Araştırma Makalesi
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GRAFİK TASARIMDA SORUMLU YAPAY ZEKÂ

Yıl 2024, Cilt: 2 Sayı: 2, 1 - 13, 31.12.2024

Öz

Yapay zekâ alanındaki gelişmeler grafik tasarımı da doğrudan etkileme gücüne ulaşmıştır. Yapay zekâ tasarımcılara, teknik beceriler, fikir bulma, prototipleme ve geliştirme konusunda birçok imkân sunmaktadır. Son zamanlarda tasarımcıların neredeyse kaçınılmaz olarak çalışma hayatlarına dahil ettiği yapay zekâ, sınırsız sayıda görsel-işitsel ögeler oluşturma, paylaşma ve analiz etme gücüne sahiptir. Fakat bu güncel gelişmelerle birlikte yapay zekâ etik, adalet, şeffaflık ve hesap verebilirlikle ilgili endişeleri de arttırmaktadır. Bu bağlamda sorumlu (etik/güvenilir) yapay zekâ, yapay zekâya ilişkin riskleri ve olası problemleri ortadan kaldırmayı amaçlamaktadır. Sorumlu yapay zekâ temelde güven veren sistemler yaratmaktan çok daha fazlasıdır. Özellikle grafik tasarımcıların karşı karşıya kalabileceği riskleri ortaya koyma adına önemlidir. Araştırma, sorumlu yapay zekayı grafik tasarım ekseninde potansiyel riskler ve etik boyutlar üzerinden değerlendirmektedir. Çalışmada nitel araştırma yöntemi kullanılmış olup, basılı ve elektronik (internet tabanlı) kaynaklardan yararlanmıştır. Araştırmanın sonucunda, yapay zekayı sorumlu bir şekilde geliştirmek ve kullanmak için, teknik, toplumsal (toplumların ilke ve değerlerine uygun) ve yasal yöntem ve araçların geliştirilmesi gerektiğine ulaşılmıştır.

Kaynakça

  • Accenture (2021). AI services. http://www.accenture.com//us-en/services/ai-artificial intelligence-index.
  • Ambrose, H. & Harris, P. (2017). The Fundamentals of Graphic Design, Swiss: Ava Publishing.
  • Baker, R. & Hawn, A. (2023). Algorithmic bias: the state of the situation and policy recommendation. Retrieved from https://www.oecd-ilibrary.org/sites/09e-55ac4-en/index.html?itemId=/con-tent/component/09e55ac4-en#.
  • Berkeley Haas Center for Equity, (2024). https://ssir.org/articles/entry/when_good_algorithms_go_sexist_why_and_how_to_advance_ai_gender_equity
  • Burkitt, F. (1922). NT... sec.: Ep. ad. Corinthios I recensuit HIW. In: JSTOR
  • Dancy, C., L., Saucier, P., K. (2019). AI & Blackness: Towards moving beyond bias and representation. IEEE Transactions on Technology and Society.
  • Dosilovic, F.K, Brcic, M. & Hlupic, N., (2018). Explainable artificial intelligence: A survey, 41st International Convention on Information and Communication Technology, Electronics and Microelectronics, MIPRO 2018- Proceedings, Institute of Electrical and Electronics Engineers Inc. pp. 210–215. doi: 10.23919/MIPRO.2018.8400040.
  • European Commission (2019). Ethics guidelines for trustworhty ai. http://digital-strategy.ec.europa.eu/en/library/ethics-guidelines-trustworthy-ai
  • European Commission, (2023, August 28). https://ec.europa.eu/futurium/en/a-alliance-consultation.1.html Gün & Partners Law Office, (2021). https://gun.av.tr/tr/goruslerimiz/makaleler/avrupa-birligi-yapay-zeka-yasasi-onaylandi-peki-telif-haklari-bakimindan-neler-iceriyor
  • Heller, S. & Anderson, G. (2016). The graphic design idea book, London: Laurence King.
  • Larson, J., Mattu S., Kirchner L., & Angwin J. (2016). How We Analyzed the COMPAS Recidivism Algorithm.
  • Propublica. https://www.propublica.org/article/how-we-analyzed-the-compas-recidivism-algorithm (Erişim tarihi: 02.05.2024).
  • Linstead, S., Marechal, G. & Griffin, R.W. (2014). Theorizing and researching the dark side of organization. Organization Studies 32(2), 165-188.
  • McCarthy, J. (2007), What is Artificial Intelligence? http://jmc. stanford.edu/articles/whatisai/whatisai.pdf. (Erişim tarihi: 08.04.2024)
  • Nabiyev, V. V. (2005). Artificial Intelligence, İstanbul: Seçkin Publishing.
  • Nicoletti, L., & Bass, D. (2023). Humans Are Biased: Generative AI Is Even Worse. Bloomberg Technology+ Equality.
  • Rhodes, M. (1961). An analysis of creativity. Phi Delta Kappan, 42, 305-311.
  • Şen, E. (2022). Character Designs in the Relationship Between Artificial Intelligence and Creativity, Proficiency in Art, Anadolu University.
  • Şen, E., Atiker, B. (2020). A New Actor in Graphic Design Applications: Artificial Intelligence, Journal of JSHSR, 7 (63), 3946-3957.
  • Şen Atiker, E. (2024). Responsible Artificial Intelligence in Fine Arts: Potential Risks and Ethical Dimensions, Journal of Reflective Social Sciences, 5 (1), 129-137.
  • Twemlow, A. (2011). What is Graphic Design For? İstanbul: Yem Publishing
  • Walker, K. (2023). Responsible Ai: Your questions answered. Australian Academy of Technological Sciences and Engineering (ATSE), and the Australian Institute for Machine Learning (AIML) at The University of Adelaide. Canberra, Adelaide

GRAPHIC DESIGN IN RESPONSIBLE ARTIFICIAL INTELLIGENCE

Yıl 2024, Cilt: 2 Sayı: 2, 1 - 13, 31.12.2024

Öz

Developments in the field of artificial intelligence have also reached the power to directly affect graphic design. Artificial intelligence offers designers many opportunities in terms of technical skills, idea finding, prototyping and development. Artificial intelligence, which designers have almost inevitably included in their working lives lately, has the power to create, share and analyze an unlimited number of audiovisual elements. However, with these current developments, artificial intelligence also increases concerns about ethics, justice, transparency and accountability. In this context, responsible (ethical/trustworthy) artificial intelligence aims to eliminate risks and possible problems related to artificial intelligence. Responsible AI is about much more than creating fundamentally trustworthy systems. It is especially important to reveal the risks that graphic designers may face. The research evaluates responsible artificial intelligence in terms of potential risks and ethical dimensions on the axis of graphic design. Qualitative research method was used in the study and printed and electronic (internet-based) sources were used. As a result of the research, it was concluded that technical, social (in accordance with the principles and values of societies) and legal methods and tools should be developed in order to develop and use artificial intelligence responsibly.

Kaynakça

  • Accenture (2021). AI services. http://www.accenture.com//us-en/services/ai-artificial intelligence-index.
  • Ambrose, H. & Harris, P. (2017). The Fundamentals of Graphic Design, Swiss: Ava Publishing.
  • Baker, R. & Hawn, A. (2023). Algorithmic bias: the state of the situation and policy recommendation. Retrieved from https://www.oecd-ilibrary.org/sites/09e-55ac4-en/index.html?itemId=/con-tent/component/09e55ac4-en#.
  • Berkeley Haas Center for Equity, (2024). https://ssir.org/articles/entry/when_good_algorithms_go_sexist_why_and_how_to_advance_ai_gender_equity
  • Burkitt, F. (1922). NT... sec.: Ep. ad. Corinthios I recensuit HIW. In: JSTOR
  • Dancy, C., L., Saucier, P., K. (2019). AI & Blackness: Towards moving beyond bias and representation. IEEE Transactions on Technology and Society.
  • Dosilovic, F.K, Brcic, M. & Hlupic, N., (2018). Explainable artificial intelligence: A survey, 41st International Convention on Information and Communication Technology, Electronics and Microelectronics, MIPRO 2018- Proceedings, Institute of Electrical and Electronics Engineers Inc. pp. 210–215. doi: 10.23919/MIPRO.2018.8400040.
  • European Commission (2019). Ethics guidelines for trustworhty ai. http://digital-strategy.ec.europa.eu/en/library/ethics-guidelines-trustworthy-ai
  • European Commission, (2023, August 28). https://ec.europa.eu/futurium/en/a-alliance-consultation.1.html Gün & Partners Law Office, (2021). https://gun.av.tr/tr/goruslerimiz/makaleler/avrupa-birligi-yapay-zeka-yasasi-onaylandi-peki-telif-haklari-bakimindan-neler-iceriyor
  • Heller, S. & Anderson, G. (2016). The graphic design idea book, London: Laurence King.
  • Larson, J., Mattu S., Kirchner L., & Angwin J. (2016). How We Analyzed the COMPAS Recidivism Algorithm.
  • Propublica. https://www.propublica.org/article/how-we-analyzed-the-compas-recidivism-algorithm (Erişim tarihi: 02.05.2024).
  • Linstead, S., Marechal, G. & Griffin, R.W. (2014). Theorizing and researching the dark side of organization. Organization Studies 32(2), 165-188.
  • McCarthy, J. (2007), What is Artificial Intelligence? http://jmc. stanford.edu/articles/whatisai/whatisai.pdf. (Erişim tarihi: 08.04.2024)
  • Nabiyev, V. V. (2005). Artificial Intelligence, İstanbul: Seçkin Publishing.
  • Nicoletti, L., & Bass, D. (2023). Humans Are Biased: Generative AI Is Even Worse. Bloomberg Technology+ Equality.
  • Rhodes, M. (1961). An analysis of creativity. Phi Delta Kappan, 42, 305-311.
  • Şen, E. (2022). Character Designs in the Relationship Between Artificial Intelligence and Creativity, Proficiency in Art, Anadolu University.
  • Şen, E., Atiker, B. (2020). A New Actor in Graphic Design Applications: Artificial Intelligence, Journal of JSHSR, 7 (63), 3946-3957.
  • Şen Atiker, E. (2024). Responsible Artificial Intelligence in Fine Arts: Potential Risks and Ethical Dimensions, Journal of Reflective Social Sciences, 5 (1), 129-137.
  • Twemlow, A. (2011). What is Graphic Design For? İstanbul: Yem Publishing
  • Walker, K. (2023). Responsible Ai: Your questions answered. Australian Academy of Technological Sciences and Engineering (ATSE), and the Australian Institute for Machine Learning (AIML) at The University of Adelaide. Canberra, Adelaide
Toplam 22 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Grafik Tasarımı
Bölüm Araştırma Makalesi
Yazarlar

Ezgi Şen Atiker 0000-0003-2886-7098

Gönderilme Tarihi 21 Haziran 2024
Kabul Tarihi 14 Aralık 2024
Erken Görünüm Tarihi 31 Aralık 2024
Yayımlanma Tarihi 31 Aralık 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 2 Sayı: 2

Kaynak Göster

APA Şen Atiker, E. (2024). GRAPHIC DESIGN IN RESPONSIBLE ARTIFICIAL INTELLIGENCE. IDEART Uluslararası Tasarım ve Sanat Dergisi, 2(2), 1-13.