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THE VIENNA STATE OPERA. MEETING MODERNITY WHILE FOLLOWING TRADITION

Yıl 2024, Cilt: 10 Sayı: 2, 181 - 191, 31.12.2024
https://doi.org/10.46442/intjcss.1573663

Öz

The Vienna State Opera has been at the heart of classical music and opera for a long history, merging tradition with modernity in a prestigious institution. Founded in 1869, this significant opera house offers a broad artistic range, presenting not only classical repertoire but also contemporary and innovative productions. The Vienna State Opera plays a crucial role as a bridge in the art world, showcasing internationally recognized opera works alongside modern operas. In addition to its classical repertoire, the opera house’s modern productions have also garnered considerable interest. This approach combines traditional and innovative elements, providing audiences with a unique experience. The Vienna State Opera integrates technological advancements into its stage arts, enhancing performances with cutting-edge lighting and sound systems. These developments make the visual and auditory experience more dynamic and compelling. With its mission to present both tradition and innovation, the Vienna State Opera continues to be one of the most prestigious representatives of both historical and modern opera worlds. This balance creates a platform that offers the best examples of both the past and the future to artists and audiences alike. The opera house’s approach is recognized as a defining feature that sets it apart on the international opera stage

Kaynakça

  • Einstein, A. (1916). General Theory of Relativity. Annalen der Physik, 49 (7).
  • Abbate, C., & Parker, R. (1989). Analyzing opera: Verdi and Wagner. University of California Press.
  • Abbate, C., & Parker, R. (2012). A history of opera: The last four hundred years. Penguin UK.
  • Art für Art. (2024, September 4). HANDWERK Bühnenbild & Kostüm. Retrieved from https://www.art-fuer-art.at
  • Bundesministerium Kunst, Kultur, Öffentlicher Dienst und Sport. (2024, September 2). Kunst und Kultur Kulturinstitutionen des Bundes. Retrieved from https://www.bmkoes.gv.at
  • Bundesministerium Kunst, Kultur, öffentlicher Dienst und Sport. (2024). Jahresbericht: Kulturelle und finanzielle Entwicklungen der Wiener Staatsoper. Vienna: Austrian Federal Ministry for Arts, Culture, Civil Service, and Sport.
  • Chua, D. K. L. (2020). Mozart's Die Zauberflöte and the Magic of Technology. Oxford University Press, 28(1-2), 20-45.
  • Die Eröffnungs-Vorstellung im neuen Opernhause. (1869, May 26). Die Presse, p. 14. Available online at ANNO.
  • Ertl, K. (2015). The Financial Structure of Major European Opera Houses: A Comparative Study. Vienna: University of Vienna Press.
  • Ertl, K. (2018). Innovative Stage Design and Technology in Modern Opera Productions. Vienna: University of Vienna Press.
  • Grout, D., & Williams, H. W. (2003). Index. In A short history of opera (pp. 247-259). Columbia University Press. https://doi.org/10.7312/grou11958-035
  • Latham, A., & Mitchell, J. P. (2002). Culture, capital and policy: A critical analysis of the Vienna State Opera's role in international cultural exchange. Journal of Cultural Policy, 8(3), 205-217.
  • Leyrer, G. (2024, April 04). Staatsoper 2024/'25: Roščić macht nicht mehr Altes neu, sondern füllt Fehlstellen. Retrieved from Staatsoper 2024/'25: Roščić macht nicht mehr Altes neu, sondern füllt Fehlstellen (kurier.at)
  • Mittag, E. (2011). Die Wiener Staatsoper 1945-1960. Maske und Kothurn, 7(JG). https://doi.org/10.7767/muk.1961.7.jg.112
  • NEST. (2024, June 28). Nest. Retrieved from https://www.nest.at
  • Nisbett, M., & Walmsley, B. (2016). The opera as a cultural institution: Preservation of cultural heritage and educational outreach. International Journal of Arts Management, 19(1), 25-40.
  • ORF TOPOS. (2024, September 26). Behind the Scenes beim neuen „Don Carlo“. Retrieved from Behind the Scenes beim neuen „Don Carlo“ - ORF Topos
  • Wechsberg, J. (2023). The opera. Plunkett Lake Press.
  • Wiener Staatsoper. (2012, September 12). Orchester der Wiener Staatsoper. Retrieved from https://wiener-staatsoper.at
  • Wiener Staatsoper. (2016, February 6). Geschichte des Wiener Opernballs. Retrieved from https://wiener-staatsoper.at
  • Wiener Staatsoper. (2020, July 1). Bogdan Roščić, Direktor der Wiener Staatsoper (ab 1. Juli 2020). Retrieved July 1, 2020, from https://wiener-staatsoper.at
  • Wiener Staatsoper. (2021, March 4). ONLINE LIVE ÜBERTRAGUNGEN AUS DER WIENER STAATSOPER. Retrieved from https://wiener-staatsoper.at
  • Wiener Staatsoper. (2022, September 4). Opera School for children. Retrieved from https://wiener-staatsoper.at Wiener Staatsoper. (2023, September 1). Management. Retrieved from https://wiener-staatsoper.at
  • Wiener Staatsoper. (2024, July 18). NEST - DIE NEUE STAATSOPER IM KÜNSTLERHAUS. Retrieved from https://wiener-staatsoper.at
  • Wilhelm, B. (1955). Das Wiener Opernhaus. 1869 bis 1955 (2nd ed.). Panorama.
  • Williams, B. (2006). On opera. Yale University Press.
  • ZEIT Reisen. (2018, January 2). Wiener Staatsoper. Retrieved from https://zeitreisenurl.com
  • Tošić, L.. (2024, September 27). "Don Carlo" an der Staatsoper wird Opfer der Publikumswut. Retrieved from "Don Carlo" an der Staatsoper wird Opfer der Publikumswut - Bühne - derStandard.at › Kultur

VİYANA DEVLET OPERASI. GELENEĞİ TAKİP EDERKEN MODERNİTEYLE BULUŞMA

Yıl 2024, Cilt: 10 Sayı: 2, 181 - 191, 31.12.2024
https://doi.org/10.46442/intjcss.1573663

Öz

Viyana Devlet Operası, köklü geçmişiyle klasik müzik ve operanın kalbinde yer almakta olup geleneği moderniteyle birleştiren prestijli bir kurumdur. 1869 yılında kurulan bu önemli opera binası, yalnızca klasik repertuvarı değil, aynı zamanda çağdaş ve yenilikçi prodüksiyonları da sunarak geniş bir sanatsal yelpazeye ev sahipliği yapmaktadır. Viyana Devlet Operası, dünya çapında tanınmış opera eserlerini modern operalarla bir arada sergileyerek sanat dünyasında bir köprü görevi üstlenmektedir. Klasik repertuvarının yanı sıra, opera evinin modern prodüksiyonları da büyük ilgi görmektedir. Bu yaklaşım, geleneksel ve yenilikçi unsurları bir araya getirerek izleyicilere benzersiz bir deneyim sunmaktadır. Viyana Devlet Operası, sahne sanatlarında teknolojik gelişmeleri entegre ederek, performansları son teknoloji ışıklandırma ve ses sistemleriyle daha dinamik ve etkileyici hale getirmektedir. Bu gelişmeler, görsel ve işitsel deneyimi daha çarpıcı kılmaktadır. Hem gelenek hem de yeniliği bir arada sunma misyonuyla Viyana Devlet Operası, tarihi ve modern opera dünyalarının en prestijli temsilcilerinden biri olmaya devam etmektedir. Bu denge, sanatçılara ve izleyicilere geçmişin ve geleceğin en iyi örneklerini sunan bir platform yaratmaktadır. Opera evinin bu yaklaşımı, onu uluslararası opera sahnesinde öne çıkaran belirleyici bir özellik olarak tanınmaktadır.

Kaynakça

  • Einstein, A. (1916). General Theory of Relativity. Annalen der Physik, 49 (7).
  • Abbate, C., & Parker, R. (1989). Analyzing opera: Verdi and Wagner. University of California Press.
  • Abbate, C., & Parker, R. (2012). A history of opera: The last four hundred years. Penguin UK.
  • Art für Art. (2024, September 4). HANDWERK Bühnenbild & Kostüm. Retrieved from https://www.art-fuer-art.at
  • Bundesministerium Kunst, Kultur, Öffentlicher Dienst und Sport. (2024, September 2). Kunst und Kultur Kulturinstitutionen des Bundes. Retrieved from https://www.bmkoes.gv.at
  • Bundesministerium Kunst, Kultur, öffentlicher Dienst und Sport. (2024). Jahresbericht: Kulturelle und finanzielle Entwicklungen der Wiener Staatsoper. Vienna: Austrian Federal Ministry for Arts, Culture, Civil Service, and Sport.
  • Chua, D. K. L. (2020). Mozart's Die Zauberflöte and the Magic of Technology. Oxford University Press, 28(1-2), 20-45.
  • Die Eröffnungs-Vorstellung im neuen Opernhause. (1869, May 26). Die Presse, p. 14. Available online at ANNO.
  • Ertl, K. (2015). The Financial Structure of Major European Opera Houses: A Comparative Study. Vienna: University of Vienna Press.
  • Ertl, K. (2018). Innovative Stage Design and Technology in Modern Opera Productions. Vienna: University of Vienna Press.
  • Grout, D., & Williams, H. W. (2003). Index. In A short history of opera (pp. 247-259). Columbia University Press. https://doi.org/10.7312/grou11958-035
  • Latham, A., & Mitchell, J. P. (2002). Culture, capital and policy: A critical analysis of the Vienna State Opera's role in international cultural exchange. Journal of Cultural Policy, 8(3), 205-217.
  • Leyrer, G. (2024, April 04). Staatsoper 2024/'25: Roščić macht nicht mehr Altes neu, sondern füllt Fehlstellen. Retrieved from Staatsoper 2024/'25: Roščić macht nicht mehr Altes neu, sondern füllt Fehlstellen (kurier.at)
  • Mittag, E. (2011). Die Wiener Staatsoper 1945-1960. Maske und Kothurn, 7(JG). https://doi.org/10.7767/muk.1961.7.jg.112
  • NEST. (2024, June 28). Nest. Retrieved from https://www.nest.at
  • Nisbett, M., & Walmsley, B. (2016). The opera as a cultural institution: Preservation of cultural heritage and educational outreach. International Journal of Arts Management, 19(1), 25-40.
  • ORF TOPOS. (2024, September 26). Behind the Scenes beim neuen „Don Carlo“. Retrieved from Behind the Scenes beim neuen „Don Carlo“ - ORF Topos
  • Wechsberg, J. (2023). The opera. Plunkett Lake Press.
  • Wiener Staatsoper. (2012, September 12). Orchester der Wiener Staatsoper. Retrieved from https://wiener-staatsoper.at
  • Wiener Staatsoper. (2016, February 6). Geschichte des Wiener Opernballs. Retrieved from https://wiener-staatsoper.at
  • Wiener Staatsoper. (2020, July 1). Bogdan Roščić, Direktor der Wiener Staatsoper (ab 1. Juli 2020). Retrieved July 1, 2020, from https://wiener-staatsoper.at
  • Wiener Staatsoper. (2021, March 4). ONLINE LIVE ÜBERTRAGUNGEN AUS DER WIENER STAATSOPER. Retrieved from https://wiener-staatsoper.at
  • Wiener Staatsoper. (2022, September 4). Opera School for children. Retrieved from https://wiener-staatsoper.at Wiener Staatsoper. (2023, September 1). Management. Retrieved from https://wiener-staatsoper.at
  • Wiener Staatsoper. (2024, July 18). NEST - DIE NEUE STAATSOPER IM KÜNSTLERHAUS. Retrieved from https://wiener-staatsoper.at
  • Wilhelm, B. (1955). Das Wiener Opernhaus. 1869 bis 1955 (2nd ed.). Panorama.
  • Williams, B. (2006). On opera. Yale University Press.
  • ZEIT Reisen. (2018, January 2). Wiener Staatsoper. Retrieved from https://zeitreisenurl.com
  • Tošić, L.. (2024, September 27). "Don Carlo" an der Staatsoper wird Opfer der Publikumswut. Retrieved from "Don Carlo" an der Staatsoper wird Opfer der Publikumswut - Bühne - derStandard.at › Kultur
Toplam 28 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Güzel Sanatlar
Bölüm Araştırma
Yazarlar

Murat Şengöz 0000-0001-6597-0161

Erken Görünüm Tarihi 30 Aralık 2024
Yayımlanma Tarihi 31 Aralık 2024
Gönderilme Tarihi 25 Ekim 2024
Kabul Tarihi 28 Aralık 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 10 Sayı: 2

Kaynak Göster

APA Şengöz, M. (2024). THE VIENNA STATE OPERA. MEETING MODERNITY WHILE FOLLOWING TRADITION. Uluslararası Kültürel Ve Sosyal Araştırmalar Dergisi, 10(2), 181-191. https://doi.org/10.46442/intjcss.1573663

Uluslararası Kültürel ve Sosyal Araştırmalar Dergisi