Araştırma Makalesi
BibTex RIS Kaynak Göster
Yıl 2019, Cilt: 5 Sayı: 2, 101 - 117, 25.12.2019

Öz

Kaynakça

  • Alban, G. (2014). Antony and Cleopatra; Gorgon or Mars, Whore or Goddess, According to Directly Claimed Evidence or Indirect Assertion. Procedia - Social and Behavioral Sciences, 158, pp.93-99. Baktır,
  • H. (2013). Cleopatra as a Complex Character, Journal of Language and Literature Education, 2(7), 59-70.
  • Bell, E. (2012). Who was Cleaopatra?. New Moon Girls. Brown, L. (1981), English Dramatic Form, 1660-1760: An Essay in Generic History. New Haven: Yale University Press, Print. Caldwell, Tanya. “Introduction to All for Love; Or, The World Well Lost.” The Broadview Anthology of Restoration and Early Eighteenth Century Drama. Canada: Broadview Press, 2001. 218. Print. Broadview Anthologies of English Literature. Carey,
  • G.(1981). Antony and Cleopatra Lincoln, Nebraska, Chatham,
  • R.(2015). The Many Faces of Cleopatra: How Performance and Characterization Change Cleopatra in Geoffrey Chaucer’s “The Legend of Cleopatra,” William Shakespeare’s The Tragedy of Antony and Cleopatra, and John Dryden’s All for Love; or, The World Well Lost, University of Arkansas. Cunningham,
  • D. (1955) The Characterization of Shakespeare’s Cleopatra. Shakespeare Quarterly, Vol 61(9-17) Cohen, W.(1997). “Antony and Cleopatra.” The Norton Shakespeare. New York: W.W. Norton and Company, 2619–2627. Print. Crane,
  • M. T. (2010). Roman World, Egyptian Earth: Cognitive Difference and Empire in Shakespeare’s Antony and Cleopatra 1, Knowing Shakespeare.
  • Deats, S. (2005). Antony and Cleopatra, New Critical Essays. New York: Routledge.
  • Dryden, J.(2001). All for Love; Or, The World Well Lost. The Broadview Anthology of Restoration and Early Eighteenth Century Drama. Ed. Tanya Caldwell, J. Douglas Canfield, and Maja-Lisa Von Sneidern. Canada: Broadview Press, 219–263. Print. Broadview Anthologies of English Literature.
  • El-Sammak, A. And Tucker, M. (2002). Ooids from Turkey and Egypt in the Eastern Mediterranean and a love-story of Antony and Cleopatra. Facies, 46(1), pp.217-227.
  • Hoxby, B.(2013) “Teaching the Passions in All For Love.” Approaches to Teaching the Works of John Dryden. Ed. Jayne Lewis and Lisa Zunshine. New York: The Modern Language Association of America, 2013. 105– 109. Print.
  • Huse, A. A.(2001) “Cleopatra, Queen of the Seine: The Politics of Eroticism in Dryden’s All for Love.” John Dryden A Tercentenary Miscellany. Ed. Susan Green and Steven N. Zwicker. San Marino: Henry E. Huntington Library and Art Gallery, 23–46. Print.
  • Krause, P. (2019). The Death of Eros: The Tragedy of Love in “Antony andCleopatra” theimaginativeconservative.org/2019/10/death-eros-tragedy -love-antony-and-cleopatra-paul-krause.html, Erişim Tarihi: 15.10.2019
  • Rackin, P. (2012). Shakespeare and Women. Oxford [England]: Oxford University Press.
  • Shakespeare, W. (1996). The Complete Works of William Shakespeare. Wordsworth ed. Oxford, England: The Shakespeare Head Press.
  • Smith, E.(2012) Antony and Cleopatra. N.p. Audio Recording. Approaching Shakespeare. Venture. (2017) holidayspot.com. [online] Available at: http://www. holidayspot.com/valentine/stories/antony_cleopatra.htm[Accessed 24 Dec. 2017].

Antony & Cleopatra’s Loss and Gain For an Immortal Love From Shakespeare’s antony and Cleopatra

Yıl 2019, Cilt: 5 Sayı: 2, 101 - 117, 25.12.2019

Öz

William Shakespeare’s magnificent work Antony & Cleopatra introduces a divine love of two immortal lovers. In this love struggle, the magnificent heroes sacrifice for the sake of this eternal love. Thus they deserve to become immortal through such a divine love. The aim of this thesis is to investigate the meaning of love, honour and immortality through insight of the two great characters; Antony and Cleopatra. Through these questions this paper is going to scrutinize these issues: What do Antony & Cleopatra gain and lose for this divine love? How can two mortal lovers become immortal through a divine love?

Kaynakça

  • Alban, G. (2014). Antony and Cleopatra; Gorgon or Mars, Whore or Goddess, According to Directly Claimed Evidence or Indirect Assertion. Procedia - Social and Behavioral Sciences, 158, pp.93-99. Baktır,
  • H. (2013). Cleopatra as a Complex Character, Journal of Language and Literature Education, 2(7), 59-70.
  • Bell, E. (2012). Who was Cleaopatra?. New Moon Girls. Brown, L. (1981), English Dramatic Form, 1660-1760: An Essay in Generic History. New Haven: Yale University Press, Print. Caldwell, Tanya. “Introduction to All for Love; Or, The World Well Lost.” The Broadview Anthology of Restoration and Early Eighteenth Century Drama. Canada: Broadview Press, 2001. 218. Print. Broadview Anthologies of English Literature. Carey,
  • G.(1981). Antony and Cleopatra Lincoln, Nebraska, Chatham,
  • R.(2015). The Many Faces of Cleopatra: How Performance and Characterization Change Cleopatra in Geoffrey Chaucer’s “The Legend of Cleopatra,” William Shakespeare’s The Tragedy of Antony and Cleopatra, and John Dryden’s All for Love; or, The World Well Lost, University of Arkansas. Cunningham,
  • D. (1955) The Characterization of Shakespeare’s Cleopatra. Shakespeare Quarterly, Vol 61(9-17) Cohen, W.(1997). “Antony and Cleopatra.” The Norton Shakespeare. New York: W.W. Norton and Company, 2619–2627. Print. Crane,
  • M. T. (2010). Roman World, Egyptian Earth: Cognitive Difference and Empire in Shakespeare’s Antony and Cleopatra 1, Knowing Shakespeare.
  • Deats, S. (2005). Antony and Cleopatra, New Critical Essays. New York: Routledge.
  • Dryden, J.(2001). All for Love; Or, The World Well Lost. The Broadview Anthology of Restoration and Early Eighteenth Century Drama. Ed. Tanya Caldwell, J. Douglas Canfield, and Maja-Lisa Von Sneidern. Canada: Broadview Press, 219–263. Print. Broadview Anthologies of English Literature.
  • El-Sammak, A. And Tucker, M. (2002). Ooids from Turkey and Egypt in the Eastern Mediterranean and a love-story of Antony and Cleopatra. Facies, 46(1), pp.217-227.
  • Hoxby, B.(2013) “Teaching the Passions in All For Love.” Approaches to Teaching the Works of John Dryden. Ed. Jayne Lewis and Lisa Zunshine. New York: The Modern Language Association of America, 2013. 105– 109. Print.
  • Huse, A. A.(2001) “Cleopatra, Queen of the Seine: The Politics of Eroticism in Dryden’s All for Love.” John Dryden A Tercentenary Miscellany. Ed. Susan Green and Steven N. Zwicker. San Marino: Henry E. Huntington Library and Art Gallery, 23–46. Print.
  • Krause, P. (2019). The Death of Eros: The Tragedy of Love in “Antony andCleopatra” theimaginativeconservative.org/2019/10/death-eros-tragedy -love-antony-and-cleopatra-paul-krause.html, Erişim Tarihi: 15.10.2019
  • Rackin, P. (2012). Shakespeare and Women. Oxford [England]: Oxford University Press.
  • Shakespeare, W. (1996). The Complete Works of William Shakespeare. Wordsworth ed. Oxford, England: The Shakespeare Head Press.
  • Smith, E.(2012) Antony and Cleopatra. N.p. Audio Recording. Approaching Shakespeare. Venture. (2017) holidayspot.com. [online] Available at: http://www. holidayspot.com/valentine/stories/antony_cleopatra.htm[Accessed 24 Dec. 2017].
Toplam 16 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sanat ve Edebiyat
Bölüm Araştırma Makalesi
Yazarlar

Serpil Karayel Bu kişi benim 0000-0002-9664-8076

Nur Koç 0000-0002-3477-8019

Yayımlanma Tarihi 25 Aralık 2019
Kabul Tarihi 22 Ekim 2019
Yayımlandığı Sayı Yıl 2019 Cilt: 5 Sayı: 2

Kaynak Göster

APA Karayel, S., & Koç, N. (2019). Antony & Cleopatra’s Loss and Gain For an Immortal Love From Shakespeare’s antony and Cleopatra. International Journal of Media Culture and Literature, 5(2), 101-117.

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