DI ÇARÇOVEYA TEORIYA PERFORMANSÊ DE NIRXANDINA VEGOTINÊN GELÊRÎ

Folk-Narratives such as folktales, myth, epos, legend are genres of the folk literature which is one of the main branch of folklore discipline. Those narratives have been transferred from generation to next one orally an anonymously for centuries. In the very beginning of the folklore discipline those genres have been evaluated as a text which mostly ignored  their context and texture. In the 1970's discussing over evaluating them in their contextual performing began among folklorists. In this frame re-narrating of those folk narratives and even their exhibition begun to be subject of the works.

In this article, some examples of turkish and kurdish folk narratives such as 'uykudan önce (before sleeping)', 'Intangible Heritage Museum', ''dengbêj in the dengbêj house', 'mem û zîn', and 'pîrê û rovî (a kurdish folktale)' have been dicussed and evaluated in the frame of performance theory which is one of the recent influential theories of folklore.