Araştırma Makalesi

ASSESSMENT OF ARTISTS’ SOCIOECONOMIC AND WORKING CONDITIONS: THE EMPIRICAL CASE OF LITHUANIA

Cilt: 4 Sayı: 2 30 Eylül 2022
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ASSESSMENT OF ARTISTS’ SOCIOECONOMIC AND WORKING CONDITIONS: THE EMPIRICAL CASE OF LITHUANIA

Abstract

The main aim of this research is to explore existing methodologies for artists’ labour force and create artists’ socio-economic and creative conditions an assessment model. Artists have a dual aims in their creative working process: 1) income, and 2) artistic self-expression. The valuation of their conditions takes into consideration both sides: the factors related to income and the satisfaction for creative process and its result. The problem addressed in the study: tangible and intangible artists' criteria used for assessments creativity conditions. The proposed model includes objective factors (working time, income, etc.) and subjective factors (salary covering essential needs, self-satisfaction). Other intangible indicators taken into account: the impact on the common culture, social values, and the possibility to receive awards, to represent the country in the international market. The empirical model consists of 59 separate indicators, grouped into eight categories. The deviation of each indicator from the general evaluation allows identifying the strongest and the weakest components of artists’ conditions.

Keywords

Proje Numarası

This article was funded by the European Social Fund under the No 09.3.3-LMT-K-712

Teşekkür

This article was funded by the European Social Fund under the No 09.3.3-LMT-K-712 “Development of Competences of Scientists, other Researchers and Students through Practical Research Activities” measure. The research was partially funded by Lithuanian council of culture.

Kaynakça

  1. Bille, T. (2020). Artist's labour markets. In T. N. Ruth Towse, Handbook of Cultural Economics, 3rd edition. Rotterdam: Elgar.
  2. Baldin, A., & Bille, T. (2018). A latent class analysis of visual artists' working and living conditions. ACEI. Melbourn: ACEI.
  3. Banhamou, F. (2011). Artist's labour markets. In R. Towse, A Handbook of Cultural Economics (pp. 69-74). Edward Elgar Publishing.
  4. Caves, R. (2000). Creative Industries: Contracts Between Art and Commerce. Harvard University Press.
  5. Hesmondhalgh, D. (2013). The Cultural Industries (3rd. ed). London: Sage Publications.
  6. Frey, B. S., Pommerehne W.W. (1989). Muses and Markets: Explorations in the Economics of the Arts. Blackwell, Oxford.
  7. Menger, P. (2006). Artistic labour markets: contingent work, excess supply and occupational risk management. In G. V.A., & T. D., Handbook of Economics of Art and Culture. Volume I (pp. 765-811). Elsevier.
  8. Throsby, D. Z. (2010). Do you really expect to be paid? An economical study of professional artists in Australia. Australia Council for Arts.

Ayrıntılar

Birincil Dil

İngilizce

Konular

-

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

30 Eylül 2022

Gönderilme Tarihi

17 Mart 2022

Kabul Tarihi

29 Temmuz 2022

Yayımlandığı Sayı

Yıl 2022 Cilt: 4 Sayı: 2

Kaynak Göster

APA
Kregzdaite, R., Godlevska, E., & Vıdūnaıtė, M. (2022). ASSESSMENT OF ARTISTS’ SOCIOECONOMIC AND WORKING CONDITIONS: THE EMPIRICAL CASE OF LITHUANIA. Uygulamalı Ekonomi ve Sosyal Bilimler Dergisi, 4(2), 61-78. https://doi.org/10.46959/jeess.1089402

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