Censorship and Circumvention in China: How Danmei Writers ‘Drive a Car’ on Jinjiang

Yıl 2020, Cilt: 6 Sayı: 2, 137 - 168, 01.12.2020

Aiqing Wang

Öz

Danmei, aka Boys Love or BL, denotes a literature genre featuring male-male romantic or erotic relationships, predominantly created by and for heterosexual women who are referred to as ‘rotten girls’. This subculture is characterised by explicit depiction of sexual encounters and erotic spectacles, which is metaphorically represented by a newly coined Internet neologism kaiche ‘to drive a car’ in China. As a consequence of its dual connection with homosexuality and pornography, as well as its accused transgression of traditional norms, danmei is subject to severe moral scrutiny and state censorship in China. As a leading danmei website with the largest readership and prominent commercial success, Jinjiang has been sensitive to government policy shifts and anti-pornography campaigns, and hence has enforced strict self-censorship standards comprising both automatic detection of transgressive keywords and multiple rounds of manual review. Consequently, writers at Jinjiang adopt a variety of circumvention tactics, including metaphor, code-switching and satire strategies, so as to accommodate readers’ requirement for homoerotic depictions. More significantly, erotic representations illustrate writers’ sexual desires and identity as ‘rotten girls’, as well as illuminate writers’ rebellion against online censorship and restriction on freedom of creation imposed by authorities.

Anahtar Kelimeler

China, boys love, censorship, eroticism, literature website

Destekleyen Kurum

n.a.

Proje Numarası

n.a.

Teşekkür

n.a.

Kaynakça

• Chao, Shih-chen. 2017. Cosplay, Cuteness, and Weiniang: The Queered Ke’ai of MaleCosplayers as ‘Fake Girls’. In Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan, eds. Lavin Maud, Ling Yang and Jamie Jing Zhao, 20-44. Hong Kong: Hong Kong University Press.
• Fujimoto, Yukari. 2015. The evolution of bl as ‘playing with gender’: Viewing the genesis and development of BL from a contemporary perspective. In Boys Love Manga and Beyond: History, Culture, and Community in Japan, Eds. Mark McLelland, Kazumi Nagaike, Katsuhiko Suganuma and James Welker, 76-92. Jackson: University Press of Mississippi.