to discuss the attachments designed by the practitioners from different disciplines as the transdisciplinary entities in between, art and architecture, present and future, symbols and everyday objects/structures considering the discourses based on socio-economic and ontological shifts –more encompassing perspectives on space and the spatiality of human life. The second goal is to evaluate the ideas and the projects proposed in the workshop, “Attachment ++” undertaken by the architecture students and their instructors in the historical walled city, Nicosia. The attachments designed in the workshop emphasize the dilapidated architectural environment and the ongoing sociopolitical, economic problems due to the conflicts between Turkish and Greek communities besides the needs of the inhabitants mostly migrated from Turkey and live in an enclave-habitat established to hold onto life. They are the symbols of struggle, resistance and hope. The paper is composed of three main parts: the

Anahtar Kelimeler

• architectural environment,attachment,Nicosia,symbiotic relation,struggle,third space,transdisciplinary,resistance

ATTACHMENT ++ : The Third Space in the Walled City Nicosia

Öz

Şehir mekanlarındaki eklentiler, hareketli, geçici, hafif, küçük ve sökülüp takılabilir birimler, ötekilerin üçüncü mekanda karşı karşıya kaldıkları acil gereksinimleri gidermek üzere tasarlanır. Bu protezler, tanınmayan, ayrımcılığa uğramış yersizleştirlmiş kimselere engelleri konusunda destek olurlar. Bu makalenin ana amacı, insan hayatının mekansallığı ve mekan konularında daha kapsayıcı perspektiflere dayanan ve sosyoekonomik, ontolojik kaymalar üzerinde duran söylemleri gözönünde bulundurarak farklı disiplinlerde çalışma yapan kişilerce tasarlanan ve disiplinler ötesi, sanat ve mimarlık, şimdi ve gelecek, sembolik ve gündelik nesne/yapılar arasında birimler olarak eklentileri tartışmaktır. İkinci amaç, “Eklentiler ++” konulu atölye çalışmasında, Lefkoşa‟da, tarihi duvarlar içindeki alanda, mimarlık öğrencileri ve öğretim üyelerince önerilen fikir ve projeleri değerlendirmektir. Atölye çalışmasında tasarlanan eklentiler, köhneleşmiş mimari çevreyi, Türk ve Rum toplumları arasında süregelen çatışmalara bağlı sosyopolitik ve ekonomik sorunları ve Türkiye‟den göçerek bu alana yerleşen ancak yaşama tutunmak üzere içe kapalı bir yerleşim alanı oluşturan kişilerin gereksinimlerini vurgulamaktadır. Eklentiler, mücadele, direniş ve umudun sembolleridir. Makale üç ana bölümden oluşmaktadır: tanıtım, var olan yapılar ile ek birimler arasındaki simbiotik ilişkiyi ortaya çıkaran eklentiler, Lefkoşa‟nın sosyalmekansal durumu; kuramsal sorgulama; atölye çalışmasının sonuçlarının tartışılması

Anahtar Kelimeler

• direniş,eklenti,Lefkoşa,mimari çevre,mücadele,simbiotik ilişki,üçüncü mekan

Kaynakça

1. 1 Hatice Kurtuluş, Semra Purkis, “Türkiye‟den Kuzey Kıbrıs‟a Göç Dalgaları Lefkoşa‟nın Dışlanmış Göçmen-Enformel Emekçileri” Toplum ve Bilim, 112, 2008: 60-100.
2. 2 Kurtuluş, Semra Purkis, “Türkiye‟den Kuzey Kıbrıs‟a Göç Dalgaları.
3. 3 The workshop, “Attachment ++” was designed by Assoc. Prof. Dr. Aytanga Dener, a lecturer in Istanbul Technical University (ITU) while she was working as a visiting faculty in Cyprus International University (CIU) in 2008- 2010 with her colleagues, Dr. Huriye Gürdallı, Near East University (NEU), Azmi Öge (CIU), Nezire Özgece (CIU) and Meray Taluğ (CIU).
4. 4 Three graduate students from Istanbul Technical University (Berna Göl, Dilara Has and İpek Özmen) and ten undergraduate students from Cyprus International University, Department of Architecture (Ömer Akdeniz, Şeyda Altuntaş, Ceren Ateş, Nazan Cengiz, Uğur Erden, Fatma Eryiğit, Fatih Güneş, Fikret Metin, Ayça Şen, Büşra Uzun,) under the supervision of two instructors, Dr. Huriye Gürdallı from Near East University and the Assoc. Prof. Dr. Aytanga Dener (author of this paper) worked in the workshop, “Attachment (++)”.
5. 5 Sennett, Richard, “Capitalism and the City,” in Cities for the New Millenium, eds. Marcial Echenique and Andrew Saint, New York: Spon Press, 2001, 15-22.
6. 6 Edward W. Soja, “Thirdspace: Expanding the Scope of the Geographical Imagination” in Architecturally Speaking: Practices of Art, Architecture and the Everyday ed. Alan Read, New York: Routledge, 2000, 13-30.
7. 7 Edward W. Soja, Thirdspace: Journeys to Los Angeles and Other Real -and- Imagined Places, Massachusetts: Blackwell 1996.
8. 8 Marc Augé, “Non-places” in Architecturally Speaking: Practices of Art, Architecture and the Everyday ed. Alan Read, New York: Routledge, 2000, 7-13.

9. 9 Alan Read, “Introduction Addressing Architecture, Art and the Everyday” in Architecturally Speaking: Practices of Art, Architecture and the Everyday ed. Alan Read, New York: Routledge, 2000, 1-7.
10. 10 Ton van Gestel, “Introduction,” in Parasite Paradise: A Manifesto for Temporary Architecture and Flexible Urbanism ed. Melis, Liesbeth, Rotterdam: NAiNetherlands Architecture Institute, 2003, 7-13.
11. 11 Olof Koekebakker, “It is not the Last Word You Are Adding, But the First Word of the Next Stage An Interview with Peter Kuenzli,” in Parasite Paradise: A Manifesto for Temporary Architecture and Flexible Urbanism ed. Liesbeth Melis, Rotterdam: NAi-Netherlands Architecture Institute, 2003, 30-35.
12. 12 Giampiero Bosoni, “Parasitic Architecture,” Lotus, Viral Architecture, 133, 2008, 118-129.
13. 13 Bosoni, “Parasitic Architecture”, 118-129.
14. 14 Ton van Gestel, “Introduction,” in Parasite Paradise: A Manifesto for Temporary Architecture and Flexible Urbanism ed. Liesbeth Melis, Rotterdam: NAiNetherlands Architecture Institute, 2003, 7-13.
15. 15 Gijs van Denen, “The Art of Unsettled: Mobile Architecture and Its Political Surplus Value,” in Parasite Paradise: A Manifesto for Temporary Architecture and Flexible Urbanism ed. Liesbeth Melis, Rotterdam: NAi-Netherlands Architecture Institute, 2003, 14-19.
16. 16 Denen, “The Art of Unsettled
17. 17 Allen Jennifer, “Portrait of the Artist as an Architect” in Parasite Paradise: A Manifesto for Temporary Architecture and Flexible Urbanism ed. Liesbeth Melis, Rotterdam: NAi-Netherlands Architecture Institute, 2003, 180, 167-186.
18. 18 Jennifer, “Portrait of the Artist as an Architect”. The term, „esthétique relationelle‟ is suggested by French critic and curator, Nicolas Bourriaud for interactive and performance art and it presents series of open relations.
19. 19 Helen Castle, “Editorial,” in Art+ Architecture ed. Ivan Margolius, Architectural Design,. 73: 3, 2003, 4-5.
20. 20 Jes Fernie, “Concrete Relationships Artists and Architects in Collaboration” in Art+ Architecture ed. Ivan Margolius, Architectural Design, 73: 3, 2003, 101- 106.
21. 21 Helen Castle, “Doing as Understanding an Interview with Will Alsop” in Art+ Architecture ed. Ivan Margolius, Architectural Design, 73: 3, 2003, 77-85.
22. 22 Allen Jennifer, “Portrait of the Artist as an Architect” in Parasite Paradise: A Manifesto for Temporary Architecture and Flexible Urbanism ed. Liesbeth Melis, (Rotterdam: NAi-Netherlands Architecture Institute, 2003, (167-186) 180).
23. 23 Giacomo Borella, “The Work Addition For an Architecture of Manipulation,” Lotus, Viral Architecture, 133, 2008, 52-57
24. 24 Hans Ibelings, “Mobile Architecture in the 20th Century,” in Parasite Paradise: A Manifesto for Temporary Architecture and Flexible Urbanism ed. Liesbeth Melis, Rotterdam: NAi-Netherlands Architecture Institute, 2003, 148-166.
25. 25 Ivan Nio, “From Clusters to Smallness Flexible and Temporary in Leidshe Rijn,” in Parasite Paradise: A Manifesto for Temporary Architecture and Flexible Urbanism ed. Liesbeth Melis, Rotterdam: NAi-Netherlands Architecture Institute, 2003, 20-29.
26. 26 Gijs van Denen, “The Art of Unsettled: Mobile Architecture and Its Political Surplus Value,” in Parasite Paradise: A Manifesto for Temporary Architecture and Flexible Urbanism ed. Liesbeth Melis, Rotterdam: NAi-Netherlands Architecture Institute, 2003, 14-19.
27. 27 Krzysztof Wodiczko, Critical Vehicles: Writings, Projects, Interviews, Massachusetts: MIT-Massachusetts Institute of Technology, 1999.
28. 28 Wodiczko, Critical Vehicles.
29. 29 Nabeel Hamdi, Small Change: About the Art of Practice and the Limits of Planning in Cities, London: Earthscan, 2004.
30. 30 See supra n.3 and 4.