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Salim Barakat’s novel, Sages of Darkness: “Who is Benav’s son Bekas?”

Cilt: 8 Sayı: 1 25 Ocak 2022
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Salim Barakat’s novel, Sages of Darkness: “Who is Benav’s son Bekas?”

Abstract

In his novel Sages of Darkness (Fuqahā’ al-Ẓalām), we encounter Salim Barakat as a writer of psychological realism, which this paper attempts to show by a comparison to Fyodor Dostoevsky’s ground-breaking novel Crime and Punishment (1866). Barakat’s main protagonist is a Kurdish Sufi Mullah, a protector of his rural community in al-Qamishli, Jazira in Ottoman times. With the sudden appearance of “dried up fields,” Mullah Benav carries on with his undertone of murmured prayer and reliance on the techniques of Kurdish Sufi practice (somewhat similar to Jewish Kabbalistic practice) to solve the problem. And then, lo and behold, a fantastical event occurs with the birth of a baby son whom the Mullah calls “Bekas.” Sages of Darkness has five long chapters of approximately fifty pages each, comparable to the original serial publication of Fyodor Dostoevsky’s novel Crime and Punishment. It introduces an aside on the psychological cause and result of child molestation by respected personages within the society and especially within the education system. The present paper uses quotations from the first fifty pages of Sages of Darkness. Long passages from the book are quoted because no English translation has as yet been published. I anticipate completing the translation in about 7 months.

Keywords

Kaynakça

  1. Abdulkarim, C., Ismael, S. (2019). The Burden of Colonialism and Alienation in the Modern Kurdish Novel. International Journal of Kurdish Studies, 5 (2): 373-392. DOI: https//doi.org/10.21600/ijoks.530519
  2. Ahmadzadeh, H. (2007). In Search of a Kurdish Novel that Tells us Who the Kurds Are. Iranian Studies, Taylor and Francis, www.jstor.org/stable/25597416.
  3. Barakāt, S. (1985). Sages of Darkness, Translated by Matti Peled from the original Arabic (Bison Press, Nicosia Cyprus): Am Oved Publishers, Tel Aviv (1994)—Afterword by Matti Peled (1994).
  4. Barakāt, S. (1994). Fuqahā’ al-Ẓalām [Sages of Darkness]. Baghdad: Al-Mada Publishing House (1st edition).
  5. Butt, A. (2018). The Unimaginative Symbols of Salim Barakat. International Journal of Kurdish Studies, 4 (2): 294-308. https://doi.org/10.21600/ijoks.454197
  6. Karacan, H., & Butt, A. (2021). The Antiquity of Kurmanji Kurdish and the Biblical Book of Nahum. Prizren Social Science Journal, 5(1), 90-96. https://doi.org/10.32936/pssj.v5i1.206.
  7. Karacan, Hasan, Butt, Aviva, (2021). On the Use of Poetry in Oral and Written Literature: The Voice of the Obscure, ECLSS Proceedings Book, Conference, Kyrenia, TRNC. 18-19, 2021: 128-136. https://eclss.org/publicationsfordoi/proceedingskyreniapr0cdt11act8boo8k2021b.pdf
  8. Kliger, I. (2010). Shapes of History and the Enigmatic Hero in Dostoevsky: The Case of “Crime and Punishment.” Comparative Literature, 62(3), 228–245. http://www.jstor.org/stable/40962856

Ayrıntılar

Birincil Dil

İngilizce

Konular

-

Bölüm

Derleme

Yayımlanma Tarihi

25 Ocak 2022

Gönderilme Tarihi

25 Kasım 2021

Kabul Tarihi

1 Ocak 2022

Yayımlandığı Sayı

Yıl 2022 Cilt: 8 Sayı: 1

Kaynak Göster

APA
Butt, A. (2022). Salim Barakat’s novel, Sages of Darkness: “Who is Benav’s son Bekas?”. International Journal of Kurdish Studies, 8(1), 82-98. https://doi.org/10.21600/ijoks.1028134

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