Araştırma Makalesi
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Mimarlıkta Dijital Fabrikasyonun Sanatsal ve Şiirsel Boyutu

Yıl 2022, Cilt: 3 Sayı: 1, 1 - 18, 31.03.2022
https://doi.org/10.53710/jcode.1062471

Öz

Mimaride yeni olasılıklara izin veren güncel üretim teknikleri ve dijital tasarım araçları sayesinde dijital fabrikasyon laboratuvarları birçok yönden öncü bir ortam olarak görülmektedir. Dijital fabrikasyon laboratuvarlarının sadece bilim ve teknoloji açısından değil aynı zamanda sanat açısından da önemli bir potansiyel olduğu düşünülmektedir. Buna rağmen son on yılda bu alanda yapılan çalışmalarda mimaride dijital fabrikasyonun sanatsal ve şiirsel yönüne olan vurgunun eksikliği dikkat çekmektedir. Bu nedenle bu olgunun literatürde sanatsal ve şiirsel açıdan nasıl ele alındığına dair nitel bir araştırma yapılarak kuramsal bir tartışma yürütülmüş, mimarlığın sanatsal ve şiirsel yönlerini dijital fabrikasyon teknolojileri bağlamında ortaya çıkarmak ve konunun nasıl ele alındığını anlamak için kapsamlı bir literatür taraması yapılmıştır. Analiz MAXQDA yazılımı ile dijital fabrikasyon ve mimarlık temalarını içeren son on yılda basılmış 197 hakemli dergi makalesini içermektedir. Araştırmanın amacı dijital fabrikasyonun sanatsal yönden yeterince tartışılmadığını kanıtlamak değildir ancak bu metodoloji, makalelerin odağını ve eğilimlerini anlamamıza yardımcı olmaktadır. Genel olarak mimaride dijital fabrikasyon konusu literatürde “neden” sorusundan çok malzeme, strüktür, süreç, teknoloji ve dijital fabrikasyon araçlarının nasıl kullanılacağı ile ilgili olarak incelenmektedir. Yapılan literatür analizi sonuçlarına göre; karakteristik, kimlik, stil, çeşitlilik, konsept, form, kompozisyon, tektonik ve geometri gibi kavramlar sıklıkla kullanılmış olup, estetik, güzellik, sanat, zanaat gibi kelimeler daha az kullanılmıştır. Üstelik duygu, deneyim, algı, sezgi gibi mimarlık disiplini ile oldukça ilişkili olan kavramlar da çok az yer almaktadır. Özetle dijital fabrikasyon ve mimarlık ekseninde yapılan çalışmaların neden yapıldığı ve sanatla olan ilişkisi bu konuda sıklıkla sorulan nasıl sorusu kadar değerlidir ve bu bağlamda yapılacak bilimsel araştırmalarda daha fazla yer almalıdır.

Kaynakça

  • Amundsen, M. (2020). Q&A with Juhani Pallasmaa on Architecture, Aesthetics of Atmospheres and the Passage of TimeQuestions-réponses avec Juhani Pallasmaa. Ambiances. doi:10.4000/ambiances.1257
  • Archdaily. (2021, March 5). Archdaily. Retrieved from Weird Sensation Feels Good Exhibition at ArkDes / ĒTER, : https://www.archdaily.com/941382/weird-sensation-feels-good-exhibition-at-arkdes-eter
  • Arterritory. (2022, January 22). Arterritory. Retrieved from https://arterritory.com/en/architecture_design--fashion/topical_qa/24910-we_live_in_times_of_a_new_awareness/
  • Bell, L., Brown, A., Bull, G., Conly, K., & Johnson, L. (2010). A Special Editorial : Digital Fabrication Revolution. Editor's Notes. Tech Trends, 5, 2-5.
  • Beorkrem, C. (2017). Material Strategies in Digital Fabrication. London: Routledge.
  • Bhatia, S. K., & Sharma, S. (2014). 3D-printed prosthetics roll off the presses. . Chemical Engineering Progress, 110(5), 28-33.
  • Boddeti, N. (2020). Optimal design and manufacture of variable stiffness laminated continuous fiber reinforced composites. Nature Publisher Group. doi:10.1038/s41598-020-73333-4
  • Bosqué, C. (2015). What are you printing? Ambivalent emancipation by 3D printing. Rapid Prototyping Journal, 21(5), 572-581. doi:10.1108/RPJ-09-2014-0128
  • Chilton, o., & Chuang, C.-C. (2017). Rooted in Nature: Aesthetics, Geometry and Structure in the Shells of Heinz Isler. Nexus Network Journal, 19, 763-785. doi:10.1007/s00004-017-0357-5
  • Diles, J. (2018). Lightweight Stereotomy with Glass-Fiber Reinforced Plastic. Nexus Network Journal. doi:10.1007/s00004-018-0376-x
  • Dunham-Jones, E. (1997). Stars, Swatches and Sweets: Thoughts on Post-Fordist Production and the Star System in Architecture. Thresholds, 15, 16-21. doi:https://doi.org/10.1162/thld_a_00534
  • Eeter. (2021, March 5). Eeter: Eeter Achitectural Practice,. Retrieved from Eeter: https://www.eeter.net/about
  • Fallacara, G., & Barberio, M. (2018). An Unfinished Manifesto for Stereotomy 2.0. Nexus Network Journal, 20(3). doi:10.1007/s00004-018-0390-z
  • Fallacara, G., & Barberio, M. (2018). Stereotomy 2.0: The Rebirth of a Discipline that Never Died. Nexus Network Journal, 20(3). doi:DOI:10.1007/s00004-018-0408-6
  • Fogliattoa, F. S., Silveira, G. J., & Borenstein, D. (2012). The mass customization decade : An updated review of the literature Int . J . Production Economics The mass customization decade : An updated review of the literature. International Journal of Production Economics, 138(1), 14-25. doi:https://doi.org/10
  • Gamerro, J., Bocquet, J. F., & Weinand, Y. (2020). A Calculation Method for Interconnected Timber Elements Using Wood-Wood Connections. Buildings, 10(3). doi:https://doi.org/10.3390/buildings10030061
  • Hairston, M. (1982). The Winds of Change: Thomas Kuhn and the Revolution in the Teaching of Writing. Collage Composition and Communication, 33(1), 76-88. doi:https://doi.org/10.2307/357846.
  • Johnson, J. S., & Vermillion, J. (2016). Digital Design Exercises for Architecture Students. London: Routledge.
  • Khun, T. (1996). The Structure of Scientific Revolutions. Chicago and London: The University of Chicago Press.
  • Kolarevic, B. (2001). Architecture in the digital age: Design and manufacturing. 19th eCAADe Conference Proceedings, (pp. 117-123). Helsinki (Finland). doi:https://doi.org/10.4324/9780203634561
  • Kolarevic, B., & Klinger, K. (2013). Manufacturing material effects: Rethinking design and making in architecture. London: Routledge. doi:https://doi.org/10.4324/9781315881171
  • Lau, R. S. (1995). Mass customization : The next industrial revolution. Industrial Management, 37(5), 18-19.
  • Maxqda. (2022, 10 January). maxqda.com. Retrieved from https://www.maxqda.com/lang/tr
  • Meister, A.-M. (2020). Ernst Neufert ’ s ‘ Lebensgestaltungslehre ’ : formatting life beyond the built. BJHS Themes, 5, 167–185 . doi:https://doi.org/10.1017/bjt.2020.13
  • Michael, S., & Lutz, S. (2009). Bauhaus 1919-1933. . Parkstone International .
  • Oxman, N. (2010). Material-based design computation. (D. o. Computation, Ed.) Massachusetts Institute of Technology. Retrieved from https://dspace.mit.edu/handle/1721.1/59192
  • Oxman, R. E. (2010). Sharing media and knowledge in design pedagogy. (J. o. Construction, Ed.) Electron. J. Inf. Technol. Constr., 15, 291–305. Retrieved from http://www.itcon.org/2010/22
  • Paio, A., Eloy, S., Rato, V. M., Resende, J. R., & Oliveira, M. J. (2012). Adetti, L., Fablab, V.: Prototyping Vitruvius, New Challenges: Digital Education, Researchand Practice. Nexus Network Journal, 14(3), 409-429. doi:https://doi.org/10.1007/s00004-012-0124-6.
  • Pallasmaa, J. (2012). The Eyes of the Skin: Architecture and the Senses. New York: John Wiley & Sons Inc.
  • Sass, L., & Oxman, R. (2006). Materializing design: The implications of rapid prototyping in digital design. Design Studies, 27(3), 325–355. doi:https://doi.org/10.1016/j.destud.2005.11.009
  • Savastano, M., Bellini, F., D'Ascenzo, F., & Scornavacca, E. (2017). FabLabs as platforms for digital fabrication services: A literature analysis. . Lecture Notes in Business Information Processing, (pp. 24-37). doi:https://doi.org/10.1007/978-3-319-56925-3_3.
  • Terzidis, K. (2004). The nature of computation Algorithmic Design: A Paradigm Shift in Architecture? 22nd eCAADe Conference Proceedings, (pp. 201–207).
  • Tibuzzi, E. (2018). Revisiting Stereotomic Principles in Contemporary AEC Practice. Nexus Network Journal. doi:DOI:10.1007/s00004-018-0406-8
  • Wiedenbeck, J., & Parsons, J. (2010). Digital Technology Use by Companies in the Furniture, Cabinet, Architectural Millwork, and Related Industries. Forest Products Journal, 60(1), 79-85. doi:DOI:10.13073/0015-7473-60.1.78
  • Yao, X., & Lin, Y. (2016). Emerging manufacturing paradigm shifts for the incoming industrial revolution. The International Journal of Advanced Manufacturing Technology , 85(5-8), 1665-1676. doi:https://doi.org/10.1007/s00170-015-8076-0

Poetic and Artistic Aspects of Digital Fabrication in Architecture

Yıl 2022, Cilt: 3 Sayı: 1, 1 - 18, 31.03.2022
https://doi.org/10.53710/jcode.1062471

Öz

New production techniques and digital design tools allow new possibilities in architecture and digital fabrication laboratories provide an environment for these new opportunities. In addition to its potential in terms of science and technology, digital fabrication creates many opportunities for artistic aspects of architecture. Therefore we aimed to make a theoretical discussion and try to provide a new perspective for an evaluation of the phenomenon in the context of artistic and poetic aspects. From this perspective, to clarify the artistic aspects of architecture in the context of digital fabrication technologies and to understand how the subject is covered in the literature clearly, a comprehensive literature review has been made. Initially, the literature review was limited to the themes of digital fabrication and architecture to extract from out-of-context articles and 197 peer review journals written in the last 10 years were examined. Then, a pre-coding schema was prepared from two authors and extended after a detail literature review. The extended coding schema was grouped in terms of their semantic distance and these groups were used to make an assumption about papers. The software MAXQDA, which is commonly used in the social science, assist us to identify the semantic codes related to the research context without any omission. Articles were investigated with the keywords created after precoding. The remaining 51 articles on the field of Architecture were analysed through these codes. Our aim is not to prove if there is sufficient paper that discuss the artistic aspects of digital fabrication. However this methodology helps us to understand the focus of the papers and the tendencies as an approach in this context. In general, the subject of digital fabrication in architecture is studied more about materials, structures, processes, technology and how to use digital fabrication tools instead of why it was examined in the literature. From perspective of artistic dimension, the reviewed papers mainly emphasize ‘characteristic, identity, variety, style, concept, customization, subjective, subjectivity, formal, composition, tectonic, geometry, form’. On the other hand, ‘aesthetic, beauty, expression, art, stereotomy, craft, artifact, are less discusses codes. Words directly related to art and craft are not discussed in the articles and there is less discussion on the aesthetic values of digital fabrication. ‘Sense, experience, perception, intuition’ are also less discussed codes even if these are strong relationship with architectural context. Although not included in the academic literature, the issue of digital fabrication has begun to be discussed in the context of experience, through art installations in 1:1 scale produced by digital fabrication tools. In a nutshell, the issue of art is at least as valuable as the most frequently asked question of how in digital fabrication, and this aspect should be given more place in scientific research.

Kaynakça

  • Amundsen, M. (2020). Q&A with Juhani Pallasmaa on Architecture, Aesthetics of Atmospheres and the Passage of TimeQuestions-réponses avec Juhani Pallasmaa. Ambiances. doi:10.4000/ambiances.1257
  • Archdaily. (2021, March 5). Archdaily. Retrieved from Weird Sensation Feels Good Exhibition at ArkDes / ĒTER, : https://www.archdaily.com/941382/weird-sensation-feels-good-exhibition-at-arkdes-eter
  • Arterritory. (2022, January 22). Arterritory. Retrieved from https://arterritory.com/en/architecture_design--fashion/topical_qa/24910-we_live_in_times_of_a_new_awareness/
  • Bell, L., Brown, A., Bull, G., Conly, K., & Johnson, L. (2010). A Special Editorial : Digital Fabrication Revolution. Editor's Notes. Tech Trends, 5, 2-5.
  • Beorkrem, C. (2017). Material Strategies in Digital Fabrication. London: Routledge.
  • Bhatia, S. K., & Sharma, S. (2014). 3D-printed prosthetics roll off the presses. . Chemical Engineering Progress, 110(5), 28-33.
  • Boddeti, N. (2020). Optimal design and manufacture of variable stiffness laminated continuous fiber reinforced composites. Nature Publisher Group. doi:10.1038/s41598-020-73333-4
  • Bosqué, C. (2015). What are you printing? Ambivalent emancipation by 3D printing. Rapid Prototyping Journal, 21(5), 572-581. doi:10.1108/RPJ-09-2014-0128
  • Chilton, o., & Chuang, C.-C. (2017). Rooted in Nature: Aesthetics, Geometry and Structure in the Shells of Heinz Isler. Nexus Network Journal, 19, 763-785. doi:10.1007/s00004-017-0357-5
  • Diles, J. (2018). Lightweight Stereotomy with Glass-Fiber Reinforced Plastic. Nexus Network Journal. doi:10.1007/s00004-018-0376-x
  • Dunham-Jones, E. (1997). Stars, Swatches and Sweets: Thoughts on Post-Fordist Production and the Star System in Architecture. Thresholds, 15, 16-21. doi:https://doi.org/10.1162/thld_a_00534
  • Eeter. (2021, March 5). Eeter: Eeter Achitectural Practice,. Retrieved from Eeter: https://www.eeter.net/about
  • Fallacara, G., & Barberio, M. (2018). An Unfinished Manifesto for Stereotomy 2.0. Nexus Network Journal, 20(3). doi:10.1007/s00004-018-0390-z
  • Fallacara, G., & Barberio, M. (2018). Stereotomy 2.0: The Rebirth of a Discipline that Never Died. Nexus Network Journal, 20(3). doi:DOI:10.1007/s00004-018-0408-6
  • Fogliattoa, F. S., Silveira, G. J., & Borenstein, D. (2012). The mass customization decade : An updated review of the literature Int . J . Production Economics The mass customization decade : An updated review of the literature. International Journal of Production Economics, 138(1), 14-25. doi:https://doi.org/10
  • Gamerro, J., Bocquet, J. F., & Weinand, Y. (2020). A Calculation Method for Interconnected Timber Elements Using Wood-Wood Connections. Buildings, 10(3). doi:https://doi.org/10.3390/buildings10030061
  • Hairston, M. (1982). The Winds of Change: Thomas Kuhn and the Revolution in the Teaching of Writing. Collage Composition and Communication, 33(1), 76-88. doi:https://doi.org/10.2307/357846.
  • Johnson, J. S., & Vermillion, J. (2016). Digital Design Exercises for Architecture Students. London: Routledge.
  • Khun, T. (1996). The Structure of Scientific Revolutions. Chicago and London: The University of Chicago Press.
  • Kolarevic, B. (2001). Architecture in the digital age: Design and manufacturing. 19th eCAADe Conference Proceedings, (pp. 117-123). Helsinki (Finland). doi:https://doi.org/10.4324/9780203634561
  • Kolarevic, B., & Klinger, K. (2013). Manufacturing material effects: Rethinking design and making in architecture. London: Routledge. doi:https://doi.org/10.4324/9781315881171
  • Lau, R. S. (1995). Mass customization : The next industrial revolution. Industrial Management, 37(5), 18-19.
  • Maxqda. (2022, 10 January). maxqda.com. Retrieved from https://www.maxqda.com/lang/tr
  • Meister, A.-M. (2020). Ernst Neufert ’ s ‘ Lebensgestaltungslehre ’ : formatting life beyond the built. BJHS Themes, 5, 167–185 . doi:https://doi.org/10.1017/bjt.2020.13
  • Michael, S., & Lutz, S. (2009). Bauhaus 1919-1933. . Parkstone International .
  • Oxman, N. (2010). Material-based design computation. (D. o. Computation, Ed.) Massachusetts Institute of Technology. Retrieved from https://dspace.mit.edu/handle/1721.1/59192
  • Oxman, R. E. (2010). Sharing media and knowledge in design pedagogy. (J. o. Construction, Ed.) Electron. J. Inf. Technol. Constr., 15, 291–305. Retrieved from http://www.itcon.org/2010/22
  • Paio, A., Eloy, S., Rato, V. M., Resende, J. R., & Oliveira, M. J. (2012). Adetti, L., Fablab, V.: Prototyping Vitruvius, New Challenges: Digital Education, Researchand Practice. Nexus Network Journal, 14(3), 409-429. doi:https://doi.org/10.1007/s00004-012-0124-6.
  • Pallasmaa, J. (2012). The Eyes of the Skin: Architecture and the Senses. New York: John Wiley & Sons Inc.
  • Sass, L., & Oxman, R. (2006). Materializing design: The implications of rapid prototyping in digital design. Design Studies, 27(3), 325–355. doi:https://doi.org/10.1016/j.destud.2005.11.009
  • Savastano, M., Bellini, F., D'Ascenzo, F., & Scornavacca, E. (2017). FabLabs as platforms for digital fabrication services: A literature analysis. . Lecture Notes in Business Information Processing, (pp. 24-37). doi:https://doi.org/10.1007/978-3-319-56925-3_3.
  • Terzidis, K. (2004). The nature of computation Algorithmic Design: A Paradigm Shift in Architecture? 22nd eCAADe Conference Proceedings, (pp. 201–207).
  • Tibuzzi, E. (2018). Revisiting Stereotomic Principles in Contemporary AEC Practice. Nexus Network Journal. doi:DOI:10.1007/s00004-018-0406-8
  • Wiedenbeck, J., & Parsons, J. (2010). Digital Technology Use by Companies in the Furniture, Cabinet, Architectural Millwork, and Related Industries. Forest Products Journal, 60(1), 79-85. doi:DOI:10.13073/0015-7473-60.1.78
  • Yao, X., & Lin, Y. (2016). Emerging manufacturing paradigm shifts for the incoming industrial revolution. The International Journal of Advanced Manufacturing Technology , 85(5-8), 1665-1676. doi:https://doi.org/10.1007/s00170-015-8076-0
Toplam 35 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Mimarlık
Bölüm Araştırma Makaleleri
Yazarlar

Kamile Öztürk Kösenciğ

Yağmur Burcu Güneş 0000-0003-1348-4430

Yayımlanma Tarihi 31 Mart 2022
Yayımlandığı Sayı Yıl 2022 Cilt: 3 Sayı: 1

Kaynak Göster

APA Öztürk Kösenciğ, K., & Güneş, Y. B. (2022). Poetic and Artistic Aspects of Digital Fabrication in Architecture. Journal of Computational Design, 3(1), 1-18. https://doi.org/10.53710/jcode.1062471

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