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The Satirical Vision of Canadian/Scottish Songwriter, Poet, and Novelist Graeme Williamson

Yıl 2022, Cilt: 2 Sayı: 1, 45 - 59, 27.04.2022

Öz

Graeme Williamson, best known as the lead singer/songwriter of the 1980s Toronto New Wave band Pukka Orchestra, was also a poet, short story writer, and novelist. Born and raised in Canada, he moved to Scotland after a serious illness, and his works reflect his personal experience in developing themes of travel, alienation, loss, and awareness of mortality, using biting satire, caustic wit, and a clear insight into the darker reaches of the human psyche. This paper will analyse several of Williamson’s song lyrics, poems, short stories, and his novel, Strange Faith, to show how his writing presents a critical view of modern society.

Kaynakça

  • Barthes, Roland. Mythologies. Translated by Annette Lavers, Cape, 1972.
  • Bloom, Harold. Anxiety of Influence: A Theory of Poetry. 2nd ed., Oxford UP, 1997.
  • Brown, Edward. “Toronto Urban Legends: ‘Cherry Beach Express’; Is There Any Truth to the Stories about Police Using Cherry Beach as a Place to Rough up Perps?.” Torontoist, 3 Oct. 2012, https://torontoist.com/2012/10/toronto-urban-legends-cherry-beach-express/. Accessed 17 Sept. 2019.
  • Duggan-Smith, Tony. Interview. Conducted by Victor Kennedy. 21 July 2020.
  • Forsyth, Bruce. “Video Should Have Spelt the End of the Cherry Beach Express.” Toronto, Feb. 2021, https://militarybruce.com/video-should-have-spelt-the-end-of-the-cherry-beach-express/. Accessed 14 Jan. 2022.
  • Harris, Amy Lavender. Imagining Toronto. Mansfield, 2010.
  • Hoffman, Bruce, et al. “Assessing the Threat of Incel Violence.” Studies in Conflict and Terrorism, vol. 43, no. 7, 2020, pp. 565-587. Taylor and Francis Online, doi: 10.1080/1057610X.2020.1751459.
  • Kennedy, Victor. “Breaking Taboos in 1980s Toronto New Wave Music.” Words, Music and Gender, edited by Michelle Gadpaille and Kennedy. Cambridge Scholars, 2020, pp. 67-91.
  • Kustec, Aleksander. “The True Voice of a Canadian Expatriate: Mavis Gallant, Home Truths (1981).” Acta Neophilologica, vol. 44, no. 1-2, 2011, pp. 81-92. doi: 10.4312/an.44.1-2.81-92.
  • Modleski, Tania. Loving with a Vengeance: Mass-Produced Fantasies for Women. 2nd ed., Routledge, 2008.
  • Morreal, John. “Philosophy of Humor.” The Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta, Fall 2020 edition, https://plato.stanford.edu/archives/fall2020/entries/humor/.
  • Sartre, Jean-Paul. Existentialism Is a Humanism; Including, a Commentary on the Stranger. Translated by Carol Macomber, Yale UP, 2007.
  • Smith, Stevie. New Selected Poems of Stevie Smith. New Directions, 1988.
  • Težak, Katja. “Graeme Williamson. ‘Fiction’.” Central European Journal of Canadian Studies/Revue d’Etudes Canadiannes en Europe Centrale, vol. 16, 2021, pp. 117-118.
  • Thomas, Dylan. “Do Not Go Gentle into That Good Night.” The Poems of Dylan Thomas, edited by Daniel Jones, New Directions, 1953, p. 239.
  • Williamson, Graeme. Interview. Conducted by Victor Kennedy. 23 June 2020.
  • Williamson, Graeme. “Graeme Williamson.” https://www.graemewilliamson.co.uk/. Accessed 3 Jan. 2022.
  • ---. “Memoirs of an Amnesiac.” The Dalhousie Review, vol. 79, no. 2, 1998, pp. 221-226, https://dalspace.library.dal.ca/bitstream/handle/10222/64174/dalrev_vol79_iss2_pp221_226.pdf?sequence=1&isAllowed=y. Accessed 3 Jan. 2022.
  • ---. “Miss Right.” Pukka Orchestra, Solid Gold Records, 1984.
  • ---. Naming the Stones. Graeme Williamson, 2021.
  • ---. “Nostalgia.” Graeme Williamson, 2021, [Knuckle End Anthology, 2004] https://www.graemewilliamson.co.uk/post/life-on-the-road-secrets-of-a-musician-on-tour. Accessed 3 Jan. 2022.
  • ---. “The Sixth Tier.” Graeme Williamson, 1973, https://www.graemewilliamson.co.uk/post/how-working-in-a-record-store-catapulted-my-career. Accessed 3 Jan. 2022.
  • Williamson, Graeme. Strange Faith. Interlink, 2001.
  • Williamson, Iris. Interview. Conducted by Victor Kennedy. 7 Jan. 2022.
  • Williamson, Graeme, and Neil Chapman. “Might as Well Be on Mars.” The Pukka Orchestra. Solid Gold Records, 1984.
  • Williamson, Graeme, et al. Dear Harry. A Major Label, 1992.
  • ---. The Palace of Memory. A Major Label, 1987.
  • ---. The Pukka Orchestra. Solid Gold Records, 1984.
  • Wortley, Scot. Police Use of Force in Ontario: An Examination of Data from the Special Investigations Unit: Final Report. Center of Criminology, University of Toronto, 2015.
Yıl 2022, Cilt: 2 Sayı: 1, 45 - 59, 27.04.2022

Öz

Kaynakça

  • Barthes, Roland. Mythologies. Translated by Annette Lavers, Cape, 1972.
  • Bloom, Harold. Anxiety of Influence: A Theory of Poetry. 2nd ed., Oxford UP, 1997.
  • Brown, Edward. “Toronto Urban Legends: ‘Cherry Beach Express’; Is There Any Truth to the Stories about Police Using Cherry Beach as a Place to Rough up Perps?.” Torontoist, 3 Oct. 2012, https://torontoist.com/2012/10/toronto-urban-legends-cherry-beach-express/. Accessed 17 Sept. 2019.
  • Duggan-Smith, Tony. Interview. Conducted by Victor Kennedy. 21 July 2020.
  • Forsyth, Bruce. “Video Should Have Spelt the End of the Cherry Beach Express.” Toronto, Feb. 2021, https://militarybruce.com/video-should-have-spelt-the-end-of-the-cherry-beach-express/. Accessed 14 Jan. 2022.
  • Harris, Amy Lavender. Imagining Toronto. Mansfield, 2010.
  • Hoffman, Bruce, et al. “Assessing the Threat of Incel Violence.” Studies in Conflict and Terrorism, vol. 43, no. 7, 2020, pp. 565-587. Taylor and Francis Online, doi: 10.1080/1057610X.2020.1751459.
  • Kennedy, Victor. “Breaking Taboos in 1980s Toronto New Wave Music.” Words, Music and Gender, edited by Michelle Gadpaille and Kennedy. Cambridge Scholars, 2020, pp. 67-91.
  • Kustec, Aleksander. “The True Voice of a Canadian Expatriate: Mavis Gallant, Home Truths (1981).” Acta Neophilologica, vol. 44, no. 1-2, 2011, pp. 81-92. doi: 10.4312/an.44.1-2.81-92.
  • Modleski, Tania. Loving with a Vengeance: Mass-Produced Fantasies for Women. 2nd ed., Routledge, 2008.
  • Morreal, John. “Philosophy of Humor.” The Stanford Encyclopedia of Philosophy, edited by Edward N. Zalta, Fall 2020 edition, https://plato.stanford.edu/archives/fall2020/entries/humor/.
  • Sartre, Jean-Paul. Existentialism Is a Humanism; Including, a Commentary on the Stranger. Translated by Carol Macomber, Yale UP, 2007.
  • Smith, Stevie. New Selected Poems of Stevie Smith. New Directions, 1988.
  • Težak, Katja. “Graeme Williamson. ‘Fiction’.” Central European Journal of Canadian Studies/Revue d’Etudes Canadiannes en Europe Centrale, vol. 16, 2021, pp. 117-118.
  • Thomas, Dylan. “Do Not Go Gentle into That Good Night.” The Poems of Dylan Thomas, edited by Daniel Jones, New Directions, 1953, p. 239.
  • Williamson, Graeme. Interview. Conducted by Victor Kennedy. 23 June 2020.
  • Williamson, Graeme. “Graeme Williamson.” https://www.graemewilliamson.co.uk/. Accessed 3 Jan. 2022.
  • ---. “Memoirs of an Amnesiac.” The Dalhousie Review, vol. 79, no. 2, 1998, pp. 221-226, https://dalspace.library.dal.ca/bitstream/handle/10222/64174/dalrev_vol79_iss2_pp221_226.pdf?sequence=1&isAllowed=y. Accessed 3 Jan. 2022.
  • ---. “Miss Right.” Pukka Orchestra, Solid Gold Records, 1984.
  • ---. Naming the Stones. Graeme Williamson, 2021.
  • ---. “Nostalgia.” Graeme Williamson, 2021, [Knuckle End Anthology, 2004] https://www.graemewilliamson.co.uk/post/life-on-the-road-secrets-of-a-musician-on-tour. Accessed 3 Jan. 2022.
  • ---. “The Sixth Tier.” Graeme Williamson, 1973, https://www.graemewilliamson.co.uk/post/how-working-in-a-record-store-catapulted-my-career. Accessed 3 Jan. 2022.
  • Williamson, Graeme. Strange Faith. Interlink, 2001.
  • Williamson, Iris. Interview. Conducted by Victor Kennedy. 7 Jan. 2022.
  • Williamson, Graeme, and Neil Chapman. “Might as Well Be on Mars.” The Pukka Orchestra. Solid Gold Records, 1984.
  • Williamson, Graeme, et al. Dear Harry. A Major Label, 1992.
  • ---. The Palace of Memory. A Major Label, 1987.
  • ---. The Pukka Orchestra. Solid Gold Records, 1984.
  • Wortley, Scot. Police Use of Force in Ontario: An Examination of Data from the Special Investigations Unit: Final Report. Center of Criminology, University of Toronto, 2015.
Toplam 29 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Edebi Çalışmalar
Bölüm Research Articles
Yazarlar

Victor Kennedy Bu kişi benim 0000-0002-1214-0102

Yayımlanma Tarihi 27 Nisan 2022
Gönderilme Tarihi 15 Ocak 2022
Yayımlandığı Sayı Yıl 2022 Cilt: 2 Sayı: 1

Kaynak Göster

MLA Kennedy, Victor. “The Satirical Vision of Canadian/Scottish Songwriter, Poet, and Novelist Graeme Williamson”. IDEAS: Journal of English Literary Studies, c. 2, sy. 1, 2022, ss. 45-59.

IDEAS: Journal of English Literary Studies is published by The English Language and Literature Research Association of Türkiye (IDEA).