Shakespeare in the City of Freud

Öz

Measure for Measure which is among Shakespeare’s spectacular works of art, leaps to the eyes of audiences with its striking themes including morality and justice and plot in Vienna that is the city of Freud. The play is set in the 15th century that is long before Freud lives; however, it consists of various scenes which can be analysed with Freud’s outstanding theory ‘Psychoanalysis’. When the whole plot of the play and the behaviours of the characters are considered, his theory is cut out for examining regarding to sexuality and related to this, morality which are the main elements of the play. From beginning to end, one can witness hidden desires of human beings and psychological effects which are made up of these hidden desires that reveal themselves throughout the scenes and the attitudes of the characters. We come across the keystones of ‘Psychoanalysis’; id, ego, superego at all the doors that we open in the play and we encounter how they take form in human beings’ behaviours and their inevitable outcomes.

Anahtar Kelimeler

• Sexuality,Sexual Desires,Freud and Psychoanalysis,Id-EgoSuperego

Kaynakça

1. Bartolovich, C., Hillman, D. & Howard, J. E. (2012). Great Shakespeareans Volume X: Marx and Freud. United Kingdom: Continuum International Publishing Group.
2. Brown, C. E. (1986). Erotic Religious Flagellation and Shakespeare’s “Measure for Measure”. English Literary Renaissance, 16(1), 139-165. Retrieved from https://www.jstor.org/stable/43447348.
3. Brown, C. E. (1986). Measure for Measure: Isabella’s Beating Fantasies. American Imago, 43(1), 67-80. Retrieved from http://www.jstor.org/ stable/26303867.
4. Burkhardt, L. (1995). Spectator Seduction: Measure for Measure. Texas Studies in Literature and Language, 37(3), 236-263. Retrieved from https://www.jstor.org/stable/40755073.
5. Gless, D. J. (1983). Taking Pleasure in Measure. Shakespeare Quarterly, 34(3), 364-366. Retrieved from https://www.jstor.org/stable/2869908.
6. Holland, N. (1960). Freud on Shakespeare. PMLA, 75(3), 163-173. Retrieved from https://www.jstor.org/stable/460328.
7. Lawrence, W. (1958). Measure for Measure and Lucio. Shakespeare Quarterly, 9(4), 443-453. doi:10.2307/2867127.
8. Pearlman, E. (1972). Shakespeare, Freud, and the Two Usuries, or, Money’s a Meddler. English Literary Renaissance, 2(2), 217-236. Retrieved from https://www.jstor.org/stable/43446760.

9. Shakespeare, W. (1996) The Complete Works of William Shakespeare. Great Britain: Wordsworth Editions.
10. Vogel, L. B. & Schwartz, M. M. (2014) Is This Her Fault or Mine? Female Sexuality, Intersubjectivity and the Social Order in Measure for Measure and Antony and Cleopatra, PSYART: A Hyperlink Journal for the Psychological Study of the Arts, Web. Retrieved from http://psyartjournal. com/article/show/b_vogel-is_this_her_fault_or_mine.