Araştırma Makalesi
BibTex RIS Kaynak Göster
Yıl 2022, , 73 - 90, 05.11.2022
https://doi.org/10.55755/DepArch.2022.12

Öz

Kaynakça

  • Bakla, Erdinç (2022) Pinterest collection, https://tr.pinterest.com/ebakla/
  • Burhan Alkar Aterlier (2022). http://www.burhanalkar.net/
  • Bildirici, Faruk (2011). Turan Erol (interviews publishes as series of newspaper column). Hürriyet Newspaper, 27th November 2011. https://farukbildirici.com/turan-erol/
  • Bonatz, Paul, Fatih Uran (1965). Büyük Efes Oteli. Arkitekt, no.1965-01(318), pp.5-13.
  • Bozdoğan, Sibel. (2008). Haluk Baysal-Melih Birsel Kitabı: Modern Mimarlığımızın Ustalarına Gecikmiş Bir İthaf. Mimarlık, no.340. http://www.mimarlikdergisi.com/index.cfm?sayfa=mimarlik&dergisayi=290&recid=1708
  • Büyük Efes Sanat (2022). Permanent Exhibitions. Contemporary Art Collection in the Swissotel Büyük Efes İzmir. http://www.buyukefessanat.com/tr/buyuk-efes-sanat/buyuk-efes-koleksiyonu/daimi-sergi_16.html
  • Can, Özgür Ceren (2018). Ankara’da Kamusal Alanlardaki Seramik Duvar Panoları [Unpublished master’s thesis]. Hacettepe University, Ankara.
  • Erbay Aslıtürk, Gül (2014). Respect The Master: Erdoğan Ersen (A Monographic Conversation). İdil Sanat ve Dil Dergisi, vol.3, no.12, pp.159-166.
  • Erkol, İdil. (2009). Mimarlık ve sanat birlikteliği. Utarit İzgi ve Türkiye’de Modern Mimarlık [Unpublished master’s thesis]. İstanbul Technical University, İstanbul, pp.18-32.
  • Galatali, Atilla (1972). Vallauris Uluslararası 3. Seramik Biennale'i. Arkitekt, 1972 no: 1972-03 (347) pp. 109-110.
  • Özcan, Ümit Niyazi (2009). Heykeltraş Burhan Alkar [Unpublished master’s thesis]. Gazi University, Ankara.
  • Özsan, Vedat, Oral Vural, Cengiz Bektaş (1968). Ankara Toprak Mahsulleri Ofisi Genel Müdürlük Binası. Mimarlık, no:61, pp.37-42.
  • Özyıldıran, Güler (2021). Anıt Heykel ve Mimarlık: Yavuz Görey'in Burdur Anıtları. Akdeniz Sanat, vol.15, no.27, pp.39-62. https://doi.org/10.48069/akdenizsanat.745806
  • SALT (2020). Cengiz Bektaş ile Mimari Üretimleri Üzerine Söyleşi (Interviews with Cengiz Bektaş between 2019 October and 2020 February). Kübra Yeter (Ed.). İstanbul: SALT / Garanti Kültür A.Ş. https://saltonline.org/media/files/cengiz_bektas_010620_scrd.pdf
  • SALT Research (2019-a). Archive of Cengiz Bektaş: Turkish Grain Board General Directorate Building, 1964-1966. https://archives.saltresearch.org/handle/123456789/320
  • SALT Research (2019-b). Archive of Cengiz Bektaş: Turkish Republic Embassy in Bonn, 1964-1966. https://archives.saltresearch.org/handle/123456789/257
  • SALT Research (2021). Archive of Cengiz Bektaş: Denizli Halil Bektaş Primary School. https://archives.saltresearch.org/handle/123456789/289
  • Sönmez, Begüm (2015). 1980’lerde Kamusal Alan Heykelleri: Ankara ve İstanbul [Unpublished master’s thesis]. Hacettepe University, Ankara.
  • TMO Press and Public Relations Directorate archive.
  • TMO Technical Affairs Department project archive.
  • Yazman, Derya (2011). Resmi Mimariyle Bütünleştiren Sanat Adamı. Arkitera. https://www.arkitera.com/haber/resmi-mimariyle-butunlestiren-sanat-adami/
  • Yavuz, Didem. (2008). Mimarlık-Sanat Birlikteliğinde 1950-70 Aralığı. Mimarlık, no.344. http://www.mimarlikdergisi.com/index.cfm?sayfa=mimarlik&DergiSayi=357&RecID=2138
  • Yavuz, Ezgi (2015). An aesthetic response to an architectural challenge: Architecture's dialogue with the arts in Postwar Turkey [Unpublished PhD thesis]. Middle East Technical University, Ankara.

Works of Art in the Turkish Grain Board (TMO) General Directorate Building

Yıl 2022, , 73 - 90, 05.11.2022
https://doi.org/10.55755/DepArch.2022.12

Öz

Turkish Grain Board (TMO) General Directorate Building was designed by Vedat Özsan, Cengiz Bektaş ve Oral Vural (Özsan-Bektaş-Vural Architects) in 1964 and constructed between 1964 and 1968 in Ankara. One of the significant aspects of the building is the involvement of works of art. One percent of the building cost was allocated to the works of art. Moreover, the architects get inspired by some artists during the building design. Such kind of art and architecture synthesis was common in modern architecture between 1950 and 1980 both in Turkey and in the world. However, this aspect of the TMO building is not known enough in the literature. The aim of this study is to analyze the works of art in TMO General Directorate building in terms of art and architecture synthesis. The research method was mainly based on the literature about art and architecture synthesis, individual writings of architect Cengiz Bektaş and some artists (Bedri Rahmi Eyüboğlu, Burhan Alkar etc.) and the analysis of the building on site. These works of art vary from wall ceramic to stained glass, and after 1988, a monumental sculpture was added to the building via competition. Moreover, after this sculptor competition, TMO established a plastic arts application center in 1989.

Kaynakça

  • Bakla, Erdinç (2022) Pinterest collection, https://tr.pinterest.com/ebakla/
  • Burhan Alkar Aterlier (2022). http://www.burhanalkar.net/
  • Bildirici, Faruk (2011). Turan Erol (interviews publishes as series of newspaper column). Hürriyet Newspaper, 27th November 2011. https://farukbildirici.com/turan-erol/
  • Bonatz, Paul, Fatih Uran (1965). Büyük Efes Oteli. Arkitekt, no.1965-01(318), pp.5-13.
  • Bozdoğan, Sibel. (2008). Haluk Baysal-Melih Birsel Kitabı: Modern Mimarlığımızın Ustalarına Gecikmiş Bir İthaf. Mimarlık, no.340. http://www.mimarlikdergisi.com/index.cfm?sayfa=mimarlik&dergisayi=290&recid=1708
  • Büyük Efes Sanat (2022). Permanent Exhibitions. Contemporary Art Collection in the Swissotel Büyük Efes İzmir. http://www.buyukefessanat.com/tr/buyuk-efes-sanat/buyuk-efes-koleksiyonu/daimi-sergi_16.html
  • Can, Özgür Ceren (2018). Ankara’da Kamusal Alanlardaki Seramik Duvar Panoları [Unpublished master’s thesis]. Hacettepe University, Ankara.
  • Erbay Aslıtürk, Gül (2014). Respect The Master: Erdoğan Ersen (A Monographic Conversation). İdil Sanat ve Dil Dergisi, vol.3, no.12, pp.159-166.
  • Erkol, İdil. (2009). Mimarlık ve sanat birlikteliği. Utarit İzgi ve Türkiye’de Modern Mimarlık [Unpublished master’s thesis]. İstanbul Technical University, İstanbul, pp.18-32.
  • Galatali, Atilla (1972). Vallauris Uluslararası 3. Seramik Biennale'i. Arkitekt, 1972 no: 1972-03 (347) pp. 109-110.
  • Özcan, Ümit Niyazi (2009). Heykeltraş Burhan Alkar [Unpublished master’s thesis]. Gazi University, Ankara.
  • Özsan, Vedat, Oral Vural, Cengiz Bektaş (1968). Ankara Toprak Mahsulleri Ofisi Genel Müdürlük Binası. Mimarlık, no:61, pp.37-42.
  • Özyıldıran, Güler (2021). Anıt Heykel ve Mimarlık: Yavuz Görey'in Burdur Anıtları. Akdeniz Sanat, vol.15, no.27, pp.39-62. https://doi.org/10.48069/akdenizsanat.745806
  • SALT (2020). Cengiz Bektaş ile Mimari Üretimleri Üzerine Söyleşi (Interviews with Cengiz Bektaş between 2019 October and 2020 February). Kübra Yeter (Ed.). İstanbul: SALT / Garanti Kültür A.Ş. https://saltonline.org/media/files/cengiz_bektas_010620_scrd.pdf
  • SALT Research (2019-a). Archive of Cengiz Bektaş: Turkish Grain Board General Directorate Building, 1964-1966. https://archives.saltresearch.org/handle/123456789/320
  • SALT Research (2019-b). Archive of Cengiz Bektaş: Turkish Republic Embassy in Bonn, 1964-1966. https://archives.saltresearch.org/handle/123456789/257
  • SALT Research (2021). Archive of Cengiz Bektaş: Denizli Halil Bektaş Primary School. https://archives.saltresearch.org/handle/123456789/289
  • Sönmez, Begüm (2015). 1980’lerde Kamusal Alan Heykelleri: Ankara ve İstanbul [Unpublished master’s thesis]. Hacettepe University, Ankara.
  • TMO Press and Public Relations Directorate archive.
  • TMO Technical Affairs Department project archive.
  • Yazman, Derya (2011). Resmi Mimariyle Bütünleştiren Sanat Adamı. Arkitera. https://www.arkitera.com/haber/resmi-mimariyle-butunlestiren-sanat-adami/
  • Yavuz, Didem. (2008). Mimarlık-Sanat Birlikteliğinde 1950-70 Aralığı. Mimarlık, no.344. http://www.mimarlikdergisi.com/index.cfm?sayfa=mimarlik&DergiSayi=357&RecID=2138
  • Yavuz, Ezgi (2015). An aesthetic response to an architectural challenge: Architecture's dialogue with the arts in Postwar Turkey [Unpublished PhD thesis]. Middle East Technical University, Ankara.
Toplam 23 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Mimarlık
Bölüm Research Articles
Yazarlar

Güler Özyıldıran 0000-0002-5656-9306

Yayımlanma Tarihi 5 Kasım 2022
Gönderilme Tarihi 27 Temmuz 2022
Yayımlandığı Sayı Yıl 2022

Kaynak Göster

APA Özyıldıran, G. (2022). Works of Art in the Turkish Grain Board (TMO) General Directorate Building. DEPARCH Journal of Design Planning and Aesthetics Research, 1(2), 73-90. https://doi.org/10.55755/DepArch.2022.12

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