A Comparative Analysis of Intersectional Feminist Identities in Caryl Churchill’s Vinegar Tom and Cloud Nine
Öz
Anahtar Kelimeler
Proje Numarası
Kaynakça
- Bassnett, S. (1984). Towards a Theory of Women’s Theatre. Linguistic and Literary Studies in Eastern Europe. Vol. 10. The Semiotics of Drama and Theatre. Ed. Herta Schmid and Aloysius Van Kesteren. John Benjamin Publishing Company.
- Churchill, C. (1985). “Vinegar Tom”. Plays One. Methuen. pp.127-180
- ----- (1985). “Cloud 9”. Plays One. Methuen. pp.243-321
- Collins, P. H. (1999). Moving Beyond Gender: Intersectionality and Scientific Knowledge. Sage Publications.
- Crenshaw, K. (1989). Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics. University of Chicago Legal Forum.
- Crenshaw, K. (1991). Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color. Stanford Law Review.
- De Beauvoir, S. (1981). The Second Sex. Penguin Books.
- Demirkaya, N. (2015). Scapegoating Non-Conforming Identities: Witchcraft Hysteria in Arthur Miller's The Crucible and Caryl Churchill's Vinegar Tom. Tarih Kültür ve Sanat Araştırmaları Dergisi-Journal of Hıstory Culture and Art Research, 4(2).
Ayrıntılar
Birincil Dil
İngilizce
Konular
Karşılaştırmalı ve Ulusötesi Edebiyat
Bölüm
Araştırma Makalesi
Yazarlar
Samet Guven
*
0000-0001-6883-5109
Türkiye
Erken Görünüm Tarihi
31 Mayıs 2024
Yayımlanma Tarihi
31 Mayıs 2024
Gönderilme Tarihi
16 Şubat 2024
Kabul Tarihi
1 Nisan 2024
Yayımlandığı Sayı
Yıl 2024 Sayı: 36