Öz
Makale
keman, viyolonsel ve piyano "I.N.O" için üçlüye adanmıştır. 2004
yılında Moldovalı besteci V. Rotaru tarafından yazılmıştır. Yazara göre müzikal
dil özellikleri ve yapısal özellikleri vardır. Yazarın materyallerinin,
yukarıda bahsedilen opusun müzikal dilinin özelliklerini özetlediğine dikkat
edilmelidir. Bunlar arasında ulusal folklorun etkisi altında bazı unsurlar
ortaya çıkmıştır: parlando rubato, ritimin spesifik tedavisi, geleneksel
olmayan notasyon prensipleri, Bizans monaj rekreasyonu, vb.
Anahtar Kelimeler
Trio keman viyolonsel piyano kompozisyon müzikal dil parlando rubato neoklorbilim
Kaynakça
- 1. Сompozitori şi muzicologi din Moldova. Lexicon biobibliografic. Chişinău. Universitas, 1992, 264 p. 2. Ciobanu-Suhomlin I. Repertoriul general al creatiei muzicale din Republica Moldova (ultimele două decenii ale secolului XX). Chişinău, Editura Cartea Moldovei, 2006, 331 р. 3. Мироненко Е. Композитор Владимир Ротару. Firma editorial-poligrafica «Tipografia Centrală», Chisinau, 2000. 97 c. 1 Currently Academy of Music, Theatre and Fine Arts 2 Since 1976 − Head of the of Chamber Ensemble Chair of the Moldovan Conservatoire 3 1962-1971 – he had the position of the conductor of the Ensemble of Folk Dance “Joc” orchestra and Band Director of the Symphony orchestra of the Radio and Television of Moldova. 4 N. Kozlova - Nadejda Kozlova, University Professor at the Academy of Music, Theatre and Fine Arts, Chisinau, Republic of Moldova 5 It is about Chamber Ensemble of Moldovan Conservatoire “G.Musicescu” in Chisinau, currently known as Academy of Music, Theatre and Fine Arts
TRIO “I.N.O. 2” FOR VIOLIN, CELLO AND PIANO BY VLADIMIR ROTARU: PARTICULARITIES OF COMPOSITION AND MUSICAL LANGUAGE
Öz
The
article is dedicated to trio for violin, cello and piano "I.N.O."
written by Moldovan composer V. Rotaru in
spotlight are the musical language features and structural particularities. It is to be noted, that author’s materials
summarize the specifics of musical language of above mentioned opus. Among them
are some elements appeared under the influence of national folklore: parlando
rubato, specific treatment of rhythm, nontraditional notation principles, The
Byzantine monody recreation, etc.
Anahtar Kelimeler
Trio violin cello piano composition musical language parlando rubato neofolklorism
Kaynakça
- 1. Сompozitori şi muzicologi din Moldova. Lexicon biobibliografic. Chişinău. Universitas, 1992, 264 p. 2. Ciobanu-Suhomlin I. Repertoriul general al creatiei muzicale din Republica Moldova (ultimele două decenii ale secolului XX). Chişinău, Editura Cartea Moldovei, 2006, 331 р. 3. Мироненко Е. Композитор Владимир Ротару. Firma editorial-poligrafica «Tipografia Centrală», Chisinau, 2000. 97 c. 1 Currently Academy of Music, Theatre and Fine Arts 2 Since 1976 − Head of the of Chamber Ensemble Chair of the Moldovan Conservatoire 3 1962-1971 – he had the position of the conductor of the Ensemble of Folk Dance “Joc” orchestra and Band Director of the Symphony orchestra of the Radio and Television of Moldova. 4 N. Kozlova - Nadejda Kozlova, University Professor at the Academy of Music, Theatre and Fine Arts, Chisinau, Republic of Moldova 5 It is about Chamber Ensemble of Moldovan Conservatoire “G.Musicescu” in Chisinau, currently known as Academy of Music, Theatre and Fine Arts
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Bölüm | Derleme |
| Yazarlar | |
| Yayımlanma Tarihi | 26 Aralık 2018 |
| Yayımlandığı Sayı | Yıl 2018 Cilt: 4 Sayı: 2 |
https://dergipark.org.tr/tr/pub/ijca