BibTex RIS Kaynak Göster

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Yıl 2013, Sayı: 3, 121 - 126, 01.06.2013

Öz

In this article, Chopin's Fantasie-Impromptu (Op. Posth.66) has been analyzed both structually and harmonically. Fantasie-Impromptu, is one of the most performed piece among Chopin's other works and the major beauty is because it is based on a balanced form. In this piece, each section is separated into sub-sections and outlined schematically. This study will absolutely make the pianists to perform this piece more consciously and needless to say, gain the ability and be able to carry out and express what the composer's conception was

Kaynakça

  • Stein, Leon. (1979). The Study and Analysis of Musical Forms. U.S.A: Summy-Birchard Inc.
  • Eigeldinger, Jean-Jacques. (1989). Chopin;Pianist and Teacher. Cambridge University Press
  • Spencer, Peter – Temko, Peter M. (1994). Practical Approach to the Study of Form in Music. Waveland Pr Inc.
  • Caplin, William E - Webster, James. (2009). Musical Form, Forms and MusikLehre; Three Methodologicial Reflections. Leuven University Press
  • Berry, Wallace. (1987). Structural Functions in Music. Dover Publications
  • Editor: Zimmermann, Ewald – Theopold, Hans M. (1974). Chopin Impromtus

Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi

Yıl 2013, Sayı: 3, 121 - 126, 01.06.2013

Öz

Kaynakça

  • Stein, Leon. (1979). The Study and Analysis of Musical Forms. U.S.A: Summy-Birchard Inc.
  • Eigeldinger, Jean-Jacques. (1989). Chopin;Pianist and Teacher. Cambridge University Press
  • Spencer, Peter – Temko, Peter M. (1994). Practical Approach to the Study of Form in Music. Waveland Pr Inc.
  • Caplin, William E - Webster, James. (2009). Musical Form, Forms and MusikLehre; Three Methodologicial Reflections. Leuven University Press
  • Berry, Wallace. (1987). Structural Functions in Music. Dover Publications
  • Editor: Zimmermann, Ewald – Theopold, Hans M. (1974). Chopin Impromtus
Toplam 6 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Makaleler
Yazarlar

Metin Munzur Bu kişi benim

Yayımlanma Tarihi 1 Haziran 2013
Yayımlandığı Sayı Yıl 2013 Sayı: 3

Kaynak Göster

APA Munzur, M. (2013). Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. Journal of Education and Future, 1(3), 121-126.
AMA Munzur M. Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. JEF. Haziran 2013;1(3):121-126.
Chicago Munzur, Metin. “Chopin’in ‘Fantasie İmpromptu’nun (Op. Posth. 66) Formal Ve Armonik Bakımdan Analizi”. Journal of Education and Future 1, sy. 3 (Haziran 2013): 121-26.
EndNote Munzur M (01 Haziran 2013) Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. Journal of Education and Future 1 3 121–126.
IEEE M. Munzur, “Chopin’in ‘Fantasie İmpromptu’nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi”, JEF, c. 1, sy. 3, ss. 121–126, 2013.
ISNAD Munzur, Metin. “Chopin’in ‘Fantasie İmpromptu’nun (Op. Posth. 66) Formal Ve Armonik Bakımdan Analizi”. Journal of Education and Future 1/3 (Haziran 2013), 121-126.
JAMA Munzur M. Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. JEF. 2013;1:121–126.
MLA Munzur, Metin. “Chopin’in ‘Fantasie İmpromptu’nun (Op. Posth. 66) Formal Ve Armonik Bakımdan Analizi”. Journal of Education and Future, c. 1, sy. 3, 2013, ss. 121-6.
Vancouver Munzur M. Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. JEF. 2013;1(3):121-6.