POST-BELLEK VE TRAVMA ESTETİĞİ: GEORG BASELİTZ’İN “KAHRAMAN” SERİSİ ÜZERİNE BİR İNCELEME

Yıl 2025, Cilt: 3 Sayı: 2, 1 - 17, 28.12.2025

Samet Doğan

Öz

Georg Baselitz, Alman figüratif sanatının önde gelen temsilcilerindendir. Sanatçının 1965–1970 yılları arasında ürettiği Kahramanlar (Helden) serisi, II. Dünya Savaşı’nın ardından bireysel ve toplumsal düzeyde yaşanan travmaları görsel bir dille ele alır. Baselitz, “kahramanlık” kavramını tersyüz ederek savaş sonrası kuşağın kırılgan, yaralı ve yönünü yitirmiş bireylerini resmeder. Bu figürler aracılığıyla hem kişisel hem de kolektif belleğin izlerini açığa çıkarır. Bu makale, Georg Baselitz’in Kahramanlar serisini travma ve Post-bellek kavramları üzerinden incelemektedir. Makalenin ilk bölümünde travma ve post-bellek kavramları ele alınarak, bu kavramların Kahramanlar serisindeki resimlerle, Baselitz’in yaşamı, sanatsal ve düşünsel tavrıyla ilişkileri incelenmiştir. İkinci bölümde ise seride yer alan eserlerin içerik ve biçimsel analizleri yapılmış, sanatçının yaşam öyküsü ve sanat anlayışıyla kurduğu bağlantılar değerlendirilmiş, bu doğrultuda eserlerin travma ve post-bellek bağlamındaki yansımaları irdelenmiştir. Yapılan incelemeler ve çözümlemeler sonucunda Baselitz’in Kahramanlar serisinin, savaşın yarattığı derin travmaların ve bastırılmış tarihsel belleğin sanatsal bir dışavurumu olduğu, sanatçının kahraman figürleri aracılığıyla yıkım, suçluluk, kimlik bunalımı gibi temaları ekspresyonist bir üslupla yorumlayarak özgün bir bakış açısı sunduğu ve bu eserlerin Post-bellek, travma, bireysel ve kolektif bellek gibi kavramlarla yakından ilişkili olduğu görülmüştür.

Anahtar Kelimeler

Georg Baselitz , Kahramanlar Serisi , Travma , Post-Bellek

POST-MEMORY AND TRAUMA AESTHETICS: A STUDY ON GEORG BASELITZ’S “HERO” SERIES

Öz

Georg Baselitz is a leading representative of German figurative art. The artist's series, "Heroes" (Helden), produced between 1965 and 1970, visually explores the trauma experienced at individual and societal levels following World War II. Baselitz inverts the concept of "heroism," depicting the fragile, wounded, and disoriented individuals of the postwar generation. Through these figures, he reveals traces of both personal and collective memory. This article examines Georg Baselitz's "Heroes" series through the lens of trauma and post-memory. The first section explores the concepts of trauma and post-memory, examining their relationship to the paintings in the "Heroes" series, Baselitz's life, and his artistic and intellectual approach. The second section analyzes the content and form of the works in the series, assessing their connections to the artist's life story and artistic approach, and exploring the works' reflections on trauma and post-memory. As a result of the studies and analyses, it has been seen that Baselitz's Heroes series is an artistic expression of the deep traumas created by war and the repressed historical memory, that the artist offers a unique perspective by interpreting themes such as destruction, guilt, identity crisis in an expressionist style through heroic figures, and that these works are closely related to concepts such as post-memory, trauma, individual and collective memory.

Anahtar Kelimeler

Georg Baselitz , Heroes Series , Trauma , Post-Memory

Kaynakça

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