Araştırma Makalesi
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The Semiotics of Faith and Empowerment in Mariah Carey’s Lyrics

Yıl 2025, Cilt: 5 Sayı: 2, 93 - 105, 31.10.2025
https://doi.org/10.62352/ideas.1646436

Öz

This study argues that Mariah Carey’s lyrics construct a symbolic narrative of empowerment through themes of perseverance, faith, and self-definition. Using Roland Barthes’s semiotic theory, it analyzes how recurring motifs—such as prayer, divine support, and emotional endurance—function as signifiers that produce cultural meaning. The analysis focuses on eleven purposively selected songs, including “Hero,” “Make It Happen,” and “Through the Rain.” These songs link personal struggle to spiritual resilience, forming a lyrical mythology in which hardship is reinterpreted as a path to inner strength. Carey’s lyrics consistently link personal struggle to spiritual resilience, transforming hardship into a source of inner strength. Her religious language and autobiographical references encode a belief system where individual vulnerability becomes transformative power. Rather than merely expressing emotion, these songs construct a framework that helps listeners reinterpret adversity and rebuild confidence. The semiotic analysis reveals three key patterns: spiritual metaphors that universalize personal experience, narrative structures that reframe suffering as growth, and linguistic choices that position the listener as an empowered agent. This research contributes to popular music semiotics while demonstrating how lyrical symbolism shapes contemporary narratives of identity and emotional resilience.

Etik Beyan

The authors of this article confirm that this research does not require a research ethics committee approval. The authors of this article confirm that their work complies with the principles of research and publication ethics.

Kaynakça

  • Ahmad, Shoeb. “Motivation and Performance: A Psychological Process.” International Journal of Business and Management Research, vol. 9, no. 2, 2021, pp. 104–112.
  • Barthes, Roland. Mythologies. Translated by Annette Lavers, The Noonday Press, 1991.
  • Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1990.
  • Crenshaw, Kimberle. “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color.” Stanford Law Review, vol. 43, no. 6, 1991, pp. 1241–1299. doi:10.2307/1229039.
  • Davis, Angela Y. Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie Smith, and Billie Holiday. Vintage Books, 1998.
  • Deak, Victor, and Ruth Caroline Mengga. “The Role of Prayer as Spiritual-Religious Coping in the Healing Process in the Perspective of Christian Psychology.” International Journal of Social and Management Studies, vol. 4, no. 4, 2023, pp. 54–64. doi:10.5555/ijosmas.v4i4.338.
  • Derbaix, Maud, and Michaël Korchia. “Individual Celebration of Pop Music Icons: A Study of Music Fans Relationships with Their Object of Fandom and Associated Practices.” Journal of Consumer Behavior, vol. 18, no. 1–2, 2019, pp. 109–119. doi:10.1002/cb.1751.
  • Griffin, Emory M. A First Look at Communication Theory. 8th ed., McGraw-Hill, 2012.
  • Hattie, John, et al. “Theories of Motivation: Integration and Ways Forward.” Contemporary Educational Psychology, vol. 61, 2020, pp. 1–8. doi:10.1016/j.cedpsych.2020.101865.
  • Jeppsen, Benjamin, et al. “Closeness and Control: Exploring the Relationship Between Prayer and Mental Health.” Counseling and Values, vol. 60, no. 2, 2015, pp. 165–185. doi:10.1002/cvj.12012.
  • Kresovich, Andrew. “The Influence of Pop Songs Referencing Anxiety, Depression, and Suicidal Ideation on College Students’ Mental Health Empathy, Stigma, and Behavioral Intentions.” Health Communication, vol. 37, no. 5, 2022, pp. 617–627. doi:10.1080/10410236.2020.1859724.
  • Mahdavi, Parinaz, et al. “Relationship Between Achievement Motivation, Mental Health and Academic Success in University Students.” International Quarterly of Community Health Education, vol. 43, no. 3, 2021, pp. 311–317. doi:10.1177/0272684x211025932.
  • McCulloch, Kathleen C., and Elizabeth J. Parks-Stamm. “Reaching Resolution: The Effect of Prayer on Psychological Perspective and Emotional Acceptance.” Psychology of Religion and Spirituality, vol. 12, no. 2, 2020, pp. 254–259. doi:10.1037/rel0000234.
  • Messaoud, Houssem Eddine Ben. “A Review on Self-Confidence and How to Improve It.” Global Journal of Human Resource, vol. 10, no. 5, 2022, pp. 26–32. doi:10.37745/gjhrm.2013/vol10n52632.
  • Neal, Mark Anthony. What the Music Said: Black Popular Music and Black Public Culture. Routledge, 2013.
  • Puspita, Clara. “The Analysis of Idiomatic Expression in Mariah Carey’s Songs.” Majalah Ilmiah Politeknik Mandiri Bina Prestasi, vol. 7, no. 1, 2018, pp. 132–140.
  • Putri, Erischa Rahayu, et al. “Biracial Discrimination Recounted: A Deep Dive into the Meaning of Mariah Carey.” Rubikon: Journal of Transnational American Studies, vol. 11, no. 1, 2024, pp. 37–51. doi:10.22146/rubikon.v11i1.95660.
  • Quan, Enxi, et al. “The Effectiveness of Celebrity Involvement on Fans Behavior.” Advances in Social Science, Education and Humanities Research, vol. 638, 2021, pp. 517–522. doi:10.2991/assehr.k.220110.099.
  • Sembiring, Viona br, et al. “Analysis of Student’s Ability in Identifying Figurative Language in Mariah Carey’s Songs.” Journal Basis, vol. 7, no. 1, 2020, pp. 101–110. doi:10.33884/basisupb.v7i1.1748.
  • Siow, Angelia Firstnov, et al. “Personification in Mariah Carey’s Song Lyrics.” KOMPETENSI: Jurnal Ilmiah Bahasa dan Seni, vol. 1, no. 4, 2021, pp. 421–430. doi:10.53682/kompetensi.v1i04.1860.
  • Stanley, Bob. Let’s Do It: The Birth of Pop Music. Pegasus Books, 2022.
  • Umami, Idail Uzmi Fitri, and Muhammad Sobri. “Nilai-Nilai Kerja Keras (Kreatif, Rajin, Ulet, Teliti, Tekun, Komitmen, Disiplin, dan Berilmu) dan Cinta Tanah Air dalam Islam.” EL-HIKAM: Jurnal Pendidikan dan Kajian Keislaman, vol. 15, no. 1, 2022, pp. 107–129.
  • Upenieks, Laura. “Unpacking the Relationship Between Prayer and Anxiety: A Consideration of Prayer Types and Expectations in the United States.” Journal of Religion and Health, vol. 62, no. 3, 2022, pp. 1810–1831. doi:10.1007/s10943-022-01708-0.
  • Valeri, Audrey, et al. “Figurative Language Used in Mariah Carey’s Song Lyrics in Butterfly Album.” ULIL ALBAB: Jurnal Ilmiah Multidisiplin, vol. 2, no. 9, 2023, pp. 4456–4462.
  • Viglund, Kerstin, et al. “Relationships among Inner Strength, Health and Function, Well-Being, and Negative Life Events in Older People: A Longitudinal Study.” European Journal of Ageing, vol. 19, no. 3, 2021, pp. 545–554. doi:10.007/s10433-021-00642-6.
  • Wang, Wangshuai, et al. “Achievement Goals and Life Satisfaction: The Role of Perception of Successful Agency and the Moderating Role of Emotion Reappraisal.” Psicologia: Reflexão e Crítica, vol. 30, no. 25, 2017, pp. 1–12. doi:10.1186/s41155-017-0078-4.
  • Welch, Graham F., et al. “Editorial: The Impact of Music on Human Development and Well-Being.” Frontiers in Psychology, vol. 11, 2020, pp. 1–4. doi:10.3389/fpsyg.2020.01246.

Mariah Carey'nin Şarkı Sözlerinde İnanç ve Güçlenme Göstergeleri

Yıl 2025, Cilt: 5 Sayı: 2, 93 - 105, 31.10.2025
https://doi.org/10.62352/ideas.1646436

Öz

Bu çalışma, Mariah Carey’nin şarkı sözlerinin, azim, inanç ve kendini tanımlama temaları aracılığıyla nasıl bir sembolik güçlenme anlatısı oluşturduğunu savlamaktadır. Roland Barthes’ın göstergebilim kuramı kullanarak, dua, ilahî destek ve duygusal dayanıklılık gibi tekrarlayan motiflerin kültürel anlam üreten göstergeler olarak nasıl işlev gördüğünü analiz eder. Bu inceleme, “Hero” (Kahraman), “Make It Happen” (Oldur) ve “Through the Rain” (Yağmurun İçinden) eserleri dahil olmak üzere amaca yönelik olarak seçilmiş on bir şarkıya odaklanmaktadır. Bu şarkılar, kişisel mücadeleyi manevi dayanıklılıkla ilişkilendirerek, zorlukların içsel güce giden bir yol olarak yeniden yorumlandığı lirik bir mitoloji oluşturur. Carey'nin şarkı sözleri, kişisel mücadeleyi tutarlı bir şekilde manevi dayanıklılıkla ilişkilendirir ve zorlukları içsel gücün bir kaynağına dönüştürür. Carey’nin dinî dili ve otobiyografik göndermeleri, bireysel kırılganlığın dönüştürücü bir güce dönüştüğü bir inanç sistemini kodlamaktadır. Bu şarkılar, sadece duyguları ifade etmekten ziyade, dinleyicilerin zorlukları yeniden yorumlamasına ve özgüvenlerini yeniden inşa etmesine yardımcı olan bir çerçeve oluşturur. Göstergebilimsel analiz üç anahtar modeli ortaya koymaktadır: kişisel deneyimi evrenselleştiren manevi mecazlar, acıyı gelişim olarak yeniden çerçeveleyen anlatı yapıları ve dinleyiciyi güçlü bir eyleyici olarak konumlandıran dilsel seçimler. Bu araştırma, lirik sembolizmin kimlik ve duygusal dayanıklılığın çağdaş anlatılarını nasıl şekillendirdiğini göstererek popüler müzik göstergebilimine katkıda bulunmaktadır.

Etik Beyan

Bu makalenin yazarları, bu araştırmanın bir etiği kurulu onayı gerektirmediğini teyit etmektedir. Bu makalenin yazarları, çalışmalarının araştırma ve yayın etiği ilkelerine uygun olduğunu teyit etmektedir.

Kaynakça

  • Ahmad, Shoeb. “Motivation and Performance: A Psychological Process.” International Journal of Business and Management Research, vol. 9, no. 2, 2021, pp. 104–112.
  • Barthes, Roland. Mythologies. Translated by Annette Lavers, The Noonday Press, 1991.
  • Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1990.
  • Crenshaw, Kimberle. “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color.” Stanford Law Review, vol. 43, no. 6, 1991, pp. 1241–1299. doi:10.2307/1229039.
  • Davis, Angela Y. Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie Smith, and Billie Holiday. Vintage Books, 1998.
  • Deak, Victor, and Ruth Caroline Mengga. “The Role of Prayer as Spiritual-Religious Coping in the Healing Process in the Perspective of Christian Psychology.” International Journal of Social and Management Studies, vol. 4, no. 4, 2023, pp. 54–64. doi:10.5555/ijosmas.v4i4.338.
  • Derbaix, Maud, and Michaël Korchia. “Individual Celebration of Pop Music Icons: A Study of Music Fans Relationships with Their Object of Fandom and Associated Practices.” Journal of Consumer Behavior, vol. 18, no. 1–2, 2019, pp. 109–119. doi:10.1002/cb.1751.
  • Griffin, Emory M. A First Look at Communication Theory. 8th ed., McGraw-Hill, 2012.
  • Hattie, John, et al. “Theories of Motivation: Integration and Ways Forward.” Contemporary Educational Psychology, vol. 61, 2020, pp. 1–8. doi:10.1016/j.cedpsych.2020.101865.
  • Jeppsen, Benjamin, et al. “Closeness and Control: Exploring the Relationship Between Prayer and Mental Health.” Counseling and Values, vol. 60, no. 2, 2015, pp. 165–185. doi:10.1002/cvj.12012.
  • Kresovich, Andrew. “The Influence of Pop Songs Referencing Anxiety, Depression, and Suicidal Ideation on College Students’ Mental Health Empathy, Stigma, and Behavioral Intentions.” Health Communication, vol. 37, no. 5, 2022, pp. 617–627. doi:10.1080/10410236.2020.1859724.
  • Mahdavi, Parinaz, et al. “Relationship Between Achievement Motivation, Mental Health and Academic Success in University Students.” International Quarterly of Community Health Education, vol. 43, no. 3, 2021, pp. 311–317. doi:10.1177/0272684x211025932.
  • McCulloch, Kathleen C., and Elizabeth J. Parks-Stamm. “Reaching Resolution: The Effect of Prayer on Psychological Perspective and Emotional Acceptance.” Psychology of Religion and Spirituality, vol. 12, no. 2, 2020, pp. 254–259. doi:10.1037/rel0000234.
  • Messaoud, Houssem Eddine Ben. “A Review on Self-Confidence and How to Improve It.” Global Journal of Human Resource, vol. 10, no. 5, 2022, pp. 26–32. doi:10.37745/gjhrm.2013/vol10n52632.
  • Neal, Mark Anthony. What the Music Said: Black Popular Music and Black Public Culture. Routledge, 2013.
  • Puspita, Clara. “The Analysis of Idiomatic Expression in Mariah Carey’s Songs.” Majalah Ilmiah Politeknik Mandiri Bina Prestasi, vol. 7, no. 1, 2018, pp. 132–140.
  • Putri, Erischa Rahayu, et al. “Biracial Discrimination Recounted: A Deep Dive into the Meaning of Mariah Carey.” Rubikon: Journal of Transnational American Studies, vol. 11, no. 1, 2024, pp. 37–51. doi:10.22146/rubikon.v11i1.95660.
  • Quan, Enxi, et al. “The Effectiveness of Celebrity Involvement on Fans Behavior.” Advances in Social Science, Education and Humanities Research, vol. 638, 2021, pp. 517–522. doi:10.2991/assehr.k.220110.099.
  • Sembiring, Viona br, et al. “Analysis of Student’s Ability in Identifying Figurative Language in Mariah Carey’s Songs.” Journal Basis, vol. 7, no. 1, 2020, pp. 101–110. doi:10.33884/basisupb.v7i1.1748.
  • Siow, Angelia Firstnov, et al. “Personification in Mariah Carey’s Song Lyrics.” KOMPETENSI: Jurnal Ilmiah Bahasa dan Seni, vol. 1, no. 4, 2021, pp. 421–430. doi:10.53682/kompetensi.v1i04.1860.
  • Stanley, Bob. Let’s Do It: The Birth of Pop Music. Pegasus Books, 2022.
  • Umami, Idail Uzmi Fitri, and Muhammad Sobri. “Nilai-Nilai Kerja Keras (Kreatif, Rajin, Ulet, Teliti, Tekun, Komitmen, Disiplin, dan Berilmu) dan Cinta Tanah Air dalam Islam.” EL-HIKAM: Jurnal Pendidikan dan Kajian Keislaman, vol. 15, no. 1, 2022, pp. 107–129.
  • Upenieks, Laura. “Unpacking the Relationship Between Prayer and Anxiety: A Consideration of Prayer Types and Expectations in the United States.” Journal of Religion and Health, vol. 62, no. 3, 2022, pp. 1810–1831. doi:10.1007/s10943-022-01708-0.
  • Valeri, Audrey, et al. “Figurative Language Used in Mariah Carey’s Song Lyrics in Butterfly Album.” ULIL ALBAB: Jurnal Ilmiah Multidisiplin, vol. 2, no. 9, 2023, pp. 4456–4462.
  • Viglund, Kerstin, et al. “Relationships among Inner Strength, Health and Function, Well-Being, and Negative Life Events in Older People: A Longitudinal Study.” European Journal of Ageing, vol. 19, no. 3, 2021, pp. 545–554. doi:10.007/s10433-021-00642-6.
  • Wang, Wangshuai, et al. “Achievement Goals and Life Satisfaction: The Role of Perception of Successful Agency and the Moderating Role of Emotion Reappraisal.” Psicologia: Reflexão e Crítica, vol. 30, no. 25, 2017, pp. 1–12. doi:10.1186/s41155-017-0078-4.
  • Welch, Graham F., et al. “Editorial: The Impact of Music on Human Development and Well-Being.” Frontiers in Psychology, vol. 11, 2020, pp. 1–4. doi:10.3389/fpsyg.2020.01246.
Toplam 27 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Kuzey Amerika Dilleri, Edebiyatları ve Kültürleri, Çok Kültürlü ve Kültürlerarası Çalışmalar, Ekran ve Medya Kültürü, Kültür, Temsil ve Kimlik
Bölüm Research Articles
Yazarlar

Rudy Rudy 0009-0007-7381-1452

Kristiawan İndriyanto 0000-0001-7827-2506

Galant Nanta Adhitya 0000-0003-4168-6785

Erken Görünüm Tarihi 14 Eylül 2025
Yayımlanma Tarihi 31 Ekim 2025
Gönderilme Tarihi 25 Şubat 2025
Kabul Tarihi 18 Ağustos 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 5 Sayı: 2

Kaynak Göster

MLA Rudy, Rudy vd. “The Semiotics of Faith and Empowerment in Mariah Carey’s Lyrics”. IDEAS: Journal of English Literary Studies, c. 5, sy. 2, 2025, ss. 93-105, doi:10.62352/ideas.1646436.

IDEAS: Journal of English Literary Studies is published by The English Language and Literature Research Association of Türkiye (IDEA).