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THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM

Yıl 2019, Cilt: 3 Sayı: 2, 105 - 112, 30.09.2019

Öz

Diasporic Literature goes beyond the difference of culture and provides the space that an immigrant can present him/herself in a new identity. Songs of Exile is an instance of this kind of presentattion of an Iranian poet Banoo Zan landed in Canada  in which she presents the different form of narration) that unearthes the layers of her identity and culture in exile. In fact, thorugh the lens of Bhabha, Banoo Zan challenges the integration of the convention of confirmed selfhood and heritage of the colonizer in the crashes happening between two different cul-tures. Her poems demonstrate the subjectification process through her past and the stereotype of the new culture based on Bhabha’s hybridity in order to provide us with a better view of international culture. Therefore what makes this research significant is Bhabha’s approach to interpret the conflicts by which the meaning of home and belonging transfers into the concrete one rather than a national fact which gives the colonized a state of suspension, so she can fill the gaps of the colonizer’s cultures with whatever she is carrying from her past to form a new version of hybrid identity.

Kaynakça

  • Ashcroft, Griffiths, and Tiffin. Post-colonial Studies. Routledge, 2007. Pdf
  • Banoo Zan. Songs of Exile. Guernica: Canada, 2016. Pdf
  • Bhabha, Homi K. The Location of Culture. London: Routledge, 1994.Pdf
  • Bhabha, Homi K. Dissemination: time, Narrative, and the Margin of the Modern Nation. London;New York: Routledge, 1990. Pdf.
  • Ghandeharian, A. Farshi, S.S. “Homi Bhabha and Iranian-American Liter-ature of Diaspora: Is Firoozeh Dumas Postcolonially Funny?” Forum for World Literature Studies.(2017): Web.22 Dec.2019
  • Habib, M. A. R.“ New Historicism.” A History of Literary Criticism: From Plato to the Present. Blackwell, 2005. Pdf
  • Huddart, David. Homi k. Bhabha. Routledge, 2006. Pdf
  • McGiffin, Emily. “Writing Their Way Home”.Concepts of Vancou-ver:Poetics, Art, Media Spec. Canadian Literature 235 .(Winter 2017): Web. 22Dec.2019
  • Mizutani, Satushi. Hybridity and History: A Critical refkection on Homi k. Bhabha’s ‘Post- Historical Thought’. Zinbun, 2008. Pdf
  • Sutherland, Kate. “Songs of Exile” Quill and Quire :Web. 22 Dec.2019
  • Tyson, Lois. Critical Theory Today: A User Friendly Guide. New York:Routledge, 2006. Print
Yıl 2019, Cilt: 3 Sayı: 2, 105 - 112, 30.09.2019

Öz

Kaynakça

  • Ashcroft, Griffiths, and Tiffin. Post-colonial Studies. Routledge, 2007. Pdf
  • Banoo Zan. Songs of Exile. Guernica: Canada, 2016. Pdf
  • Bhabha, Homi K. The Location of Culture. London: Routledge, 1994.Pdf
  • Bhabha, Homi K. Dissemination: time, Narrative, and the Margin of the Modern Nation. London;New York: Routledge, 1990. Pdf.
  • Ghandeharian, A. Farshi, S.S. “Homi Bhabha and Iranian-American Liter-ature of Diaspora: Is Firoozeh Dumas Postcolonially Funny?” Forum for World Literature Studies.(2017): Web.22 Dec.2019
  • Habib, M. A. R.“ New Historicism.” A History of Literary Criticism: From Plato to the Present. Blackwell, 2005. Pdf
  • Huddart, David. Homi k. Bhabha. Routledge, 2006. Pdf
  • McGiffin, Emily. “Writing Their Way Home”.Concepts of Vancou-ver:Poetics, Art, Media Spec. Canadian Literature 235 .(Winter 2017): Web. 22Dec.2019
  • Mizutani, Satushi. Hybridity and History: A Critical refkection on Homi k. Bhabha’s ‘Post- Historical Thought’. Zinbun, 2008. Pdf
  • Sutherland, Kate. “Songs of Exile” Quill and Quire :Web. 22 Dec.2019
  • Tyson, Lois. Critical Theory Today: A User Friendly Guide. New York:Routledge, 2006. Print
Toplam 11 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Araştırma Makalesi
Yazarlar

Sona Jafari Nasab Bu kişi benim

Yayımlanma Tarihi 30 Eylül 2019
Yayımlandığı Sayı Yıl 2019 Cilt: 3 Sayı: 2

Kaynak Göster

APA Nasab, S. J. (2019). THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM. International Journal of Social And Humanities Sciences, 3(2), 105-112.
AMA Nasab SJ. THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM. IJSHS. Eylül 2019;3(2):105-112.
Chicago Nasab, Sona Jafari. “THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM”. International Journal of Social And Humanities Sciences 3, sy. 2 (Eylül 2019): 105-12.
EndNote Nasab SJ (01 Eylül 2019) THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM. International Journal of Social And Humanities Sciences 3 2 105–112.
IEEE S. J. Nasab, “THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM”, IJSHS, c. 3, sy. 2, ss. 105–112, 2019.
ISNAD Nasab, Sona Jafari. “THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM”. International Journal of Social And Humanities Sciences 3/2 (Eylül 2019), 105-112.
JAMA Nasab SJ. THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM. IJSHS. 2019;3:105–112.
MLA Nasab, Sona Jafari. “THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM”. International Journal of Social And Humanities Sciences, c. 3, sy. 2, 2019, ss. 105-12.
Vancouver Nasab SJ. THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM. IJSHS. 2019;3(2):105-12.